bump to the top

More thatn 5 years Experience in videography with Canon XL2, Lighting, experience, editing experience with Sony Vegas.

More than 20 years experience in still photograpy and lighting.

Experience includes shooting training, educational and marketing videos for extremely large corporation with very high standards.

Can see limited examples of work at advancedmedialab.com.

Not willing to relocate.

You can contact me at jredman@austin.rr.com

I'm an experienced documentary filmmaker with a Sony EX1 based in Boulder Colorado. I have my own production company called Soul Fabric Films and we're in pre-production on two projects right now. I also freelance for other producers at this time.

I shoot, direct and edit, and work with a wonderful sound person here as well. Am happy to travel for work.

My equipment is as follows:

Camera Package:
Sony EX1 - A true HD 1920 x 1080 variable frame-rate solid state camera and accessories.
I also have two 1-chip hand-held Canon HDV cameras that I'm using as "diary cams" for some of my projects.

Sound Kit -
Sound Devices 3-channel mixer
1 Lectrosonics wireless lav mic
2 Senheiser wireless lav mics
2 Senheiser shotgun mics (one with wireless transmitter)
Boom pole and accessories.

Lighting Package:
A very nice (and documentary friendly) lighting package for interviews and/or night scenes.
Includes a softbox key light, reflective fill, back light and background light.
Numerous stands and accessories (including a boom-pole mount).

I also have a great little 8 foot portable jib for some really smooth flowing establishing shots and interesting movement for interviews.
Multiple tripods.

I'm cutting with the most current version of Final Cut Studio (version 2).

Email me for a resume and to discuss rates for your next project.

Cheers,
Zachary

Hey guys.

Just about time for another bump to see if anyone out there is looking for 3d graphics services.

GG FX for tv spots/films - Full 3d tv ad production - 3D graphics for presentations

Cheers
Mat

I have a JVC HD-110, and a JVC CU-VH1-U and I use Premiere Pro CS2 and CS3. I'd be willing to capture this for you...how many hours are we talking, and do you have an external hard drive to supply? Hit me up with an email to wadespencer00 AT gmail.com

Thanks.

I'm getting into professional camera work for the first time. I am half way through college and need a means to pay for the rest of undergrad/grad school. I figured I would be better served investing in a camera (based upon my current skills/training/education) than working as a retail whore for 7 dollars an hour... Thus my current predicament.

My age isn't necessarily indicative of my work experience as my resume consists of having worked on numerous short films for sva/nyu/columbia grad/purchase college/numerous boston art schools. I'm an award winning director, have vast experience with NL editing (multi platforms), have been a cinematographer on multiple occasions, and have worked on film/dv/hdv/p2, and soon SxS.

I soon will be getting my spanking shiny new ex1 in the mail, and as such I will need work just to pay back a majority of the loan I am taking out to purchase it.

I am willing to help out on corporate jobs, weddings, shorts, full lengths, etc. I have a vast wealth of knowledge on almost every topic imaginable, and could be a help to anyone willing to work with a fast learner. My obvious weakness is my inexperience working in most specific fields of videography, however my obvious strengths are my dedication and hard work, in addition to numerous others that would become quite apparent after even a half hour of working with me.

I am willing to work while training free of charge, as long as after training there would be obvious economic incentive to said work.

I would love to be able to do work for free, however schools don't accept demo reals as currency, and neither does BH's "bill me later" financing program.

I am willing to travel anywhere in the New York tri-state area, and even as far as most of upstate new york.


Hope I can be helpful to someone,
Alex.

Please be aware of the forum layout -- moved from Sony EX1 to Helping Hands.

Could use some help lighting an upcoming shoot in the DFW area. Two days during the week of April 28. Looking for someone who can help add depth and interest to a variety of shots in a corporate workplace.

Will use a combination of our gear (minimal) + either small rental package or your gear if you have a kit. Must be able to work fast and improvise. Mostly static interview style shots. Looking for someone with a good eye and imagination that we can also work with in the future. Shooting XDCAM HD.

Contact me via email:

Russ Jolly
PixelPops Design
Richardson, TX
russ@pixelpops.com

Hey Alex,

It'll be a little different but you might try looking at temp agencies (if you haven't already), especially in the NY area you might be picked up for a PA job on a set there or you can check out the job board on your college (if you are at a film school) I know production companies sometimes try to fill their low positions that way. Try to be very careful on Craigs List or Mandy.com both don't have the greatest reputations for reliability or integrity, very few legitimate production companies advertise that way but you never know! You'll find that the film industry is quite different than video but I'm sure with a little ambition and hard work you'll find that the knowledge is very useful.

You could also get a job at B&H!

Best wishes,

To whomever moved this thread -- thank you -- I assumed this much would be done.

In regard to school - no I'm not at a film school - I'm currently at community college and am going to be going to suny purchase (most likely) as a Journalism/Media double major. I decided that undergradute film school would narrow down my possibilities in the real world too much, as well I figured it wouldn't give me quite the real world connections I would make at a graduate program. Thus I am trying to save as much money as possible while still making a life for myself doing what I love.

The idea mentioned above in regard to being a PA, I will too check out, however that will not sufficiently sustain my financial neccecities. 2 more years of undergraduate at state school = 20k, 2 years of graduate work at either USC or NYU (the only places in the States that will give you the sort of real connections you will need to be succesful) will run an extra 80k.

Therefore I would need to in a sense transform myself from merely a student, into a working-professional. I was not as fortuate as some other kids my age where I could get into a college and not worry about a thing (in fact I got accepted to NYU Liberal Arts program, but couldn't go due to finances). Therefore I will need to work my ass of in order to insure a better future for myself. This I'm not opposed to, however my current problem is the transition. I need to be able to take that "next step", because otherwise school would be unattainable. It is not impossible as there are numerous working professionals in the videography/film industry my age who are less talented/intelligent/experienced than myself, however I reach a snag due to the fact I currently am enrolled at a community college.

Still hoping someone could use a talented cameraman with an ex1,
Alex.

PS - In regard to coorporate gigs, I have a lot of experience in terms of marketing. Therefore would be able to contribute significantly in terms of the creative aspect to the production.

I take it transport To/ From India is off the menu? (Who am I kidding with that one?)

I usually don’t work for free unless services can be traded for example I’ll be a cameraman for a TV station for a day if I’m allowed to use an editing system for my own personal projects. India is one of the places that I though about traveling to and if this offer included roundtrip airfare, I’m in. I know that’s too good to be true.

Maybe I’ll pray that you come up short in your crew so that you’ll be forced to offer roundtrip airfare.
Just joking.



By the way, if I were you, I’d make sure to have a lot of behind the scenes footage so that you can put it in the extras of a DVD or HD disc. That should make it a lot easier selling your film.

Can I just take this a bit off track? I don't want to start a flame war here, and if I accidentally do, I'm sure this'll be deleted anyway.

I understand getting a college degree, but I'm not sure about the graduate degree. The thing is, in this industry degrees really don't mean anything! You don't need one to succeed, and chances are that anything technical you can learn in school you can learn on the job or as a trainee, for pay. The point is, whatever your passion/career is in the industry (writer/director/cinematogarper), you might be barking up the wrong tree trying to accrue 80K for schooling you don't really need to get jobs. Why not finish your community college degree and just get out there and work? If anything, go to grad school for something totally unrelated that you can fall back on should this whole industry not work out for you. Unless you want to teach, that is, and need the grad degree. In that case, disregard.

Josh you bring up a good point. An advanced degree isn't necessary but you would be surprised to know that a lot of people in upper management usually have advanced degrees. I know several producers that have advanced degrees in various disciplines (from art to law to business, sometimes a combination). Everyone is different and and their objectives are different as well. Alex may want to eventually get into a major motion picture company. The corporate type of people in charge of that kind of organization are impressed with advanced degrees (of course having talent doesn't hurt either) so the 80k in investment could really pay off with that. Of course Alex may be the type that always wants to learn and grow in a university situation. Having an advanced degree also means that later on in life he may also want to teach.

I have to agree, an advanced degree, would just set you back a ton of money and probably you'd have a good bit of experience less than if you were actually working in the field. Finish your undergrad to make sure it's what you want to do, and if you can't pay for it, take some time off and work in the area. Nobody said you have to go straight through. Everyone is right here, a reel will say much more than any piece of paper you can present, even if it comes from NYU or USC.

I usually don’t work for free unless services can be traded for example I’ll be a cameraman for a TV station for a day if I’m allowed to use an editing system for my own personal projects. India is one of the places that I though about traveling to and if this offer included roundtrip airfare, I’m in. I know that’s too good to be true.

Maybe I’ll pray that you come up short in your crew so that you’ll be forced to offer roundtrip airfare.
Just joking.



By the way, if I were you, I’d make sure to have a lot of behind the scenes footage so that you can put it in the extras of a DVD or HD disc. That should make it a lot easier selling your film.

I wish! Thanks for the tip though.

Here's the thing. I'm probably going to major in editorial journalism for the rest of undergraduate school, as that degree alone will give me numerous options, yet even for this I will need to save up money to pay for (still requiring me to find work in the meantime).

As far as film/video is concerned, I love it. I'm a nervous wreck when not working, and when working, I feel as if I'm an old mariner out at sea. That is why I know that is what I will pursue with life.

The plan is to build up a demo reel while finnishing my undergradute program, and then ultimately go to that grad school so that I can make connections.

That is the biggest thing, as filmmaking is a collaborative art form.

I'm not saying this to be cocky, or snide, or whatever, but I can honestly tell you that I know more about filmmaking than most of the NYU/USC grad school students do by the time that they graduate. However, right now I am sitting in my parents basement finnishing up my english HW that I don't care about, and talking online in a forum with you guys.

No offense, but I much rather be out there making professional independent feature films. The reason why I'm not is because I neither know the right people to get me the work, or the right collaborators to create a great low-budget product with (when I work it has historically been me having to be a slave driver, as I'm the only one on set who has a working knowledge of the tools/techniques neccesary to put together a film).

So therefore, unless someone could either introduce me to Ron Howard, or would want to collaborate on a full-length feature film in the westchester new york area, economically this tends to be the best option.

As well, in regard to those "collaborators". Film school kids tend to be clicky. They will get each other jobs as they know each others work moreso than most other people in the field. Thus, unless you REALLY make a name for yourself independently, chances are you will be best served getting by with a little help from your friends.

Here's thing thing. I'm probably going to major in editorial journalism for the rest of undergraduate school, as that degree alone will give me numerous options, yet even for this I will need to save up money to pay for.

As far as film/video is concerned, I love it. I'm a nervous wreck when not working, and when working, I feel as if I'm an old mariner out at sea. That is why I know that is what I will pursue with life.

The plan is to build up a demo real while finnishing my undergradute program, and then ultimately go to that grad school so that I can make connections.

That is the biggest thing as filmmaking is a collaborative art form.

I'm not saying this to be cocky, or snide, or whatever, but I can honestly tell you that I know more about filmmaking than most of the NYU/USC grad school students do by the time that they graduate. However, right now I am sitting in my parents basement finnishing up my english HW that I don't care about, and talking online in a forum with you guys.

No offense, but I much rather be out there making professional independent films. The reason why I'm not is because I neither know the right people to get me the work, or the right collaborators to create a great low-budget product with (when I work it has historically been me having to be a slave driver, as I'm the only one on set who has a working knowledge of the tools/techniques neccesary to put together a film).

So therefore, unless someone could either introduce me to Ron Howard, or would want to collaborate on a full-length feature film in the westchester new york area, economically this tends to be the best option.

As well, in regard to those "collaborators". Film school kids tend to be clicky. They will get each other jobs as they know each others work more so than most other people in the field. Thus, unless you REALLY make a name for yourself independently, chances are you will be best served getting by with a little help from your friends.

wanted to run this by anyone who may be interested. Im in eastern va area. Nothing is concrete or set in stone but im hoping to do my first film(suspense type) this year if all goes as planned. The only thing i have now is a camera and an idea. Wanted to shoot it out to see if anyone may be interested. I realize its hard to say one way or another without details but im looking for future possibilities.

We are looking for a Multimedia Associate who has demonstrated their ability to use the tools of the trade to create compelling videos.

Faithbridge is a growing church in NW Houston. We have a fast-paced production environment, and we value the delicate balance between excellence and time management.

We are looking for individuals who know how to tell a story. While additional training and development for this individual are available, the person we hire will be able to demonstrate a solid grasp of the tools of the trade and an eye for compelling storytelling. Above all, we are looking for an individual who is curious and continues to learn as technology and methods evolve.
Knowledge of tools used would include (but not be limited to) video cinematography, both studio and "field" (Canon XL2, JVC HD250, etc.), lighting, audio, and post-production tools such as Final Cut Pro, Motion, and Photoshop.

Please send your resume to justin.teague@faithbridge.org.
Serious inquires can call the church at 281-320-7588, ext. 118.
A sample of your prior video production work will be required.

I'm local...in Southern California and shoot with a Canon XHA1.

Email me at moviecarz@cox.net

I'm local...in Southern California and shoot with a Canon XHA1.

Email me at moviecarz@cox.net

Sorry Craig, you're one week too late. NAB was last week.

-gb-

Yes, bit too late...

Next occasion will be CineGear in LA, June 2008.

guys - I have 3 betacam SP tapes that I need dubbed to either VHS (SVHS or even regular would be ok) or beta or minidv .. it's probably not worth it for me to rent a deck for this - I'm in NJ although that may not matter...

anyone able to do this for me? let me know how much .. obviously not looking to spend a mint doing this

I think I can get PM's on this board (?) or if you post your email addr. (acceptable?) I can email you

TIA

sorry about the typo in the title - looks like I can't edit that once the post is in

where I live i usually take this kind of thing to a TV station.

I can do those for you...email sent

Hi,

Located in Perth, Western Australia.

I have a wedding this Saturday the 26th of April and my regular guy has just said he can't make it.

The job involves some travelling on the day as it is outside of the metro area (you will be compensated for this). I have all the gear - just need someone to shoot.

Could turn into some regular work if you are good enough.

Please e-mail me chrisb@smallpackagefilms.com if interested.

Ok - found someone.

Thanks.

I'm looking for somebody to shoot a wedding for me on July 5th in Mississauga, Ontario. You don't have to be local though.
It has to be shot in HD, and it has two be two cams. One can be smaller (like HV20).
Any kind of stabilizer (glidecam, merlin) is a HUGE plus.
It's a one shooter package (around 16h). I'm already booked that day, but for various reasons I need to do this one too.

If somebody is interested, please contact me with your demo and pay expectations plus travel cost, if you' re not local.

Thanks

I bought a Libec tripod from global media pro. I enquired about sending a couple of products up to save on postage but my enquiry was never answered. They are terrible at answering emails, which is the only form of communication you have to deal with them. No address or telephone number.

The mid level spreader broke within days of its arrival. Once i finally received an answer about returning or fixing, it becomes clear they have made it REALLY difficult to return or fix the item without jumping through loads of hoops.

I've seen so many questions about this company, mostly unanswered. My experience with them was negative. If anyone has any advice about replacing the sprung screw on the ls22 libec mid level spreader that would be great too.

Hello all-

I will be producing a trailer for a feature film in the last two weeks of May, or first two weeks in June. All crew positions are open. Paying $50 to $100 a day. 12 on 12 off. Shoot me emails with resumes to producer@cliffhanger.com.

If you are reading this and even if you are not interested in a position on the project, but you are in the Kern County / Antelope Valley area contact me just so we can network.

R. L. Appling

Just giving myself a bump.
I'm looking for work and some more experience so if anyone needs a hand/cam on a shoot then give me a shout.

A demo of a show i recently shot is on the vimeo link below,i covered it on a couple of nights from a few angles but the clip only shows one angle. It was just a taster to get the cast to buy some dvd's, (it worked,,,about 40 times).

www.vimeo.com/paulkellett

Thanks.
Paul

Like I always say,

"When you work for free that's what your work is worth - nothing."

I have been asked to put together a four camera HD dance shoot
on 9/9-11/08 (Tues-Thurs). It will take place in The Arthur Miller Theater
at The University of Michigan in Ann Arbor and will hopefully be broadcast
on PBS.

I am looking for XL-H1, XH-G1 and XH-A1 owner/operators.
Camera operators will have a four hour call each day.

If you are interested in a well paying gig please let me know.

<jacmer@umich.edu>
__________________

Hello all,
My company is in need of an extra hand in the Web Development sector. We are doing a full re-design of a site completely in HTML, JavaScript, and CSS. The site is complete except for some neccessary elements that must be done in JavaScript. If you are strong in this area, please PM a link of some of the work you have done, and/or your experience. The job is in it's final stages and should be completed within 3 weeks. If you are chosen to assist, payment will be discussed via email or phone. You do not have to be local! We just need to finish the job.
Upon completion of the project, with your permission, your information will remain on file for future jobs.
Thankyou

-JS

I'm looking for a cameraperson to do a 2-3 day shoot at a school in london.

Sorry, i can't confirm the dates right now but we're talking early/mid May. I should know the exact dates by the end of next week.

The final film will go to DVD so Standard Def is ok, though HD is preferable as clients may want to update the project later. Having said that i'd consider a large SD camera with a nice lens like a DSR or Digibeta.

Middle sized solid state cameras like the Sony XD cam,EX or Panasonic HPX etc would be ideal. I myself own the Canon XHA1 so an XLH1 would match nicely as i expect to be doing some shooting myself.

A good knowledge of capturing broadcast quality sound would be an advantage. A basic interview lighting set-up would also be helpful.

Because we'll be filming in a school, CRB certification is also a plus.

Please email me with your CV/showreel as well as pay expectations, to

bluekitevideo@mac.com

There may well be other opportunities for similar work in the future for the right person.

Thanks

Dom

bump.........

Los Angeles/Hollywood. Need a sound guy who knows his way around a digital field mixer and digital recorder for 2 days. May 31st and June 1st. Sat and Sun.

This is for a Major Hollywood Director/Producer. Great opportunity. If piece goes to series. Original crew will be on board.

Contact Joe Wilson - dubb57@hotmail.com

Need a Gaffer May 31st and June 1st. Sat and Sun. Los Angeles/Hollywood

This is for a Major Hollywood Director/Producer. Great opportunity. If piece goes to series. Original crew will be on board.

Contact Joe Wilson - dubb57@hotmail.com

It's helpful to indicate what sort of payscale is involved, and what the scope of the job is. I could point you to a lot of great gaffers but it all depends on the rate.

Do you have positions for someone without a lot of experience? I Have only worked on my own projects, making instructional videos. I have a fairly extensive knowledge of audio, but none as it pertains to film making like you are doing. I will also email you, I thought a bump here might help :)

"Major Hollywood Director/Producer"

what's a major hollywood director/producer doing without a list of gaffer names they worked with in past ?
past gaffers & DP's etc have no names to pass on to the producer ??
no favors called in ??

based on experience i would guess no pay or extremely low pay...
but/and there could be opportunity here ..
be sure to ask questions & get the fine details !

"Major Hollywood Director/Producer"

what's a major hollywood director/producer doing without a list of gaffer names they worked with in past ?
past gaffers & DP's etc have no names to pass on to the producer ??
no favors called in ??

Well Don, the Director is actually writing this project and has allowed me to put the shoot together, thus the post. I could ask him for his contact list, but then what would he need me for?

If you're interested, email Joe, at dubb57@hotmail.com. Great opp!

It's helpful to indicate what sort of payscale is involved, and what the scope of the job is. I could point you to a lot of great gaffers but it all depends on the rate.

Charles,

We're not sure of the final budget, but it's at least $100-150 a day subject to increase. Easy shoot. Great networking opp.

Charles,

We're not sure of the final budget, but it's at least $100-150 a day subject to increase. Easy shoot. Great networking opp.

Wow.

You can get a qualified LA gaffer for 10-15 bucks an hour???

Amazing.

I've got to start thinking about staffing my Phoenix shoots out of LA!

Just think, I can pay that day rate PLUS provide a ticket on Southwest coming and going EVERY DAY and STILL save a boatload of money over hiring local talent.

Sweet.

Hey All,

Need a sound guy for a simple gig, should be 3-4 hours, but need 8 people sitting around a table to be mic'd. Sadly this is a low pay gig, but there will definitely be some money in it.

Thanks,
Matt

Wow.

You can get a qualified LA gaffer for 10-15 bucks an hour???

Amazing.

I've got to start thinking about staffing my Phoenix shoots out of LA!

Just think, I can pay that day rate PLUS provide a ticket on Southwest coming and going EVERY DAY and STILL save a boatload of money over hiring local talent.

Sweet.

Comedians.

Low budget shoot. Great Opportunity for those who need the experience and contacts.

Not trying to offend anyone with the low rate, but it is low budget. If you need the experience and contacts, email Joe, at dubb57@hotmail.com.

anybody...?

anybody...?

Not my expertise, but have you tried: www.getacoder.com or www.getafreelancer.com there are lots of 'm up there.

Although a lot of people from "all over", also many U.S. and U.K. freelancers.

George/

Sounds like a typical CraigsList posting.

Does anyone have a couple of 16GB (or 32GB) P2 Cards that they would be willing to rent out for Sunday, May 29th (1 day shoot)?

Thanks

Joe