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Erez Henya December 7th, 2008, 04:24 PM You're good! I thought the music went pretty well with the video. I liked that it changed to a dark music when the girl shut her book.
Did you use a program to make the music?
Thank you, Eric!
Although I hoped it would, the score used in the film was not recorded by live musicians due to a limited budget, but I certainly hope to work with live musicians next time!
Erez Henya December 9th, 2008, 04:59 AM Hello, my friends,
I thought you'd like to know that I have just posted two videos containing samples from my music, for your convenience.
The first, Teacher's Pet Symphonic Suite (Short Preview), presents samples from the symphonic suite based on the
score I did for Teacher's Pet. It is available in HD and high quality audio in Vimeo (recommended), as well as in YouTube: (Total length: 1:07)
Vimeo: Teacher's Pet Symphonic Suite (Short Preview) on Vimeo (http://www.vimeo.com/2338504)
YouTube: YouTube - Teacher's Pet Symphonic Suite (Preview) (http://www.youtube.com/watch?v=U8qVNQ2NblQ)
The second video, Original Music Samples by Erez Henya / Drama, was uploaded today, and contains six drama
samples which I have selected for you. Let me know what they make you feel...
(Total length: 1:43)
Vimeo: Original Music Samples by Erez Henya / Drama on Vimeo (http://www.vimeo.com/2462841)
YouTube: YouTube - Original Music Samples by Erez Henya / Drama (http://www.youtube.com/watch?v=0YsPVWdgNkM)
Screenshot: http://erezhenya.com/stuff/vid_sh.jpg
Thank you for watching-listening, your comments are encouraged and welcome!
Take care,
Spike Spiegel December 9th, 2008, 10:16 AM Seeking a guide/fixer that can communicate with the locals,can arrange fliming permits and various logistics locally, as well as arrange a travel crew production to be set in the desert. Rentals can include anything from generators to cars to lighting, etc. Shoot for 12 days. Any prior experience dealing with permits, and officials, etc. will be very helpful!
Any leads or responses appreciated! Pls email me via Dvinfo or just respond here
Jeff Zimmerman December 10th, 2008, 02:53 PM Looking for two to possibly three shooters to cover a boxing event in Puerto Rico. Currently I have rough details on the show but I wanted to get an idea of who's available in Puerto Rico.
This will be a boxing event covered by three cameras. One camera being myself and two others.
SD or HD - preferred matched cameras.
List your camera and any other equipment. Experience and online reel.
Nathan Quattrini December 11th, 2008, 01:51 PM I am looking for someone who can help me get a good clip of the sun with clear blue sky. The sun should be either centered or slightly off center, kind of big, minimal lens flare. I tried doing it with my Canon A1 but don`t have a good enough CP filter and it looked horrendous. I am trying to get a shot like in Westerns, to show that noon has arrived and its time for a showdown. I am also located in the North East so the sun barely gets off the horizon into the really blue part of midday sky. So I would think someone in the south would have to try if anything. I have a good ftp that I can set up an account for you to upload to, and can give credit in the film. If anyone can give me a hand please let me know.
Also if it could be hdv that`d be great, movie was filmed on a Panasonic HVX200
David Clark December 11th, 2008, 05:22 PM Try here too: RevoStock: Affordable Stock Video Footage, After Effects Projects, Music and Sound Effects (http://www.revostock.com)
Philip Gioja December 11th, 2008, 09:11 PM Cool -- that's the most affordable stock footage place I've seen. Thanks!
Dave Blackhurst December 12th, 2008, 01:35 AM I live in the desert (Southwest)... out where many of the old Hollywood westerns were shot! Roy Rogers and Dale Evans hung out just down the road a piece, even! Trigger was immortalized just off the local freeway 'til they moved it all to Branson and put up a car lot...
I'll see if we get a couple sunny days - been pretty cloudy here lately, and we are hoping for some SNOW!!! If you've got a couple days, I'm sure I can snag something.
I can stack CP's if needed on SR11 or CX12, should get you something nice. I'll PM once I get something. I have a couple WA lenses that get some cool lens flare too, which I'm a big fan of, call me silly, though you say you'd rather not have flare.
Kirk Marple December 12th, 2008, 12:37 PM We're looking for experts in Avid/Final Cut Pro, experienced video compressionists, ProTools gurus, or others with expert-level media experience.
We have part-time email technical support positions available to assist our customers with their questions on integrating their workflows with our media transformation platform. (RadiantGrid Technologies | Products & Services (http://www.radiantgrid.com/products))
When customers have issues setting up encoding settings, questions on integrating with Avid or Final Cut, or problems understanding how to prepare content for broadcast or online distribution, we have openings for experienced folks to help answer those questions.
We'll pay biweekly (PayPal, if desired) on an hourly basis (prorated to 15min increments), and can work around your schedule. These would be "on-call" positions with no fixed commitment. Looking to fill East Coast and West Coast based positions, or anywhere in between.
If this sounds interesting, please contact me at jobs@radiantgrid.com.
Thanks,
Kirk
Dave Blackhurst December 12th, 2008, 03:55 PM After the ugliest morning in recent memory (thought it was going to snow!), the clouds parted and I got some stuff that may be usable - I'm going to run it through Vegas with some filtering, but I think I've got something that might be usable. I've got a couple minutes worth, but I'm going to chop some out as the cam did some freaky things when I closed up the dual CP's - got some interior shots of the camera!
PM me and I can upload the files to my server once I get them cleaned up a bit. I'm pretty sure there's enough to pick and choose from (and you can always time stretch) that you can pull the needed few seconds!
Nathan Quattrini December 12th, 2008, 04:10 PM Dave that would be awesome. So long as you don`t mind trying a few things I wouldn`t mind trying a few out in the film :) It is an over the top comedy, so perhaps the WA lens may be even better heh.
This is a password protected video on Vimeo (http://vimeo.com/2509093)
password : nathan
Thats the scene it'll be going in so you get an idea. Doesn't tell you too much about the scenario but you get a visual
Gary Nattrass December 13th, 2008, 03:15 PM Sounds very interesting and right up my street, its a shame I live in the UK and good luck with finding a suitable candidate.
Kirk Marple December 14th, 2008, 04:30 PM Actually, Gary, please do apply if you're interested.
I was focusing on having wide coverage for timezones, but wasn't intending to restrict to US-only.
Omar Torresola December 15th, 2008, 05:05 PM What date is the event? Personally, I have a Canon XL2 and know of others that have one. If you are looking for rental equipment, I can put you in contact with the main film productions companies in PR.
Jeff Emery December 16th, 2008, 06:22 PM First off, this is not a Craig’s List post. You would be paid well if you’re hired.
One of my clients is looking for a shooter in the central Houston TX area. The job would call for availability when needed, on short notice, over the course of the next 4 or 5 months. This is a great opportunity for a one-person production outfit.
The client requests that you shoot in HDV widescreen, recorded to miniDV tape, using a pro level camera. You should be competent in your video recording skills, able to capture good clean audio, a good listener, and able to carry out the directives of the client.
The subject of the project is the restoration process of a classic automobile. You’ll essentially be documenting certain activities during the restoration process. The project is expected to span over the next 4 or 5 months. There will be NO set shooting schedule. You may shoot for a couple (or several) hours one day and then not again for days or weeks. Then again, you might shoot everyday for awhile. As I said, there is no set shooting schedule. It’s a matter of being available on short notice (at least a day or two) when the restorer is doing something that needs to be videotaped.
You’d be responsible for recording raw video and audio. So, you need a camera and audio capture gear. No editing would be required. However, you may be asked to burn a DVD copy of the raw footage so the client can view it. All video and audio would be turned over to the client who retains rights to all recordings.
Basically, if you’re a competent videographer with some experience, are a good listener, possess good interpersonal skills, you could likely handle the job.
My role here is merely to help my client find a qualified videographer in the Houston area. Any contracts, negotiations, payments, etc. would be between you and the client. I would not be involved in that at all.
I can tell you that the client is video savvy and knows what a fair price is and what’s overpriced. I think they pay pretty damn good. Of course, that’s all subjective.
If you’re interested, drop me an email at info@jeffemery.com.
Please supply an equipment list (of what you will be using for video and audio capture), previous professional experience (and professional education if applicable), and your rates for shooting the raw footage. You could include your editing rate too in case they want to know. Remember too. In pricing, they would rather have an all-inclusive type price. That is, they expect that you are going to use a camera and some audio recording device. Give them your rate using that gear. They are not into a bunch of different prices based on a bunch of different gear packages. They want it shot HDV to miniDV cassette and good clean audio. Let them know what you charge to deliver what they ask for.
I will pass along the information to the client and they will decide who they want to speak more with about the project. The car is in Houston now and the restoration process will begin shortly so don't waste time. Respond now if interested. Next week may very well be too late.
That’s about it. Email me for additional info.
Jeff
Michael B. McGee December 29th, 2008, 09:16 PM I'm a Sony EX1 owner/operator working in the Los Angeles area and willing to travel. I'm looking to work and collaborate with as many talented people as I can. Please contact me regarding your upcoming project at:
Mike McGee
310.500.7997
mikemcgee@hotmail.com
Michael B. McGee December 29th, 2008, 09:17 PM Hello there,
I currently live in the Los Angeles area but have deep roots in Traverse City, MI. I'm a Sony EX1 owner/operator working in the Los Angeles area and willing to travel. I'm looking to work and collaborate with as many talented people as I can. Please contact me regarding your upcoming project at:
Mike McGee
310.500.7997
mikemcgee@hotmail.com
Bruce S. Yarock December 30th, 2008, 07:38 PM I'm in Broward county and would like to get together with someone who is experienced shooting with the 35mm adaptors. I shoot with a Canon H1 and A1, and have been practicing a lot with the Letus extreme and Nikon primes. I'm at the place where I need some hands on help from someone with a lot more experience than I have. Obviously I'll compensate .
bruce yarock
Yarock Video and Photo (http://www.yarockvideo.com)
yarock at a o l dot com
Steve Siegel December 31st, 2008, 02:50 PM Bruce,
I shoot a Canon XLH 1 with the 35mm adapter and 100-400 zoom. I live in Miami Beach.
Happy to help. E-mail at oporornis@yahoo.com.
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