Stephen Pruitt
January 6th, 2007, 10:46 PM
Hi all. . .
Okay, I've read the posts. . . including answers to a few of my own.
It seems that while the HVX's various settings will reduce noise levels (B.Press gamma, Detail Coring turned up, etc.), adequate lighting is also key.
But this suggests the following question:
It would seem that, no matter how much light one pours on a subject, gray will absorb almost all of the light, reflecting little. Thus, it would seem that grays will always be noisy, regardless of light levels (and I now have a lot of Arri lights to throw at things!). Blacks can be pitch black and noiseless, but grays and other super dark colors are aways going to be an issue, right?
How then, does one deal with dark, noir subjects using the HVX? Or do they?
Thanks much.
Stephen
Okay, I've read the posts. . . including answers to a few of my own.
It seems that while the HVX's various settings will reduce noise levels (B.Press gamma, Detail Coring turned up, etc.), adequate lighting is also key.
But this suggests the following question:
It would seem that, no matter how much light one pours on a subject, gray will absorb almost all of the light, reflecting little. Thus, it would seem that grays will always be noisy, regardless of light levels (and I now have a lot of Arri lights to throw at things!). Blacks can be pitch black and noiseless, but grays and other super dark colors are aways going to be an issue, right?
How then, does one deal with dark, noir subjects using the HVX? Or do they?
Thanks much.
Stephen