We have a full retail edition of Final Cut Studio v5.1 with box, manuals and disks that was purchased when we needed to use an additional computer for a large project. The computer was sold after the project and we now have the full box set with some of the manuals still in shrink wrap. This set is being sold legitimately based on Apples rules for sale and is fully upgradable.

Cost is $495.00 Payed by PayPal. or credit card via PayPal

Shipping insured in CONUS $17.50

Pickup in Atlanta is also possible.

Call 404.395.0292

or contact me thru this site.

Thanks,

Richard
2K-Plus
Atlanta

Sent you some more photos, Bradley. If anyone else is interested, I will forward the links. Thanks!

PICK UP In NYC if preferred.

Price has dropped to $300.

I am selling one of my three HD100's to help expense for a smaller handycam style camera. The one I am selling has only 93 drum hours and absolutely no signs of wear. It's basically been in a case for most of it's life because we rarely need a third camera. The lens has zero scratches and all of it's accessories are in top notch condition. It was bought brand new last year so it has the (A) upgrade that allows it to interface with a DR-HD100. It also has the latest firmware.

Also included:

An Anton bauer battery system which consists of one Dionic 90 battery, Titan 70 charger, and battery plate. The Dionic 90 battery will provide around 4-6 hours of power. The Titan 70 charger is brand new (factory sealed in original packaging). This is everything you need to power the HD100.

Everything included:

1. JVC HD100u camcorder (includes body, viewfinder, microphone, and earpiece)
2. 16x Fujinon HD lens w/ lens hood & caps
3. HD100 battery charger
4. HD100 Battery
5. HD100 screws and mount cap(protect it when lens is removed)
6. Hd100 Instruction Manual
7. Fujinon lens Manual
8. HD100 Original Box and packaging
9. Anton Bauer Titan 70 Charger (brand new)
10. Anton Bauer Dionic 90 Battery
11. Anton Bauer battery plate for JVC HD100
12. Instructions for Anton Bauer system


I am asking $3500.00 O.B.O

It will be shipped in it's original packaging.

I have never sold anything on here so you are welcome to check my ebay feedback: http://myworld.ebay.com/gotbited

If you have any questions or want to see pictures, feel free to email me at video.jonathan@gmail.com

bumpity bump bump

still available

If anyone has one sitting around I'll buy it. Thanks.

Hello everyone, I live just north of Dallas, in a small suburb, and I'm looking for an XL2 to purchase. I would hope the seller to be close by, so that I could personally inspect the camera before I purchased it. But that's in a perfect world...

4750 plus shipping OBO

torrey
1-225-315-6677

Please email me Nick.

I bought this to use with my XL-2. I used it off and on for a few months then decided it was not entirely necessary for my needs. Maybe it will be for yours. Cavision Rod Support system (15mm rods) RS-15IIM and Dual Handgrips (mount to 15mm rods) RHD1560

FOR RODS:
http://www.cavision.com/rods/minidv.htm

FOR HANDGRIPS:
http://www.cavision.com/rods/RS15HD.htm

I am selling these together as one unit. Both are in great shape. There are some very minor scratches to one bolt area but both pieces are like new
and work perfectly.
I am asking $85.00.
Feel free to e-mail me with any questions.
Thanks.

NEW INFO: 8/20/08. Sorry, everyone. I forgot to add shipping charges.
$13.00 in the U.S. (sorry, rates are constantly going up) If you live outside the U.S. please let me know exactly where.

Also, I am only taking Paypal instant bank transfer. Sorry, no credit cards or eChecks as the hold time
is too long in some instances.
Thanks!

Email sent

email sent

I will throw in something free for the XHA1 worth up to $80 with this sale. Email me for more info.

I have one of the coveted Canon 16x Manual XL series lenses that is in perfect condition which I have decided to sell.

I sent it to Canon last month to have it looked over before I sold it. There was a small scratch on the front of the lens, so I had the glass replaced. Everything else checked out perfectly. It is literally like new! I will include the paperwork from the Canon repair.

This is a fantastic manual with a built in servo motor you can engage if you want to zoom via your camera rocker or LANC controller.

It sells for $1,300 plus shipping at B&H.

Asking $900 which will include all Paypal fees and shipping in the continental USA.

Here is a link to the lens on B&H:
http://www.bhphotovideo.com/c/product/231713-REG/Canon_7122A002_16_1_Manual_Servo_Zoom.html

Here is a link to our website with actual pics of this lens:
http://www.creativejuicesvideo.com/Main/Gear_for_Sale.html

Thanks,

Vence

Gabe,

I've got a 16x. Here's the thread:
http://www.dvinfo.net/conf/showthread.php?p=811282#post811282

-Vence

Really? Not a nibble? I will pay for shipping, FedEx Ground, and to transfer the Extended Warranty ($20-). Prefer payment through PayPal.

This lights are new and never used.

Redhead 150-650 watts with thermal laps: 110$
Power: Max 650 watts but can accept bulbs from 150 to 650 watts
Voltage: 110V-240V ( depend on the bulb voltage )
Bulb Soket: Gx6.35
Mounting: Spigot 16 mm
Power Cable: 3.5m with in-line illuminated switch and European power plug
Weight: 1.4 Kg
Material: Aluminum
Color Red

Redhead 800 watts with thermal laps : 130$Power: Max 800 watts but can accept bulbs from 500 to 800 watts
Voltage: 110V-240V ( depend on the bulb voltage )
Bulb Soket: R7s
Mounting: Spigot 16 mm
Spot/Flood Angle: 38 °/ 62 °
Power Cable: 3.5m with in-line illuminated switch and European power plug
Weight: 1.8 Kg
Material: Aluminum
Color Red

Blondie 2000 watts : 200$Power: Max 2000 watts
Voltage: 110V-240V ( depend on the bulb voltage )
Bulb Soket: RX7s
Mounting: Spigot 16 mm
Spot/Flood Angle: 33 °/ 72 °
Power Cable: 3.5m with in-line illuminated switch and European power plug
Weight: 4 Kg
Material: Aluminum
Color Yellow

Note: All the lights include 4 leaf barndoors and thermal laps.
Payment : Trought PayPal or Bank Wire Transfer
I’m from inside UE borders ( Romania ) so prices include all the taxes ( VAT , Custom Fees ).Those from UE will pay only the product price and no extra taxes.
Shipping : with EMS registered mail or with Cargus: door to door delivery ( where is possible ).
For more informations please contact me.

Pictures HERE (http://dvxuser.com/V6/showthread.php?t=122434)

Very tempting... trying to come up with the cash. Maybe after I get my tax return? Are you in a hurry to sell?

I'd like to have it sold yesterday, but, for all I know it could still be sitting here when you get your tax return. This time of year, people recovering from the holidays, thinking about taxes... Could take a minute.

Hi,

I'm looking for handgrip(s) and shoulder brace/support to attach to my Cinevate 45cm rail system which has 15mm rods.

My biggest concerns are low price and light weight :) I live in Finland.

Thanks!!

Sami
sami /at/ fonal.com

Hello everyone, I live just north of Dallas, in a small suburb, and I'm looking for an XL2 to purchase. I would hope the seller to be close by, so that I could personally inspect the camera before I purchased it. But that's in a perfect world...

Hey, fellow The Colony person. Ironically enough, I have an XL-2 and live in The Colony, but it's not for sale. I happen to know for a fact though, that there are a lot of people who sell their XL-2's in North Texas through craigslist. I don't think there are any up right now, but I see some every month. Go to this link and check it out:

http://dallas.craigslist.org/pho/

I have two (2) 20 foot extension cables for the PT-20 camera turret in excellent condition available for $70 each. I used these cables for two weeks, but then we reorganized our multi-cam setup and we no longer need these 2 extension cables. I paid about $100 each for these cables, and they work very well.

Please let me know if you are interested in one or both of the extension cables. I am in East Palo Alto, CA, and will ship within one business day of receiving payment. I accept Paypal and the buyer will pay for shipping. Please contact me if you have any questions - I can also send you a picture of the extension cable if you are interested - thanks,
Matt Martin

Powerbag Junior for sale. Best offer.


I have a new and unused Powerbag Junior for sale. An extra one was ordered by mistake. It powers the Focus Enhancements hard drives for various cameras for 9 hours. They won't take it back because I have mislaid the power supply/wall wart.

I am in LA.

Power supply/wall wart for maybe $15ish at Ametron.

Email me an offer. harry323@pacbell.net

Harry.

Hey, fellow The Colony person. Ironically enough, I have an XL-2 and live in The Colony, but it's not for sale. I happen to know for a fact though, that there are a lot of people who sell their XL-2's in North Texas through craigslist. I don't think there are any up right now, but I see some every month. Go to this link and check it out:

http://dallas.craigslist.org/pho/

HI, and thanx. yeah, I've seen a few on there, but I haven't looked lately, but thanx for reminding me...AND teasing me, lol. I've also perused eBay a bit, but you really need to watch who you buy from on there. Heck, with the prices they have, I might as well buy from B&H and save the S&H costs. Which I probably will do, if I don't find anyone with a considerably lower amount. I had seen another ad here in the classifieds from a member selling an XL2, and he even gave his eBay nic to verify...which I'm glad I did, lol. He had quite a few negative remarks, that convinced me NOT to buy from this guy.

I've had nothing but good service in the past, when I have used B&H to buy my still photog stuff. Plus, I like that fact that I save $$ on the S&H!

BUT...I am still in the market, and probably will be fora at least another 10 days or so.

Thanks again!

Eric,

I've send you an email, Let me know, I'll take it...

Pictures up at:
http://www.metrofilmclub.com/i/sachtler

The tiltlock is not permanently loose as I had stated; it just needed to be tightened.

bump bump ++

Still looking.

How many quick release plates do you have? Is there a carrying case?

Hi James,

I'm sorry if you were the one I talked to a while ago. I've been busy with gig's and on the road up until just now.

I'm back at home again and this lens is still available if anyone is interested.


Ciao

Link to product... http://cinevate.com/catalog/product_info.php?cPath=21&products_id=32

Mint condition...
http://www.genecrucean.com/misc/FS_Brevis.jpg

Asking $700USD
Item is located in Chicago, IL

Contact me at genecrucean +at+ gmail.com


Cheers

NOTE! The tripod head is actually a DV8-100, NOT a DV8-100SB. The SB model has more counterbalance settings (12 as opposed to 5). Otherwise, the heads appear to be the same. I didn't realize they had released a new model, sorry about the error.

Here's a correct link to the lot up for sale:
http://www.thebroadcastshop.com/sales/detail.asp?partno=0862

just a bump....:-) still looking

Looking to buy? If yes, how much are you willing to pay?

Hello.

I'm in need of an affordable transfer to Digibeta or BetaSP from hard drive. This is in regard to my student film, which I came to these forums for advice and help for a year or so ago (when I started shooting, I was 17).

I am in the San Francisco Bay Area (San Jose, CA).

I'm hoping to get an affordable deal as many of the big houses (names withheld) are asking for an upwards of $500-600+ which I don't feel is right (correct me if you disagree).

More info on the film as well as stills @ http://www.hdehal.com/oceania

I thank you in advance!

What format is it in on a your hard drive? As to whether or not their charge is too high, well it's too high for you, but if they can get it, they can charge it.

"Transfer" from hard drive to tape, can mean a lot of things.

Why not rent a deck for a day?

It is an uncompressed AVI (about 70 gigs).

I edited it on Adobe Premiere Pro 2.0 (don't cringe too much).

In regard to renting a deck, I'm totally open to that except (a) I've never transferred anything, ever, except hard drive to MiniDV, and that's trivial and (b) I couldn't find anything but a DVCAM deck and I'd prefer to use something of highr quality (betasp or digibeta)

e.g.: I don't know how to transfer to Digibeta or BetaSP on a deck (or even how to use a deck).

Any advice?

IMO, you're not going to notice a difference with betaSP over DVCAM...so if $$ is a big concern, just go with that. If you REALLY want the highest possible quality, that would be Digibeta.

I always like to stick with digital formats when transferring something that's already digital...betaSP is analog.

IMO, you're not going to notice a difference with betaSP over DVCAM...so if $$ is a big concern, just go with that. If you REALLY want the highest possible quality, that would be Digibeta.

I always like to stick with digital formats when transferring something that's already digital...betaSP is analog.

I'm still looking for a place that can do it for a decent price (more worried about quality)...
And you're right about BetaSP (that was one of my worries)...

I should have mentioned that this is for a festival screening (at Cinequest San Jose).

Thanks guys, please keep the advice coming!

I'm reading that it's almost exactly the same as MiniDV, SAVE for the higher quality of tape (pertinent to physical wear and tear).

So since i shot on the XL-2 and everything was limited by the MiniDV compression, theoretically the highest quality image I could output can only be output by a MiniDV tape (or in this case, a DVCAM tape as well?)

Is that correct?

If it is, wouldn't getting my footage transferred to Digibeta (or now reluctantly to BetaSP) which offer high quality resolution and image be a waste since my footage couldn't fill that in and make use of that extra "space?"

That price really isn't too bad if they're going to do digibeta. To rent a digibeta deck you'd spend $400-500/day.

It's probably not a straight transfer because the .AVI will have to be imported back into an editing system for output (at least that's how I would do it on my Avid), so they're probably charging you for edit time as well.

Did you make any kind of master after the edit or did you just put it on the hard drive?

That price really isn't too bad if they're going to do digibeta. To rent a digibeta deck you'd spend $400-500/day.

It's probably not a straight transfer because the .AVI will have to be imported back into an editing system for output (at least that's how I would do it on my Avid), so they're probably charging you for edit time as well.

Did you make any kind of master after the edit or did you just put it on the hard drive?

No master.

Adobe Premiere Pro 2.0, as far as I know, doesn't allow re-recordning of 24pA footage in 16x9 (only 4x3)... So I don't have a master per se but I have a 4x3 backup on MiniDV. The reason I want to go off this AVI is because it is indeed uncompressed, audio and video alike, and that it's the only true "master" I have (and it's in its natural 16x9 state).

I'm reading that it's almost exactly the same as MiniDV, SAVE for the higher quality of tape (pertinent to physical wear and tear).

So since i shot on the XL-2 and everything was limited by the MiniDV compression, theoretically the highest quality image I could output can only be output by a MiniDV tape (or in this case, a DVCAM tape as well?)

Is that correct?

If it is, wouldn't getting my footage transferred to Digibeta (or now reluctantly to BetaSP) which offer high quality resolution and image be a waste since my footage couldn't fill that in and make use of that extra "space?"


yes, that is correct...I'd just go DVCAM. It's better for mastering than mini-dv...it records at a higher speed so there's less chance for drop-outs. You would have an advantage with digi-beta if you were going to be using it for duplication....the image would probably hold up better.

yes, that is correct...I'd just go DVCAM. It's better for mastering than mini-dv...it records at a higher speed so there's less chance for drop-outs. You would have an advantage with digi-beta if you were going to be using it for duplication....the image would probably hold up better.

Awesome, thanks. I'm glad to finally have been convinced as to choosing one format.

Now all that is left is how I should go about this. Any dub houses that you guys recommend? Or would it be possible for me to do this myself at home (I have my editing PC, Premiere Pro 2.0, and a firewire card--basically the barebones minimal... I also have a Linux partition if there is some AV software recommended there, though I doubt that).

So what should I do? Where could I get a better quality job for the best price?
Know of any good independent or small/quality dub houses or editors?

(P.S. I've been calling places in Southern California like Lightning Dubs and Santa Monica Video and even left a message with Technicolor, but most places are just as expensive as previously aforementioned).

What format does the festival require/allow?

You could rent a DVcam deck, like a dsr11 and simply print to tape, no? Not familiar with Premiere. But any deck the festival plays it on, is going to read the tape as 60i anyway. Seems like you might want to burn a DVD if they accept that for submission?

What format does the festival require/allow?

You could rent a DVcam deck, like a dsr11 and simply print to tape, no? Not familiar with Premiere. But any deck the festival plays it on, is going to read the tape as 60i anyway. Seems like you might want to burn a DVD if they accept that for submission?

Cinequest San Jose allows:

DVCAM, DIGIBETA, BETASP, or HDCAM (or 35mm film :))

They don't accept DVDs unfortunately.

So yeah, just rent a DSR11 if you can, buy a DVCam Tape and do a 'print to tape' function from the timeline. Again, not familiar with PP, as I edit on Avid. Alternately, you MIGHT could go back out to the XL2, and then DUB from the XL2 to a DVCAM deck or camera...

So yeah, just rent a DSR11 if you can, buy a DVCam Tape and do a 'print to tape' function from the timeline. Again, not familiar with PP, as I edit on Avid. Alternately, you MIGHT could go back out to the XL2, and then DUB from the XL2 to a DVCAM deck or camera...

I'm more and more open to renting.

Hope this isn't nitpicking but for those of you with festival experience, will I need to worry about "bars/tone, slate, and countdown with 2-pop on" and "black for x seconds" and whatnot?

And I've been told that there needs to be colour correction and fixing certaint things and artifacts in the video and making sure the tape recorded "properly" ... Is there a such thing or are they pulling my leg?

I see that Adolf Gassers has
Sony DSR-80 DVCAM (Play/Rec) (QSDI) for $150
Sony DSR-30 DVCAM (Play/Rec) (Jog Wheel) for $125
Sony DSR-20 DVCAM (Play/Rec) for $80

and Avista rentals (any good?) has a Sony DSR-11 for $99

Any other places to rent from? Which should I pick (are the ones at Gassers better than the DSR-11?).

AND DVCAM is only 41 minutes? (My footage is 55 minutes at most)!!??