Kelly Goden
November 30th, 2006, 04:10 PM
After that previous (now closed) discussion I decided to look up international copyright law and how it addresses duration.
In Canada when one creates a work the copyright is automatic. You dont have to register(it can help legally but its not necessary).
Plus there is a distinction between exclusive rights and moral rights(the former can be transferred, the latter cannot, only waived).
On duration:
According to section 6 of the Act the copyright of a work lasts the life of the author plus 50 years from the end of the calendar year of death. If the author is anonymous or pseudonymous then the copyright lasts for either 50 years from the publication of the work or 75 years from the making of the work, whichever is shorter.
I can see how the controversy stems from one's definition of the term intellectual property and how literally you take it to be, and whether you feel restrictions on the human mind are possible.
It seems that the framers of the Berne Convention for the Protection of Literary and Artistic Works (which included the influence of Victor Hugo) understood the importance of public domain works in the creation of new ones, but also did not regard the concept of intellectual property as literally being the same as a physical piece of land or a business-or even considered the rights of heirs-which was a point I was trying to make.
From what i read the debate over intellectual property and intellectual protectionism seems to veer off into areas of digital technology--which to me is different from duration issues, and much more complicated. I have no comments on that subject. Clearly the existence of new media(film, tv, internet and merchandise) as well as the personhood of corporations fuels the rethink on the duration issue, as new revenue channels open.
As an enthusiast of Ancient Greek/Roman Literature and Mythology , as a matter of public record I can testify that western civilization's literary history was not hurt at all by the state of copyright protection(or lack thereof) in those times. Fortunately for all of us who enjoy it.
In Canada when one creates a work the copyright is automatic. You dont have to register(it can help legally but its not necessary).
Plus there is a distinction between exclusive rights and moral rights(the former can be transferred, the latter cannot, only waived).
On duration:
According to section 6 of the Act the copyright of a work lasts the life of the author plus 50 years from the end of the calendar year of death. If the author is anonymous or pseudonymous then the copyright lasts for either 50 years from the publication of the work or 75 years from the making of the work, whichever is shorter.
I can see how the controversy stems from one's definition of the term intellectual property and how literally you take it to be, and whether you feel restrictions on the human mind are possible.
It seems that the framers of the Berne Convention for the Protection of Literary and Artistic Works (which included the influence of Victor Hugo) understood the importance of public domain works in the creation of new ones, but also did not regard the concept of intellectual property as literally being the same as a physical piece of land or a business-or even considered the rights of heirs-which was a point I was trying to make.
From what i read the debate over intellectual property and intellectual protectionism seems to veer off into areas of digital technology--which to me is different from duration issues, and much more complicated. I have no comments on that subject. Clearly the existence of new media(film, tv, internet and merchandise) as well as the personhood of corporations fuels the rethink on the duration issue, as new revenue channels open.
As an enthusiast of Ancient Greek/Roman Literature and Mythology , as a matter of public record I can testify that western civilization's literary history was not hurt at all by the state of copyright protection(or lack thereof) in those times. Fortunately for all of us who enjoy it.