Peter Ferling
November 30th, 2006, 10:10 AM
After all my research banter and hair pulling (what little I have left : ), it comes down to this: Do I really need a G1?
I don't do broadcast, and only 20% of my work will require green screen and effects work. However, I will upgrade to prospect for 10bit editing, even in HDV land. I will have an HD-SDI ingest card (the AJA) and a Sony LMD with HD-SDI for monitoring. Instead of the optional card of the G1, I can get an AJA HD10AVA card and go componet into that on cam, and still benefit from HD-SDI ingest as needed. My thinking is that live component will be enough resolution for green screen and effects works, that is still much higher quality than HDV over firewire.
Edit: forgot to mention that I can live with free-run timecode for mulitcam shoots, a nifty little idea, (thanks for that tip Pete).
With the $2000 difference in cost, I can upgrade my lighting kit, etc.
Does this seem logical?
I don't do broadcast, and only 20% of my work will require green screen and effects work. However, I will upgrade to prospect for 10bit editing, even in HDV land. I will have an HD-SDI ingest card (the AJA) and a Sony LMD with HD-SDI for monitoring. Instead of the optional card of the G1, I can get an AJA HD10AVA card and go componet into that on cam, and still benefit from HD-SDI ingest as needed. My thinking is that live component will be enough resolution for green screen and effects works, that is still much higher quality than HDV over firewire.
Edit: forgot to mention that I can live with free-run timecode for mulitcam shoots, a nifty little idea, (thanks for that tip Pete).
With the $2000 difference in cost, I can upgrade my lighting kit, etc.
Does this seem logical?