Karina Nemuhina
November 25th, 2006, 06:17 PM
Hi,
With respect to the article: http://www.siliconimaging.com/DigitalCinema/SI_2K_Iridas.html on your website, as well as previous posts on this forum, i'd love to ask the following questions:
1. Earlier posts (http://www.dvinfo.net/conf/showthread.php?t=78212) pointed to Speedgrade OnSet being bundled with SI2K, please verify.
2. Will the Iridas Color Management Workflow be applicable as well to 12 -bit uncompressed Raw images in addition to CineformRaw?
3. In the diagram- Iridas Color Management Pipeline, there was an "Optional - Seperate View LUT to Mimic Final Print with On-Set Monitoring".Please elaborate on that in terms of equipment/software & added costs (if any?)?
4. Could you be more descriptive on how the final non-destructive color correction of RAW data will be accomplished in Premiere Pro.
With respect to the article: http://www.siliconimaging.com/DigitalCinema/SI_2K_Iridas.html on your website, as well as previous posts on this forum, i'd love to ask the following questions:
1. Earlier posts (http://www.dvinfo.net/conf/showthread.php?t=78212) pointed to Speedgrade OnSet being bundled with SI2K, please verify.
2. Will the Iridas Color Management Workflow be applicable as well to 12 -bit uncompressed Raw images in addition to CineformRaw?
3. In the diagram- Iridas Color Management Pipeline, there was an "Optional - Seperate View LUT to Mimic Final Print with On-Set Monitoring".Please elaborate on that in terms of equipment/software & added costs (if any?)?
4. Could you be more descriptive on how the final non-destructive color correction of RAW data will be accomplished in Premiere Pro.