Marcus van Bavel
November 19th, 2006, 10:04 PM
Raylight 2.0 has been released at dvfilm.com/raylight
Among the new features are multiprocessor support (up to 8 CPUS)
improved resolution in Red and Yellow, a new user interface
for RayMaker, and most importantly a P2 Authoring application
called P2 Maker.
P2 Maker has the ability to create a P2 Card image with 720/24PN
MXF files for playback on the camera, which is a unique capability,
Performance-wise on our reference system, which is a 2.2 GHZ dual-core
AMD 64, the specs are (for 720/24P):
Raylight Blue (max quality) is real time at 90% CPU utilization
Raylight Yellow (1/2 res) real time at 30% utilization
Raylight Red (1/4 res) real time at 10% CPU utilization
Raylight Red is significantly better now with 2x resolution vs.
the old Raylight.
Other new features include optional native frame size, self-contained AVI's,
180 degree rotation for 35mm adaptors, and burn-in timecode.
Also Raylight Blue has been enhanced for better blue/green screen
process shots and faster rendering. On the above reference system,
rendering effects in Blue is about 2X real time.
If you're not already familiar with Raylight, it's a real time DVCPROHD
codec and proxy that works with Adobe premiere, Sony Vegas, After Effects,
and many other applications (just about anything that works with AVI) and
can translate MXF files to AVI and vice-versa.
Among the new features are multiprocessor support (up to 8 CPUS)
improved resolution in Red and Yellow, a new user interface
for RayMaker, and most importantly a P2 Authoring application
called P2 Maker.
P2 Maker has the ability to create a P2 Card image with 720/24PN
MXF files for playback on the camera, which is a unique capability,
Performance-wise on our reference system, which is a 2.2 GHZ dual-core
AMD 64, the specs are (for 720/24P):
Raylight Blue (max quality) is real time at 90% CPU utilization
Raylight Yellow (1/2 res) real time at 30% utilization
Raylight Red (1/4 res) real time at 10% CPU utilization
Raylight Red is significantly better now with 2x resolution vs.
the old Raylight.
Other new features include optional native frame size, self-contained AVI's,
180 degree rotation for 35mm adaptors, and burn-in timecode.
Also Raylight Blue has been enhanced for better blue/green screen
process shots and faster rendering. On the above reference system,
rendering effects in Blue is about 2X real time.
If you're not already familiar with Raylight, it's a real time DVCPROHD
codec and proxy that works with Adobe premiere, Sony Vegas, After Effects,
and many other applications (just about anything that works with AVI) and
can translate MXF files to AVI and vice-versa.