Robert Lane
October 4th, 2006, 08:38 PM
I'm going to be running a brief demo of both the HVX and SPX cameras next week for one of my customers. Aside from shooting clips specific to my customers needs I'm also going to be shooting my own same-scene comparo tests.
The reason for doing this is that many have debated which type of camera system is the "best" way to go for certain type of workflows. What makes this test very interesting is that I'll be comparing the 1/3" inch HD chipset HVX to a 2/3" inch, 16:9 SD camera, the SPX800. Since they're both Panny chips the color response will be similar - not the same, but similar.
Many of us work on projects that are never meant to be converted to film and either get broadcast or go straight to DVD. The general rule of thumb in deciding what format to use is the end result: Shoot in the format closest to your output medium. Since HD-DVD's are some years away from being the de-facto players in homes and widescreen TV's are also mostly for affluent home users, that means every project initially shot in HD gets downconverted to one of two SD formats: Either 4:3 pan-scan or, letterboxed and all that extra resolution never gets seen by the end-user/viewer. Hence the burning question: Which looks better, HD footage from a 1/3" chip camera that gets downconverted to SD widescreen or, footage from a 2/3" inch camera that's already "SD widescreen"?
Initially most would think that because the HVX is "HD" that it will produce better images than an SD body. However, as mentioned in other threads no 1/3" inch camera regardless of format can match the color, detail and DOF characteristics of a 2/3" chipset body. Period.
Important Note: This is by no means is a direct usage-per-dollar comparison. In that regard the SPX is out of the ballpark when compared to the HVX. In fact, the lens that the SPX will have (Fujinon 13x4.5) is an HD-spec lens - that lens alone costs $20k! So this test isn't for the normal indie crowd with paper-thin budgets, this is mainly for anyone who's simply curious about the difference between the 2 chipset types and, those who are trying to decide if going up to the larger ENG type cameras would be of any benefit.
The main point of the test is this: How does a top-of-the-line 16:9 SD body compare to *the best* 1/3" chipset HD camera? I'm going to find out for all of us next week.
I'll post stills here and maybe I can get our forum buddy Mike to host some short clips for us all to see.
The reason for doing this is that many have debated which type of camera system is the "best" way to go for certain type of workflows. What makes this test very interesting is that I'll be comparing the 1/3" inch HD chipset HVX to a 2/3" inch, 16:9 SD camera, the SPX800. Since they're both Panny chips the color response will be similar - not the same, but similar.
Many of us work on projects that are never meant to be converted to film and either get broadcast or go straight to DVD. The general rule of thumb in deciding what format to use is the end result: Shoot in the format closest to your output medium. Since HD-DVD's are some years away from being the de-facto players in homes and widescreen TV's are also mostly for affluent home users, that means every project initially shot in HD gets downconverted to one of two SD formats: Either 4:3 pan-scan or, letterboxed and all that extra resolution never gets seen by the end-user/viewer. Hence the burning question: Which looks better, HD footage from a 1/3" chip camera that gets downconverted to SD widescreen or, footage from a 2/3" inch camera that's already "SD widescreen"?
Initially most would think that because the HVX is "HD" that it will produce better images than an SD body. However, as mentioned in other threads no 1/3" inch camera regardless of format can match the color, detail and DOF characteristics of a 2/3" chipset body. Period.
Important Note: This is by no means is a direct usage-per-dollar comparison. In that regard the SPX is out of the ballpark when compared to the HVX. In fact, the lens that the SPX will have (Fujinon 13x4.5) is an HD-spec lens - that lens alone costs $20k! So this test isn't for the normal indie crowd with paper-thin budgets, this is mainly for anyone who's simply curious about the difference between the 2 chipset types and, those who are trying to decide if going up to the larger ENG type cameras would be of any benefit.
The main point of the test is this: How does a top-of-the-line 16:9 SD body compare to *the best* 1/3" chipset HD camera? I'm going to find out for all of us next week.
I'll post stills here and maybe I can get our forum buddy Mike to host some short clips for us all to see.