Tim Bickford
September 7th, 2006, 06:01 AM
Hi,
I plan on shooting a wedding soon and was planning on setting up two stationary video cameras while I use my XL2 as my main shooter.
Still cameras
#1 Sony TRV98 Hi-8 http://www.videomaker.com/article/8855
#2 RCA Pro Edit CC542 VHS
http://cgi.ebay.com/RCA-CAMCORDER-CC542-24X-AUTO-FOCUS-W-FABRIC-CASE-NR_W0QQitemZ290003938488QQihZ019QQcategoryZ22787QQcmdZViewItem
I know the above "still" cameras are lame. But, having the backups may save me when it comes to missing an important shot. Keep in mind. I'm not being paid for this. However, I would like to do a good job.
Also - I prefer to shoot 24P at 16:9. The Sony TRV offers wide screen (which is letter box) while the CC542 offers 16:9 (gotta be letter box) too with variable shutter.
Q-1) Should I shoot standard 4:3 at 60i with the XL2 to make life easier? What do you think?
Q-2) Am I better off without the two extra cameras?
Thanks...
I plan on shooting a wedding soon and was planning on setting up two stationary video cameras while I use my XL2 as my main shooter.
Still cameras
#1 Sony TRV98 Hi-8 http://www.videomaker.com/article/8855
#2 RCA Pro Edit CC542 VHS
http://cgi.ebay.com/RCA-CAMCORDER-CC542-24X-AUTO-FOCUS-W-FABRIC-CASE-NR_W0QQitemZ290003938488QQihZ019QQcategoryZ22787QQcmdZViewItem
I know the above "still" cameras are lame. But, having the backups may save me when it comes to missing an important shot. Keep in mind. I'm not being paid for this. However, I would like to do a good job.
Also - I prefer to shoot 24P at 16:9. The Sony TRV offers wide screen (which is letter box) while the CC542 offers 16:9 (gotta be letter box) too with variable shutter.
Q-1) Should I shoot standard 4:3 at 60i with the XL2 to make life easier? What do you think?
Q-2) Am I better off without the two extra cameras?
Thanks...