Martin Pauly
September 5th, 2006, 10:05 PM
This unit almost seems to good to be true (for its price), so I am looking for feedback from someone who has worked with it.
What I am looking for is a FireWire mixer/interface with at least four mic inputs with decent pre-amps, and at least a couple of line-ins. I have been looking at something along the line of the ONYX 1220 (with the FireWire option), which seems like a very solid unit - for a price, of course.
Then I saw the TASCAM depicted in one of Jay Rose's books, shown as an example not of a mixer but a control surface. But it seems like the TASCAM is really both, for about half the price of the ONYX, and I am wondering how the TASCAM FW-1082 compares against the ONYX 1220. I don't really need the motorized faders at this time, but would certainly welcome them for use in Final Cut Pro.
What I intend to use this for is life recording of comedy shows, with up to four microphones as well as a direct connection to the sound system installed in the comedy club. Gain control is very important to me, having been burned in the past by lack of this and resulting clipping, and the lack of channel meters on the TASCAM (other than the OL lights) makes me wonder how I would set gain reasonably. Maybe the recording software shows that on the computer screen?
Looking forward to any thoughts and advise you can share with me!
- Martin
What I am looking for is a FireWire mixer/interface with at least four mic inputs with decent pre-amps, and at least a couple of line-ins. I have been looking at something along the line of the ONYX 1220 (with the FireWire option), which seems like a very solid unit - for a price, of course.
Then I saw the TASCAM depicted in one of Jay Rose's books, shown as an example not of a mixer but a control surface. But it seems like the TASCAM is really both, for about half the price of the ONYX, and I am wondering how the TASCAM FW-1082 compares against the ONYX 1220. I don't really need the motorized faders at this time, but would certainly welcome them for use in Final Cut Pro.
What I intend to use this for is life recording of comedy shows, with up to four microphones as well as a direct connection to the sound system installed in the comedy club. Gain control is very important to me, having been burned in the past by lack of this and resulting clipping, and the lack of channel meters on the TASCAM (other than the OL lights) makes me wonder how I would set gain reasonably. Maybe the recording software shows that on the computer screen?
Looking forward to any thoughts and advise you can share with me!
- Martin