Fredrik Forsell
March 5th, 2003, 11:18 AM
Hey guys, I would like your expertise to answer some questions that, I bet, would take me days or weeks to find out myself.
Some background: I have a Canon XM2 (GL2). I have just started to get a grip of Vegas 4. Now I'm interested in this "movielook" thing. And there the trouble starts. I bet that it isn't just one answer to the question of how I should be getting the best filmlook, but at least something is easier then the other but has similar results.....I hope. Now, I'm thinking of these alternatives:
1. Taken from another post:
"for a softer "looK' you might try putting the same clip on 2 video tracks ..
color color correct the TOP track .. and add satuation
2nd track use some type of BLUR FX to soften it ..
then set opacity on top track around 50-60% ( depends on how much BLUR you added) set to your EYE .. always check it on a NTSC monitor ..."
or
2. Edit my material in, for example, Vegas then save it in best quality, opening up After Effects and use Magic Bullet
or
3. Avid xpress dv, powerpack; film scriber.
Which one of the alternatives above do you recommend (are there any better)? Does all do the same thing and equally well?
And another thing that is related to this. My camera is a pal camera. Should I capture the material to the computer as 24p or 25 interlaced (I shoot Normal mode...)if I want the movielook? Does it matter? Should I wait with changing frames until rendering it or do it already when I capture it (if I'm after film like effect)? If I capture it as 24p, do I save time by not having to deinterlace it later? Or is it, in fact, NOT deinterlaced if I do so? (I always shoot in NORMAL mode) I have read many other posts about deinterlacing. I can't say I get all of it, that's why I'm asking this question. I understand that there are other things you have to think about as well, like saturation, lightning and so fourth, but this is one step that I don't understand.
Well I would really appreciate if someone took the time to recommend any of the above alternatives and comment on the capture question.
I am a newbie, but I still want to know how to get the best results when I shall learn them. Cause so far I have read this, decided for that, the next day about something else, changed my mind again and so fourth. And of all the subject in this forum that I have taken part of, this about getting a movielook is the thing I have the most difficulties in grasping. That's why I would be thankful if someone could lead me on a way that will (after a long learning period, of course...) give me good "movielooking" results, if I now how to handle the tools:
alternative 1, 2 or 3 (or someething else), and how should I capture it to computer?
Some background: I have a Canon XM2 (GL2). I have just started to get a grip of Vegas 4. Now I'm interested in this "movielook" thing. And there the trouble starts. I bet that it isn't just one answer to the question of how I should be getting the best filmlook, but at least something is easier then the other but has similar results.....I hope. Now, I'm thinking of these alternatives:
1. Taken from another post:
"for a softer "looK' you might try putting the same clip on 2 video tracks ..
color color correct the TOP track .. and add satuation
2nd track use some type of BLUR FX to soften it ..
then set opacity on top track around 50-60% ( depends on how much BLUR you added) set to your EYE .. always check it on a NTSC monitor ..."
or
2. Edit my material in, for example, Vegas then save it in best quality, opening up After Effects and use Magic Bullet
or
3. Avid xpress dv, powerpack; film scriber.
Which one of the alternatives above do you recommend (are there any better)? Does all do the same thing and equally well?
And another thing that is related to this. My camera is a pal camera. Should I capture the material to the computer as 24p or 25 interlaced (I shoot Normal mode...)if I want the movielook? Does it matter? Should I wait with changing frames until rendering it or do it already when I capture it (if I'm after film like effect)? If I capture it as 24p, do I save time by not having to deinterlace it later? Or is it, in fact, NOT deinterlaced if I do so? (I always shoot in NORMAL mode) I have read many other posts about deinterlacing. I can't say I get all of it, that's why I'm asking this question. I understand that there are other things you have to think about as well, like saturation, lightning and so fourth, but this is one step that I don't understand.
Well I would really appreciate if someone took the time to recommend any of the above alternatives and comment on the capture question.
I am a newbie, but I still want to know how to get the best results when I shall learn them. Cause so far I have read this, decided for that, the next day about something else, changed my mind again and so fourth. And of all the subject in this forum that I have taken part of, this about getting a movielook is the thing I have the most difficulties in grasping. That's why I would be thankful if someone could lead me on a way that will (after a long learning period, of course...) give me good "movielooking" results, if I now how to handle the tools:
alternative 1, 2 or 3 (or someething else), and how should I capture it to computer?