Jack D. Hubbard
June 16th, 2006, 09:43 AM
FW950. Can't beat it at this point.
As far as HDV audio, if you can hear the difference between HDV compressed audio and the very noisy DSR 390 PCM audio, then there is something significantly wrong with how you're recording it. Seriously. HDV audio is only problematic when it's not fed enough level, or if you're recording extreme dynamics such as symphonic works or a very intimate acoustic set in a noisy room where even the ear has a problem with signal to noise. Proper mic techniques obviate that problem.
Spot,
I am using an ME66, both inside and outside. Got any suggestions for a camera-mounted mic for the Z1 for inside, (outside of a lav/transmitter). I am still using the Sennheiser 100 series, and it gets me through. Would appreciate some suggestions to upgrade.
Jack
As far as HDV audio, if you can hear the difference between HDV compressed audio and the very noisy DSR 390 PCM audio, then there is something significantly wrong with how you're recording it. Seriously. HDV audio is only problematic when it's not fed enough level, or if you're recording extreme dynamics such as symphonic works or a very intimate acoustic set in a noisy room where even the ear has a problem with signal to noise. Proper mic techniques obviate that problem.
Spot,
I am using an ME66, both inside and outside. Got any suggestions for a camera-mounted mic for the Z1 for inside, (outside of a lav/transmitter). I am still using the Sennheiser 100 series, and it gets me through. Would appreciate some suggestions to upgrade.
Jack