Frank Howard
May 8th, 2006, 11:49 AM
I've had a little time with the A1 and I am very impressed the quality of the picture is outstanding. I have to second Don Blish's observation that when downconverting for DVD or non-HD viewing your best bet is at 480 Progressive. Otherwise you are likely to encounter little annoying artifacts.
Of course, with HD and a light camera, steady shots become extremely important, so it has become obvious that I need to brace myself. This intrepid budding narrative filmmaker has narrowed his choices down to these:
The Velbon CX-570, The Velbon CX-690 and the Spiderbrace2... I am only going to get one of these for now and put the other down on my wish list...
Which to get first... which to get first...
It appears the 690 is just a heavier duty version of the 570. Is this true. How smooth are the pans with these puppies?
And for those with experience with the Spiderbrace, how well do they smooth the shots anyway? And are they solid enough to replace a tripod at least for the short term?
A thousand thanks to all who have helped me on this little journey so far.
Of course, with HD and a light camera, steady shots become extremely important, so it has become obvious that I need to brace myself. This intrepid budding narrative filmmaker has narrowed his choices down to these:
The Velbon CX-570, The Velbon CX-690 and the Spiderbrace2... I am only going to get one of these for now and put the other down on my wish list...
Which to get first... which to get first...
It appears the 690 is just a heavier duty version of the 570. Is this true. How smooth are the pans with these puppies?
And for those with experience with the Spiderbrace, how well do they smooth the shots anyway? And are they solid enough to replace a tripod at least for the short term?
A thousand thanks to all who have helped me on this little journey so far.