Harry Bromley-Davenport
March 12th, 2006, 08:01 PM
1. My component output cable (the one on the back) has loosened through being used on a 12 day shoot and now won't transmit all three colors unless I jam it in really hard and hold it there. Has anyone else got this problem? Unless there is another solution I guess I'd better return it to Canon. What a drag. Advice please.
2. In addition, some pixels died - but were revived by rebooting the camera. It only happened a couple of times, but it makes me wonder if this is going to be an ongoing concern, or if it will get worse. Any thoughts?
3. Is my DP mad, or is it impossible to pull focus and zoom at the same time on this camera? Or is this particular camera at fault. If this is a problem feature of the XLH1 then I'm kind of annoyed that I didn't find out about this before. It was a damned nuisance.
4. Despite the above issues, and the fact that I can't yet digitize into FCP at 24f, the camera was superb. We used a Dell 24" monitor on set and the quality of picture is truly astonishing to me - this is my first digital movie after eight 35mm features. I never want to see a film camera again. In the celluloid world, when you want to change the camera position by two feet, one has to convene a soviet, 12 crew members have to be called in, a major break called and nervous breakdowns ensue. With this camera, the operator picked it up and moved it. Just like that.
Any advice is appreciated. This is a great site.
Best wishes,
Harry.
2. In addition, some pixels died - but were revived by rebooting the camera. It only happened a couple of times, but it makes me wonder if this is going to be an ongoing concern, or if it will get worse. Any thoughts?
3. Is my DP mad, or is it impossible to pull focus and zoom at the same time on this camera? Or is this particular camera at fault. If this is a problem feature of the XLH1 then I'm kind of annoyed that I didn't find out about this before. It was a damned nuisance.
4. Despite the above issues, and the fact that I can't yet digitize into FCP at 24f, the camera was superb. We used a Dell 24" monitor on set and the quality of picture is truly astonishing to me - this is my first digital movie after eight 35mm features. I never want to see a film camera again. In the celluloid world, when you want to change the camera position by two feet, one has to convene a soviet, 12 crew members have to be called in, a major break called and nervous breakdowns ensue. With this camera, the operator picked it up and moved it. Just like that.
Any advice is appreciated. This is a great site.
Best wishes,
Harry.