This is annoyingly asked 400 times I am sure, but I am very pressed on time and I just need some quick input from someone who knows their stuff about shotgun mics.

I need a shotgun mic for use on a boom and I have a budget of around 200$-250$. The mic doesn't have to have all the latest goodies, as long as it does the job well or "well enough".

I'm using a Canon XL2 and I'll be using the XLR inputs to connect the mic to the camera.

I'm entering a 10 day film festival and I want some better sound then just the camera mounted shotgun that comes with the XL2.

If you have any tips for me that would be appreciated too.

Thanks a lot.

I would rent or borrow a Sennheiser MKH-60 with a full Rykote setup and a good boom pole.

The Sennheiser 416 and others will work also.

Depending on what you are filming, lav mikes may also be used, wired or wireless. If you need flexibility, I would first choose the MKH-60 on a boom pole.

Thanks a lot for the response.

I'm sure it gets aggravating to hear the same question over and over.

I'll look around for a rental shop and try to pick up the mic you suggested.

This is annoyingly asked 400 times I am sure, but I am very pressed on time and I just need some quick input from someone who knows their stuff about shotgun mics.

I need a shotgun mic for use on a boom and I have a budget of around 200$-250$. The mic doesn't have to have all the latest goodies, as long as it does the job well or "well enough".

I'm using a Canon XL2 and I'll be using the XLR inputs to connect the mic to the camera.

I'm entering a 10 day film festival and I want some better sound then just the camera mounted shotgun that comes with the XL2.

If you have any tips for me that would be appreciated too.

Thanks a lot.

Come On Travis,

Fill us out on the details. What sort of shots are you planning? Inside or out? Do you have a boom person? Are yo planning on mounting the mic on the camera? (hope not).

Regards,

Ty Ford

Come On Travis,

Fill us out on the details. What sort of shots are you planning? Inside or out? Do you have a boom person? Are yo planning on mounting the mic on the camera? (hope not).

Regards,

Ty Ford


Yes sir! haha Actually, I haven't planned out any shot yet. I cannot begin anything with the film until tomorrow the 14th at 8pm. That is when I can begin writing and storyboarding out every shot. (They provide us a theme, and until I know what that is I cannot start) The 22nd we begin production. I feel that the shotgun that is mounted on the XL2 isn't up to par with the sound quality that most films will have at this festival. So I need a good boom mic that can pickup clear sound that doesn't sound "distant" or anything.

I have a crew of 6 guys that will help me operate the sound equipment and anything else that needs to be done.

I will NOT be mounting it to the camera. I will be using a boom pole.

Most shots will be indoors, but I wouldn't scratch out the possibility of outdoor shots.

- Travis

OK,

I'd go with a hypercardioid inside and a hyper or shotgun outside.

I made this little video using a headset mic, lav, hyper and shotgun. Many have found that it clears up the issue of which mic to use in different situations.

It's a 30MB mp4 file. If youwant to see/hear. go to my website and click on the OnLine Archive atop column #2.

Go to the bottom of the next directory and open the VIDEO folder.

Download Mic Tutorial.mp4

Regards,

Ty Ford

I'm in class at the moment and I cannot view the video. I will check it out as soon as I get home.

Thanks for the info, Ty.