Eli Mazzola
January 30th, 2006, 08:48 AM
I have a small budget and need a good microphone. While I am well aware that there is no microphone at there that does all jobs equally well, I do need something that is versatile. The microphone will be camera-mounted, and I suppose its primary purpose will be to pick up dialogue in both indoor and outdoor situations (including weddings, short-feature films, on the road documenting relief work in El Salvador). My camera is a Panasonic PV-GS200 and the audio will be going into the mini jack. My budget is ideally about $150, but from what I’ve been reading I can get a much better microphone if I spend another $100. The ones that have caught my attention so far have been the AT 835b, ATR55 (which I have read bad things about), various Azdens (which I’ve read bad things about), and the AT 897 (which seems to be the best one so far, though it is a little more expensive than I’d prefer).
I have read some comments about mic sensitivity and the “hotness” of a mic. I wont have any preamps or anything besides the one in the camera and I want to make sure that the microphone I get will be sensitive enough to pick up audio that is more than three or four feet away. I also am unclear of the difference between balanced and unbalanced and do I need to worry about that. Also I’m not sure whether I would be better of with stereo or mono audio. It seems from what I’ve been reading that mono would be better and I could add a stereo effect on post (I’m using FCP). Additionally, I need to order a mic ASAP because I need it in my hands in two weeks.
Also, from what I’ve been reading I would also need a shock-mount to both absorb shock from camera movement and also to raise the microphone out of the video frame (I often use a 0.45 wide angle lens). So basically, are the mics I am looking at suitable, are there any others I should be looking at, and am I forgetting anything? Thanks for bearing with me while I figure all this out.
***Ok, so I've been reading the replies (thanks for being so prompt) and now I have to add in the Rode video mic into my possibilities and also the Sennheiser MKE 300. Are these acceptable pieces of equipment. Would it be worth the extra $100+ to invest into a AT897. Thanks for all your suggestions.***
I have read some comments about mic sensitivity and the “hotness” of a mic. I wont have any preamps or anything besides the one in the camera and I want to make sure that the microphone I get will be sensitive enough to pick up audio that is more than three or four feet away. I also am unclear of the difference between balanced and unbalanced and do I need to worry about that. Also I’m not sure whether I would be better of with stereo or mono audio. It seems from what I’ve been reading that mono would be better and I could add a stereo effect on post (I’m using FCP). Additionally, I need to order a mic ASAP because I need it in my hands in two weeks.
Also, from what I’ve been reading I would also need a shock-mount to both absorb shock from camera movement and also to raise the microphone out of the video frame (I often use a 0.45 wide angle lens). So basically, are the mics I am looking at suitable, are there any others I should be looking at, and am I forgetting anything? Thanks for bearing with me while I figure all this out.
***Ok, so I've been reading the replies (thanks for being so prompt) and now I have to add in the Rode video mic into my possibilities and also the Sennheiser MKE 300. Are these acceptable pieces of equipment. Would it be worth the extra $100+ to invest into a AT897. Thanks for all your suggestions.***