Jeff Miller
January 25th, 2006, 06:54 PM
Do to some certain political goings-on there is a real chance I might loose my job. With the status of the IT sector and my attitude of working in it the odds of finding a job matching my current income are none. Being in hefty debt, as I look around the house all I see is dollar signs on my things. Strolling the basement full of video gear, there are only two choices: Earn money with the stuff, or sell it.
I'm wondering if anyone could weigh on the chances of an amateur XL2-enabled videographer/editor earning enough to live off of. I hate to be doubtful but I do not think I am savvy or cruel enough to start up my own business, I would have to somehow shoot for someone else.
I own and/or have experience with the following equipment:
Canon XL2 kit, Canon GL2 kit, and numerous smaller MiniDV camcorders
JVC-GY-DV500, don't own, but can set up and operate
Monfrotto tripod 505 head and a few cheap tripods
A small Canon 10D kit /w Speedlite 430
A moderately capable editting suite
A small sound kit (Azden shotgun, cables, headphones, Beachtek etc)
I have the following experience:
A basic knack for A/V ever since my folks couldn't hook up the Beta VCR when I was five
Three years of weekends on independent film sets, ranging from special effects to lighting, sound, camera assistant, set building, pyrotechnics, technical, welding, driving, even "acting"
Shot a "Making of" documentary for an independent film while I worked in it
No formal training, just what I taught myself, read, or learned from other people.
Can operate the Canon 10D and love doing so but wouldn't call myself a serious photographer yet. Through a bizarre serious of events last weekend I actually got my 10D plugged into a pro studio's RF flash system and snapped some portrait shots. That was my first time on a portrait set :}
Currently enrolled in a college level digital photography class.
I do not have any formal work done. Everything I've finished is either silly home movies or things that I can't release w/o violating an NDA.
The only real reference I can site is the producer of an indie movie I worked on. He worked on television in LA, moved to St Louis to shoot his movie and loves everything I did. Currently heads an AV departement for a university.
I am really interested in hearing if anyone has gotten anywhere in video or photography with a rap sheet this short. Or, if anyone has any advice for my predicament. I don't want to sell my equipment, but I don't want to starve either. Thanks for any tips.
I'm wondering if anyone could weigh on the chances of an amateur XL2-enabled videographer/editor earning enough to live off of. I hate to be doubtful but I do not think I am savvy or cruel enough to start up my own business, I would have to somehow shoot for someone else.
I own and/or have experience with the following equipment:
Canon XL2 kit, Canon GL2 kit, and numerous smaller MiniDV camcorders
JVC-GY-DV500, don't own, but can set up and operate
Monfrotto tripod 505 head and a few cheap tripods
A small Canon 10D kit /w Speedlite 430
A moderately capable editting suite
A small sound kit (Azden shotgun, cables, headphones, Beachtek etc)
I have the following experience:
A basic knack for A/V ever since my folks couldn't hook up the Beta VCR when I was five
Three years of weekends on independent film sets, ranging from special effects to lighting, sound, camera assistant, set building, pyrotechnics, technical, welding, driving, even "acting"
Shot a "Making of" documentary for an independent film while I worked in it
No formal training, just what I taught myself, read, or learned from other people.
Can operate the Canon 10D and love doing so but wouldn't call myself a serious photographer yet. Through a bizarre serious of events last weekend I actually got my 10D plugged into a pro studio's RF flash system and snapped some portrait shots. That was my first time on a portrait set :}
Currently enrolled in a college level digital photography class.
I do not have any formal work done. Everything I've finished is either silly home movies or things that I can't release w/o violating an NDA.
The only real reference I can site is the producer of an indie movie I worked on. He worked on television in LA, moved to St Louis to shoot his movie and loves everything I did. Currently heads an AV departement for a university.
I am really interested in hearing if anyone has gotten anywhere in video or photography with a rap sheet this short. Or, if anyone has any advice for my predicament. I don't want to sell my equipment, but I don't want to starve either. Thanks for any tips.