Alec Lence
January 24th, 2006, 12:38 AM
I'm sure this is nothing new to most, but I had a very productive weekend and am excited about the results, so I had to post it somewhere.
I was getting a bit tired of the deep focus on my camera and have been wanting some very shallow depth of field lately, and no matter what I do with the camera's settings I have not been able to achieve the results that I wanted.
So I redesigned my set for each shot with the characters and props set at extreme distances from one another and moved my camera back another 25-30 feet than normal. I then lit the subject I was focusing on and zoomed in and was able to create some remarkably shallow depth of field and some wicked rack focuses. I've done this in the past but it just worked far better than usual this weekend.
Again, just excited and thought I'd reccommend this method to those who cannot obtain a 35mm adapter and have some versatility with their environments.
I was getting a bit tired of the deep focus on my camera and have been wanting some very shallow depth of field lately, and no matter what I do with the camera's settings I have not been able to achieve the results that I wanted.
So I redesigned my set for each shot with the characters and props set at extreme distances from one another and moved my camera back another 25-30 feet than normal. I then lit the subject I was focusing on and zoomed in and was able to create some remarkably shallow depth of field and some wicked rack focuses. I've done this in the past but it just worked far better than usual this weekend.
Again, just excited and thought I'd reccommend this method to those who cannot obtain a 35mm adapter and have some versatility with their environments.