Ryan Elder
March 1st, 2022, 09:38 PM
I like the sound of the instrument, and it's good at adding dramatic punctuation for sure. But in movies, I only have recall hearing the instrument in either period piece movies, movies set in Europe or Asia, or superhero movies.
But a movie set in modern day America, I cannot think of any that had scores that used the orchestral chimes. So I am wondering if it would come off weird therefore, in such a score? What do you think?
Thank you for any opinions on this! I really appreciate it!
Paul R Johnson
March 7th, 2022, 01:06 AM
It’s only wrong if it doesn’t work. I presume by orchestral chimes, you mean tubular bells? It’s been common in European settings to add ethnic drums or Japanese gongs if it works in the musical context. Instruments are chosen by how appropriate the sound is to the piece. Strange instruments or new weird ways of playing them have been quite common for hundreds of years. Remember at one time it almost got to riots when a saxophone was put in an orchestra. Strikes and real anger!
Brian Drysdale
March 7th, 2022, 01:53 AM
As Paul says, it either works or it doesn't. John Barry used a cimbalom on "The Ipcress File" and "King Rat", on the former he used it to give the feeling of a man alone, plus to him, it was a nod to "The Third Man". At the time, it was unused in film or pop music.
Ryan Elder
March 11th, 2022, 01:28 AM
Oh okay thanks, I can use it then and see if it works. Thanks! Yes, sorry I meant tubular bells.
I was also wondering, I wanted to do a tune kind of similar to this for a certain feel and tone:
György Ligeti ~ Musica Ricercata, II [Mesto, Rigido E Cerimoniale] - YouTube
But instead of using a piano, would it be weird if I used strings and a xylophone instead? Or would that be a weird choice for such a type of musical piece?
Paul R Johnson
March 12th, 2022, 01:46 AM
Your courage and self determinism has vanished again Ryan. Simple answer. Try it.
Brian Drysdale
March 13th, 2022, 06:07 AM
No one here can provide an answer, it will either work with your film or in won't. Being creative involves trying things out and experimenting, risk is all part of it, and you'll have to face up to that.
Here's William Friedkin explaining his music thought process for "The Exorcist".
William Friedkin: The Music of 'The Exorcist (1973)' - YouTube