Mark Fry
November 3rd, 2005, 05:33 AM
I'd like some recommendations, please, for microphones to use attached to acoustic instruments, particularly concertinas but also mandolin, dulcimer and hurdy-gurdy. This is for use on stage, so not really a video question, but I know that quite a few people around here have valuable experience beyond video production.
Until now I have tried two solutions:
1) A pair of normal mics (I have Sure SM58s and AKG C1000s, or whatever the venue has) on stands either side of my chair. This works OK, and its easy to change instruments during a number, but makes the stage very cluttered, I feel very "hemmed in", and sometimes I knock the mics with the instruments;
2) A pair of Tandy/Radio Shack tie-clip mics fixed to the ends of the instruments with Velcro. It's too easy to over-load these mics and make them distort. Also, even when properly adjusted, comments from audience and sound operators at different venues suggest that the sound quality is not particularly good, which is not surprising given that they were less than £20 each. They are also prone to feedback, being omni-directional. I'm not keen on sticking Velcro onto the instruments, though, especially the concertinas which are about 90 years old.
So far I have had three alternatives suggested:
1) Microvox - two contact mics, attached with Velcro, connected to a pre-amp/DI box worn on a belt. Some comments suggest that the sound quality is not much better than the Tandy tie-clips. Around £120 for a set.
2) AKG C416 - very small (hyper?) cardioid condenser mic; comes fitted to a short goose-neck that clips onto a special base that needs to be attached somehow to the instrument. I could probably fix some kind of clip to this base-plate to avoid the need to stick anything onto the instruments. Apparently quite sensitive to feed-back? Around £85 - £110 each depending on which version (phantom- or battery- powered)
3) Audio Technica ATM35HC - small hyper-cardioid condenser mic; comes attached to a short goose-neck with a spring-clip on the end. Around £160 each?
I've not been able to find references to any of these alternatives on this board.
Thanks in advance for your advice...
Until now I have tried two solutions:
1) A pair of normal mics (I have Sure SM58s and AKG C1000s, or whatever the venue has) on stands either side of my chair. This works OK, and its easy to change instruments during a number, but makes the stage very cluttered, I feel very "hemmed in", and sometimes I knock the mics with the instruments;
2) A pair of Tandy/Radio Shack tie-clip mics fixed to the ends of the instruments with Velcro. It's too easy to over-load these mics and make them distort. Also, even when properly adjusted, comments from audience and sound operators at different venues suggest that the sound quality is not particularly good, which is not surprising given that they were less than £20 each. They are also prone to feedback, being omni-directional. I'm not keen on sticking Velcro onto the instruments, though, especially the concertinas which are about 90 years old.
So far I have had three alternatives suggested:
1) Microvox - two contact mics, attached with Velcro, connected to a pre-amp/DI box worn on a belt. Some comments suggest that the sound quality is not much better than the Tandy tie-clips. Around £120 for a set.
2) AKG C416 - very small (hyper?) cardioid condenser mic; comes fitted to a short goose-neck that clips onto a special base that needs to be attached somehow to the instrument. I could probably fix some kind of clip to this base-plate to avoid the need to stick anything onto the instruments. Apparently quite sensitive to feed-back? Around £85 - £110 each depending on which version (phantom- or battery- powered)
3) Audio Technica ATM35HC - small hyper-cardioid condenser mic; comes attached to a short goose-neck with a spring-clip on the end. Around £160 each?
I've not been able to find references to any of these alternatives on this board.
Thanks in advance for your advice...