John McCully
September 10th, 2019, 02:25 AM
Some time ago my Sachtler FSB6 and Speedlock legs disappeared while I was elsewhere occupied and I have been making do with my old Manfrotto 756B legs and a Manfrotto 494RC02 ball head.
Enough, I said. The time has come, the Walrus said. When the wind gets up and I’m out in the open it’s a loosing battle; the wind wins as is painfully obvious in the recorded footage. I do need to upgrade my support system, I think.
As I view the huge range of products available I remind myself that my shooting behaviour has changed since my FSB6 days when a general purpose rig was appropriate’ The occasional wedding, small documentaries, family events, and suchlike was the day-to-day. Since then a couple of irreversible changes have been ongoing the most significant being I’m not as young as I once was and lugging the Sachtler and a Sony EX1 up hill and down dale is no longer my cup of tea. Furthermore nobody is getting married anymore, family are doing their own thing which is a good thing, while docos are a dime a dozen on YouTube.
These days I happily drive to the estuary, park my car, walk a few meters carrying my Manfrotto gear and a couple of cams; a Sony AX100 and a Lumix G9 with a long 100-300 lens and shoot locked down ‘moving portraits’ of the abundant wildlife in the area. If there is a breeze that long lens gets the micro wobbles and eliminating that problem is my primary objective.
And while a FSB6 or similar head mounted on a Flowtech 75 MS Carbon Fiber Tripod with Mid-Level Spreader and Rubber Feet legs is perhaps a solid solution it is somewhat hard on the wallet while not easy on the aging muscles. However if that’s my best option then that’s that. The thing is I would be upset to find after spending all that money that while the tripod, head and G9 remain rock-solid the extending 100-300 lens at the long end has a mind of its own and even in the faintest breeze jitters willy-nilly!
So perhaps I need a lens that extends internally, and that probably means I need a new cam…and lens.
The Lumix G9 (GH5 lite) delivers lovely 4k 60p footage during the dead calm but that’s too limiting altogether, especially at the estuary by the ocean. The AX100 is limited in other ways however a support system upgrade would be a good thing, no doubt.
So, wildlife shooters; suggestions please.
Many thanks.
Enough, I said. The time has come, the Walrus said. When the wind gets up and I’m out in the open it’s a loosing battle; the wind wins as is painfully obvious in the recorded footage. I do need to upgrade my support system, I think.
As I view the huge range of products available I remind myself that my shooting behaviour has changed since my FSB6 days when a general purpose rig was appropriate’ The occasional wedding, small documentaries, family events, and suchlike was the day-to-day. Since then a couple of irreversible changes have been ongoing the most significant being I’m not as young as I once was and lugging the Sachtler and a Sony EX1 up hill and down dale is no longer my cup of tea. Furthermore nobody is getting married anymore, family are doing their own thing which is a good thing, while docos are a dime a dozen on YouTube.
These days I happily drive to the estuary, park my car, walk a few meters carrying my Manfrotto gear and a couple of cams; a Sony AX100 and a Lumix G9 with a long 100-300 lens and shoot locked down ‘moving portraits’ of the abundant wildlife in the area. If there is a breeze that long lens gets the micro wobbles and eliminating that problem is my primary objective.
And while a FSB6 or similar head mounted on a Flowtech 75 MS Carbon Fiber Tripod with Mid-Level Spreader and Rubber Feet legs is perhaps a solid solution it is somewhat hard on the wallet while not easy on the aging muscles. However if that’s my best option then that’s that. The thing is I would be upset to find after spending all that money that while the tripod, head and G9 remain rock-solid the extending 100-300 lens at the long end has a mind of its own and even in the faintest breeze jitters willy-nilly!
So perhaps I need a lens that extends internally, and that probably means I need a new cam…and lens.
The Lumix G9 (GH5 lite) delivers lovely 4k 60p footage during the dead calm but that’s too limiting altogether, especially at the estuary by the ocean. The AX100 is limited in other ways however a support system upgrade would be a good thing, no doubt.
So, wildlife shooters; suggestions please.
Many thanks.