Alfred Okocha
February 23rd, 2016, 05:23 AM
Hi there!
The FS5 is the first camera I own that shoots s-log and though I've read much about it I haven't really used it in a live situation yet.
Most of my work is broadcast with short deadlines so I don't have time to colorgrade a lot, BUT, if there is a quick LUT that could be applied so that I could take advantage of the full 14 stops and not having blown out skies for example it would be lovely.
My FS5 goes automatically to WB 3200 when i go to PP7 and PP8. Is there a way of changing that? (Or does it not even matter??)
When I apply the FCP X log processing Sony S-log2 and 3 to my footage, it looks... really bad... Is there more LUTS that you can apply to FCP somehow or do you have to use a different software? (Looks bad in part because WB is way wrong...)
Lots of stupid questions here I'm sure but I could really use some help to take my first insecure steps on the S-log path...
Any input is very welcome!
Thank you!
The FS5 is the first camera I own that shoots s-log and though I've read much about it I haven't really used it in a live situation yet.
Most of my work is broadcast with short deadlines so I don't have time to colorgrade a lot, BUT, if there is a quick LUT that could be applied so that I could take advantage of the full 14 stops and not having blown out skies for example it would be lovely.
My FS5 goes automatically to WB 3200 when i go to PP7 and PP8. Is there a way of changing that? (Or does it not even matter??)
When I apply the FCP X log processing Sony S-log2 and 3 to my footage, it looks... really bad... Is there more LUTS that you can apply to FCP somehow or do you have to use a different software? (Looks bad in part because WB is way wrong...)
Lots of stupid questions here I'm sure but I could really use some help to take my first insecure steps on the S-log path...
Any input is very welcome!
Thank you!