Roger Gunkel
September 9th, 2014, 05:43 AM
Coming back to the subject of the thread, where does the future lie for wedding video?
To answer that, you need to look at what wedding clients want and why. Based purely on my own experience with no official figures I feel that there are 4 areas of interest:-
1) Highest Quality of product and prestige, a market that wants the best and is prepared to pay for it
2) High Quality within a controlled budget, normally clients with a higher than average disposable income
3) Acceptable quality and production but within a restricted budget
4) A fun record of the day where quality is not a high priority, usually from friends and family
1) Possibly 0.5 to 1% of the available market
2) 1 to 2% of available market
3) 7 to 8% of available market
4) 90% of available market
It doesn't take a marketing genius to see that there is a vast untapped market at the bottom end of the scale, where cost is a factor that usually makes professional video a no go. Here though is where there is a big dilemma. Do we want to earn an acceptable income producing something that is to a basic formula, or do we want to push our artistic and creative talents to a more discerning market. I have a feeling that a large number of contributors here would choose the latter option rather than the former. That of course means competing in a highly competitive and very small market, where image, presentation and equipment are king. Highly developed film making skills and technical and artistic interpretation are essential, plus the insight to keep up with or ahead of current film fashion.
Against this, we are seeing a minimal uptake of professional video in the overall wedding market, with the rapid increase in video and photographic technology meaning that the remaining 90% of the market are still getting video and photos taken, frequently at acceptable quality to the client, but taken by friends and family. I can only see that side of the business taking more work from the professional as people upload immediately to social networks and share fashionable wedding selfies with each other This is an area that we really should be looking at, both by offering something different and by educating that market as to what they are missing, particularly as a proper wedding memory for the future.
Price will always be the determining factor here, but lower return doesn't have to equal lower income. I see wedding photographers armed with a couple of huge top of the range NIkons, lenses and ancillary equipment that must have cost many thousands of pounds, plus videographers here that use multi high end video cams or dslrs with sliders, dollys, cranes etc. Yet in such a huge percentage of the market, couples would rather do it themselves. Less so with photography which is long established, but clients with very expensive photographers still express dissatisfaction with the results and ask for stills from the video. A big investment in top range equipment, promotion and premises is going to require a high return to finance it. Here we are talking about moving from fairly recently acquired HD gear into 4k cameras and editing systems, while 90% of the market is delighted with phone footage/photos and watching SD programmes on their HD tvs.
My own answer was to the budget restricted area, which covers both those who want a professional and those who aren't sure, but are working to limited budgets. I added photography to the solo video package, because it opens the door to all those who would have a photographer but probably not a video. I keep it simple by using small HD video cams and bridge cameras on a double camera tripod mount. This enables me to take stills and video on both types of camera at the same time, plus a dslr for later photos. I also use a GoPro for different ceremony angles and another HD cam on lightweight locked off tripod, plus audio recorders.
I can edit a wedding with video and stills quite easily in less than a week and stills are simply delivered as files. No album or prints to make, which has proved very popular with clients as they can email to friends, make their own photo books or come back to me later for albums and prints if they want. My overheads are minimal, consisting of fuel, leaflets, wedding shows and an allowance for repairs and replacements. As my equipment is simple and reliable, the investment cost is comparatively low, which gives a good profit margin on what are seen as very affordable prices. As my wife is also able to offer a joint package, then double weddings give an even greater income return.
The above is just my personal opinion and approach and I am offering it as my way own of moving on with video.
Roger
To answer that, you need to look at what wedding clients want and why. Based purely on my own experience with no official figures I feel that there are 4 areas of interest:-
1) Highest Quality of product and prestige, a market that wants the best and is prepared to pay for it
2) High Quality within a controlled budget, normally clients with a higher than average disposable income
3) Acceptable quality and production but within a restricted budget
4) A fun record of the day where quality is not a high priority, usually from friends and family
1) Possibly 0.5 to 1% of the available market
2) 1 to 2% of available market
3) 7 to 8% of available market
4) 90% of available market
It doesn't take a marketing genius to see that there is a vast untapped market at the bottom end of the scale, where cost is a factor that usually makes professional video a no go. Here though is where there is a big dilemma. Do we want to earn an acceptable income producing something that is to a basic formula, or do we want to push our artistic and creative talents to a more discerning market. I have a feeling that a large number of contributors here would choose the latter option rather than the former. That of course means competing in a highly competitive and very small market, where image, presentation and equipment are king. Highly developed film making skills and technical and artistic interpretation are essential, plus the insight to keep up with or ahead of current film fashion.
Against this, we are seeing a minimal uptake of professional video in the overall wedding market, with the rapid increase in video and photographic technology meaning that the remaining 90% of the market are still getting video and photos taken, frequently at acceptable quality to the client, but taken by friends and family. I can only see that side of the business taking more work from the professional as people upload immediately to social networks and share fashionable wedding selfies with each other This is an area that we really should be looking at, both by offering something different and by educating that market as to what they are missing, particularly as a proper wedding memory for the future.
Price will always be the determining factor here, but lower return doesn't have to equal lower income. I see wedding photographers armed with a couple of huge top of the range NIkons, lenses and ancillary equipment that must have cost many thousands of pounds, plus videographers here that use multi high end video cams or dslrs with sliders, dollys, cranes etc. Yet in such a huge percentage of the market, couples would rather do it themselves. Less so with photography which is long established, but clients with very expensive photographers still express dissatisfaction with the results and ask for stills from the video. A big investment in top range equipment, promotion and premises is going to require a high return to finance it. Here we are talking about moving from fairly recently acquired HD gear into 4k cameras and editing systems, while 90% of the market is delighted with phone footage/photos and watching SD programmes on their HD tvs.
My own answer was to the budget restricted area, which covers both those who want a professional and those who aren't sure, but are working to limited budgets. I added photography to the solo video package, because it opens the door to all those who would have a photographer but probably not a video. I keep it simple by using small HD video cams and bridge cameras on a double camera tripod mount. This enables me to take stills and video on both types of camera at the same time, plus a dslr for later photos. I also use a GoPro for different ceremony angles and another HD cam on lightweight locked off tripod, plus audio recorders.
I can edit a wedding with video and stills quite easily in less than a week and stills are simply delivered as files. No album or prints to make, which has proved very popular with clients as they can email to friends, make their own photo books or come back to me later for albums and prints if they want. My overheads are minimal, consisting of fuel, leaflets, wedding shows and an allowance for repairs and replacements. As my equipment is simple and reliable, the investment cost is comparatively low, which gives a good profit margin on what are seen as very affordable prices. As my wife is also able to offer a joint package, then double weddings give an even greater income return.
The above is just my personal opinion and approach and I am offering it as my way own of moving on with video.
Roger