Mattias Burling
July 28th, 2014, 02:31 AM
Hello,
Ive been reading the posts on DVinfo every day for a long long time but for some reason I never joined the conversation. Thought I would change that.
To start it of I can share my experience with editing Raw natively in Premiere. Ever since Adobe made it possible I thought it wasnt verry usable based on reviews.
But as always I should have knowned better and tried it for myself.
I did a quick try in CS5 via Dynamic Link from AE but lets just say my computer (mac mini) wanted to kill itself due to the work load.
This weekend I upgraded my old CS5 to CC and therefor was able to test it out.
I freaking loved it.
I have never been able to use Resolve because my graphic card isnt suported, its not that its slow, it simply wont launch.
My workflow for raw has therefor been to use Lightroom or Adobe Camera Raw in After effects and then transcode to Prores. It has been time consuming but effective.
Also it havent mattered so much to me since I shoot mainly Prores. On the pocket cam Raw doesnt make that much sence at all imo unless its a really demanding situation.
On the BMCC its a different story due to the higher resolution and I would have absolutly loved to have 2.5K prores, so much that I concidered buying the BMPC just for the 4K prores.
What stopped me was simply the cost. The BMPC is $3000 and I payed rougly $1000 for the BMCC.
What editing Raw in Premiere has done is basically solved that "issue" for me. I can now with the newest firmware shoot alot of 2.5K Raw to one SSD and then just import it to Premiere, the sound is synced automatically and edit away. I can set the raw exposure and then grade in my normal fashion using the tools in premiere or plugins.
If there is a certain clip where I feel that I need the tools in ACR to get the look I want I just open that in AE and convert to prores the old fashioned way.
So far the only thing I havent solved and maybe I wont be able either is when I dynamic link one of the clips to AE, it then just uses the first frame. I guess I could in AE replace it with the sequense but I will do some experimenting this week.
Any way here is some footage that I used for my first test. The grade isnt exactly what I was going for but its close enough for me to know that this might be a workable and time effective workflow for my raw.
/M
Beach - Blackmagic Raw Edited/Graded Natively in Premiere - YouTube
Ive been reading the posts on DVinfo every day for a long long time but for some reason I never joined the conversation. Thought I would change that.
To start it of I can share my experience with editing Raw natively in Premiere. Ever since Adobe made it possible I thought it wasnt verry usable based on reviews.
But as always I should have knowned better and tried it for myself.
I did a quick try in CS5 via Dynamic Link from AE but lets just say my computer (mac mini) wanted to kill itself due to the work load.
This weekend I upgraded my old CS5 to CC and therefor was able to test it out.
I freaking loved it.
I have never been able to use Resolve because my graphic card isnt suported, its not that its slow, it simply wont launch.
My workflow for raw has therefor been to use Lightroom or Adobe Camera Raw in After effects and then transcode to Prores. It has been time consuming but effective.
Also it havent mattered so much to me since I shoot mainly Prores. On the pocket cam Raw doesnt make that much sence at all imo unless its a really demanding situation.
On the BMCC its a different story due to the higher resolution and I would have absolutly loved to have 2.5K prores, so much that I concidered buying the BMPC just for the 4K prores.
What stopped me was simply the cost. The BMPC is $3000 and I payed rougly $1000 for the BMCC.
What editing Raw in Premiere has done is basically solved that "issue" for me. I can now with the newest firmware shoot alot of 2.5K Raw to one SSD and then just import it to Premiere, the sound is synced automatically and edit away. I can set the raw exposure and then grade in my normal fashion using the tools in premiere or plugins.
If there is a certain clip where I feel that I need the tools in ACR to get the look I want I just open that in AE and convert to prores the old fashioned way.
So far the only thing I havent solved and maybe I wont be able either is when I dynamic link one of the clips to AE, it then just uses the first frame. I guess I could in AE replace it with the sequense but I will do some experimenting this week.
Any way here is some footage that I used for my first test. The grade isnt exactly what I was going for but its close enough for me to know that this might be a workable and time effective workflow for my raw.
/M
Beach - Blackmagic Raw Edited/Graded Natively in Premiere - YouTube