Steve Cottrell
May 3rd, 2014, 09:52 AM
For the next few months I will be shooting in FAT SD on a PMW-400 producing AVI files. The problem is that although I have all appropriate audio settings on the camera set to give dual mono, when I drag in the AVIs onto an FCP7 timeline, the audio appears as a linked stereo pair.
If I shoot FAT HD, then bring in the footage using XDCAM Transfer via the FCP7 Import menu, then all the footage appears as normal on the timeline - dual unlinked mono tracks (just 1 and 2 in this instance).
Having done a couple of hours of web research and testing, I can find no way to get the AVIs' audio tracks to be unlinked mono tracks out of the camera.
It seems my alternatives are these:
1/ Unlink the stereo pair in the timeline, get rid of (say) track 2 when I'm after the content on track 1, then pan track 1 to centre and apply normalisation gain to get it where I want it.
2/ Take the original AVIs out of the CLPR folder and re-wrap them and save them as MOVs, realigning the channel settings manually to 'left centre' and 'right centre', and then bring those MOVs into FCP where they behave as I want.
Spent too long staring at screens and menus - is there anything obvious I've missed?
(NB - my preferred method would be to shoot in HD and then crunch down to SD in FCP7 but there are various reasons why I must shoot in SD.)
Many thanks.
If I shoot FAT HD, then bring in the footage using XDCAM Transfer via the FCP7 Import menu, then all the footage appears as normal on the timeline - dual unlinked mono tracks (just 1 and 2 in this instance).
Having done a couple of hours of web research and testing, I can find no way to get the AVIs' audio tracks to be unlinked mono tracks out of the camera.
It seems my alternatives are these:
1/ Unlink the stereo pair in the timeline, get rid of (say) track 2 when I'm after the content on track 1, then pan track 1 to centre and apply normalisation gain to get it where I want it.
2/ Take the original AVIs out of the CLPR folder and re-wrap them and save them as MOVs, realigning the channel settings manually to 'left centre' and 'right centre', and then bring those MOVs into FCP where they behave as I want.
Spent too long staring at screens and menus - is there anything obvious I've missed?
(NB - my preferred method would be to shoot in HD and then crunch down to SD in FCP7 but there are various reasons why I must shoot in SD.)
Many thanks.