Chris Hurd
February 28th, 2014, 08:28 PM
I’ve spent a long time learning to make HD footage look “filmic” without really knowing exactly what that meant. I’ve just picked up a bit of insight, however, and it’s permanently changed how I look at video and color. I’ve shot a number of projects using an Arri Alexa in WYSIWYG mode — for which I’m considered a bit of an oddity — but with it I can get great results with no more than minimal grading and clients love walking away with ProRes files whose look is 90% there. My problem is that I now have to do this with other cameras as Alexa’s price point is considered “high” in my market due to the release of several newer, cheaper and fairly capable cameras. I love the Alexa look, but my current task is to figure out how to get close to that look when the production doesn’t have the budget to rent one — or, more likely, in the event the production company owns their own camera.
Read the full article at Making the Sony F55 Look “Filmic” with Resolve 9 at DV Info Net (http://www.dvinfo.net/article/post/making-the-sony-f55-look-filmic-with-resolve-9.html)
Read the full article at Making the Sony F55 Look “Filmic” with Resolve 9 at DV Info Net (http://www.dvinfo.net/article/post/making-the-sony-f55-look-filmic-with-resolve-9.html)