Kevin Duffey
May 5th, 2013, 12:52 PM
Hey all,
I am currently filming on a Canon t2i. Was using HDMI out with my Shuttle 2, but my HDMI died on my camera, so stuck with h264 for now. Planning on getting a BM Pocket camera in August or so. May spring for the canon factory refurbished/trade in option for my t2i soon if I can to get HDMI working again.
Anyway, I am a firm believer in using DNxHD (since my shuttle records in it, and hopefully the BM Pocket camera will either record to it (initially it says ProRes) or CinemaDNG Raw). I am a windows user by the way and don't like the 32-bit buggy ProRes/Quicktime stuff.
So, I am curious how many transcode to DNxHD for use with editing in Premiere Pro CS6?
I ask because I typically want to edit in two ways. One is, I will bring in my dailies, which usually have several seconds of padding on both sides. As well I use external audio with a few mics. So I tend to want to bring the dailies in, cut them down, sync audio, then put them into a separate "ready to edit" folder. I also want to use a DNxHD 36 proxy to edit with, while my masters are DNxHD 220. Also, another reason to cut/sync then store separately, is I may want to give the individual clips along with a script perhaps, to another editor who can then start to assemble the film from the clips.
I am just wondering if this is a good workflow? If there is perhaps a better way to do this? Also, what transcoder do you all use for AVCHD/H264 or even from ProRes or CinemaDNG (or even Red Raw) to DNxHD?
Thanks.
I am currently filming on a Canon t2i. Was using HDMI out with my Shuttle 2, but my HDMI died on my camera, so stuck with h264 for now. Planning on getting a BM Pocket camera in August or so. May spring for the canon factory refurbished/trade in option for my t2i soon if I can to get HDMI working again.
Anyway, I am a firm believer in using DNxHD (since my shuttle records in it, and hopefully the BM Pocket camera will either record to it (initially it says ProRes) or CinemaDNG Raw). I am a windows user by the way and don't like the 32-bit buggy ProRes/Quicktime stuff.
So, I am curious how many transcode to DNxHD for use with editing in Premiere Pro CS6?
I ask because I typically want to edit in two ways. One is, I will bring in my dailies, which usually have several seconds of padding on both sides. As well I use external audio with a few mics. So I tend to want to bring the dailies in, cut them down, sync audio, then put them into a separate "ready to edit" folder. I also want to use a DNxHD 36 proxy to edit with, while my masters are DNxHD 220. Also, another reason to cut/sync then store separately, is I may want to give the individual clips along with a script perhaps, to another editor who can then start to assemble the film from the clips.
I am just wondering if this is a good workflow? If there is perhaps a better way to do this? Also, what transcoder do you all use for AVCHD/H264 or even from ProRes or CinemaDNG (or even Red Raw) to DNxHD?
Thanks.