Hello,
I currently use a set of Sennheiser G3s. Thus far I've been using them in California and Hawaii, and I believe it is a G band set. Now I'm looking into getting another G3, but would like to be able to use it internationally - specifically in Europe and Brazil in addition to U.S. Am I just dreaming, or is there such a thing? Are there any wireless sets that would work in these different regions? Or do I have to go wired? Would appreciate any thoughts - thanks!

The Sennheiser G block is 566-608MHz, don't know if that is legal in the UK. John W other UK members would know. I would plan on renting wireless gear on international shoots.

The new UK Sennheiser band is GB - 606-614MHz, so we're now different to Europe, where the result of 4G is a little different. In Germany, for example, 790 - 814 and 838 - 862 MHz are able to be licensed until 2015, BUT 4G is creeping into these allocations already, cutting the bands down.

In the UK and Europe - channel 70 is going to remain license free, BUT limited to 4 or 5 channels maximum, depending on the equipment bandwidth and specs, and it's going top become hectic.

It's almost certain that there is not any single system capable of doing everywhere.

Thanks very much, Rick and Paul. As I suspected... will likely have to go wired / shotgun in Europe, but the option of renting is a thought too.

The Sennheiser frequency chart for Brasil says:

Frequencies (in MHz) for users from abroad
VHF
UHF up to 810 MHz.

Do you think my G block set would work in Brasil?

Hello,
I currently use a set of Sennheiser G3s. Thus far I've been using them in California and Hawaii, and I believe it is a G band set. Now I'm looking into getting another G3, but would like to be able to use it internationally - specifically in Europe and Brazil in addition to U.S. Am I just dreaming, or is there such a thing? Are there any wireless sets that would work in these different regions? Or do I have to go wired? Would appreciate any thoughts - thanks!

There is nothing really International - normally it's best to hire on location.

However.......

G3 version "E" has the small 2MHz window of 863-865MHz - this small window can have normally 4 frequencies (6 if all are G3) that are legail without a licence all over Europe (including the UK). Though please bear in mind that this band is very popular and is also used for wireless headphones and the like.

G3 version "GB" is legal in both the UK and the USA (and, I assume, Canada) - this has the top 2MHz from version "G" and the bottom 2/3 of version "B", both of which are legal in the USA. It also has the 6MHz between the two. This 6MHz band is totally illegal in the USA and almost everywhere else as it's set aside for Radio Astronomy - but in the UK this 6MHz together with the 2MHz immediately below is UK channel 38 whis is used for licensed radiomics all over the UK. So a version "GB" is legal in the UK and the US, but not necessarily the rest of Europe.

The ideal situation would be a version "GB" and a version "E" which would give excellent coverage in the USA and UK with a version "E" for Europe.

Thanks John, extremely helpful information.

So coming back to this thread after awhile - I just spoke with a gentleman at Sennheiser UK who told me that B band sets (as well as GB and C) will work in the UK and Europe. That is convenient for me as I can purchase B sets in America and bring with. I just wanted to confirm here; for those of you who work often in Europe have you had experience using B band wireless sets in Europe? I will be specifically in the UK and Amsterdam. Last time I rented on location but this time it will not be cost effective to rent. Would appreciate any thoughts you have. Thanks in advance!

"Would appreciate any thoughts you have"

1. Turn it on and hope for the best (asking for trouble)

2. Use the receiver's on-board scanner (pray)

3. Use the Sennheiser on-line frequency finder to look up current TV channels in location and avoid those channels/frequencies (good)

4. Get an RF scanner to find open frequencies in your block range. (better)

5. All the above except #1 (best)

So coming back to this thread after awhile - I just spoke with a gentleman at Sennheiser UK who told me that B band sets (as well as GB and C) will work in the UK and Europe. That is convenient for me as I can purchase B sets in America and bring with. I just wanted to confirm here; for those of you who work often in Europe have you had experience using B band wireless sets in Europe? I will be specifically in the UK and Amsterdam. Last time I rented on location but this time it will not be cost effective to rent. Would appreciate any thoughts you have. Thanks in advance!

Who did you speak to at Sennheiser UK?

That information is a bit misleading.

Yes, you can use a B version in the UK - BUT - you will have to buy a separate licence for every venue you will play at. This can work out pretty expensive.

Only the GB version has the frequencies that you can use everywhere in the UK on a "shared" mobile licence. You buy one licence and can use the "shared" frequencies all over the UK for a year. As a GB version is also legal in the USA (with the exception of the first 8MHz, which you must NOT use in the USA), this is the best version to get.

If you Buy a B version, you may find that your licence costs end up being more than the system cost you.

A version E, in the frequency band 863-865MHz only, can be used in the UK and all over Europe without having to pay any licence fee.

So the choice is yours - get a version GB to use in the USA and Europe for paymen of a licence fee in the UK (and possibly Europe) - or get a version vor teh USA and another set on band E for the UK and Europe that you cane use without a licence.

I would NOT get a version B as your UK licence costs could end up being very high - unless you are only playing in a single venue.

I hope this helps.

John

Hi John,
I didn't catch the gentleman's name but I spoke with him about two days ago now.
Wow, thanks SO much for this clarification. I had no idea about paying for licenses and that would certainly be troubling to learn on site.
Do you have any recommendations about how to best purchase an E band set in either the UK or Amsterdam? I saw a set available for order online the the UK company Ashton Little but I don't know how reliable / reputable that company is. If you have an online European dealers you'd suggest I'd appreciate it. Thanks very much for your help!
Aya

As you are in the USA, I would contact Sennheiser USA and ask them to get you a version "E" and tell them you want it for use in Europe and not the USA.

If you want to purchase in Europe, I would go to Canford Audio (http://www.canford.co.uk/).

If they don't send to the USA, go to KMR (https://www.kmraudio.com/) who certainly do.

If you are ordering the version with the mains receiver, I would order a UK version "E" and ask for an EU mains unit in addition so it will be easy to use anywhere.

I hope this helps.

Thanks so much for this info. Extremely helpful!
Aya

Have a Senn G3 B range tried to use in Switzerland about a year ago. Not a single frequency worked. Thankfully I brought my handheld mic and exl cable which saved the day .

The reality in the UK is that there are plenty of unlicensed users, who don't even realise they are using illegal imported kit (thanks eBay). It's self policing as the real problem is interference from digital TV and cell phones depending on which band you use. The licenses john referred to are now also geographically allocated depending on TV channels and other users as the frequencies given to you are coordinated. If you bring the kit, the absolute worst case is a fine. The current rules on radio use allow confiscation of equipment when a license is not available. As a license IS available then it's not illegal equipment. In practice your big problem is just interference. I've got some channel 69 equipment I can't use here because of new cellphone allocations, but I took it to the UAE, where I used it without incident, and it was inspected at the airport. Low power devices rarely attract interest, as the hundreds of unlicensed radio mic users here have proven.

When the government sold off one of our allocations, they gave all licensed operators a decent hand in compensation, then sold some of it back to us even cheaper because it wasn't really an issue.

The current rules on radio use allow confiscation of equipment when a license is not available. As a license IS available then it's not illegal equipment. In practice your big problem is just interference.

Be careful, because if the frequency you use happens to be illegal at the place you use it - then confiscation *is* possible.

Also, confiscation can be the complete kit, including camera and all accessories.

The fine can be as high as £10k and the law also allows for imprisonment.

The penalties are very high because the law was written for pirate radio stations, but applies equally well to radiomics.

Personally, I would not risk it.

John - since the old Radio Agency retired the fleet of vehicles with rotating roof racks, the only services that have enforceable action available are the official 'Protected Services'. Arqiva, and JFMG before them have no powers of confiscation, and could only do this with a Police Officer's assistance, when evidence exists that a criminal action has taken place. Unlicensed operation of a legally possessable device is a civil matter and confiscation can not even be sanctioned by a court. Repeat TV license offenders can not have their TV sets confiscated. The only penalty is, as you say, a fine, which comes later. Radio equipment used by pirate radio stations can be confiscated because an off the shelf license for a radio broadcaster is not available, making the equipment itself illegal. Radio microphones should not be used without a license of course, but the often cited £5000 fine and/or 6 months imprisonment has never been applied to illegal use of radio microphones. A troublesome individual who repeatedly broadcast music illegally from a rooftop in Camden received a suspended sentence, an ASBO and a 3 month curfew - the fine was £1200. He got his equipment seized.

I think the illegal operation needs some perspective here. Running 500W from a rooftop, wiping out local radio reception, interfering with TV services people have paid for, is rather different from a 50mW pack in somebodies pocket - that struggles to get from the transmitter to the receiver in many cases.

The authorities will not act for you, even if you are licensed - it's a non-protected service. If they really wanted to make a few quid they could have prosecuted all the people who wrote in and complained they had been turned down for the surrender money because they didn't have a license.

I'm not saying, of course that people should operate without a license, but that the authorities themselves are not interested in policing it, so all this talk of fines and prison is a little futile.

The real problem with just switching on and operating is interference from much more powerful legitimate band users, and that is a proper problem.

I always laughed that Sennheiser and others never included a license application form in the box of the radio equipment they sold. Trantec did for a while, but none of my Sennheisers did! I wonder how many people just used the scan function and blasted away? Most I suspect.

John - since the old Radio Agency retired the fleet of vehicles with rotating roof racks, the only services that have enforceable action available are the official 'Protected Services'. Arqiva, and JFMG before them have no powers of confiscation, and could only do this with a Police Officer's assistance, when evidence exists that a criminal action has taken place. Unlicensed operation of a legally possessable device is a civil matter and confiscation can not even be sanctioned by a court. Repeat TV license offenders can not have their TV sets confiscated. The only penalty is, as you say, a fine, which comes later. Radio equipment used by pirate radio stations can be confiscated because an off the shelf license for a radio broadcaster is not available, making the equipment itself illegal. Radio microphones should not be used without a license of course, but the often cited £5000 fine and/or 6 months imprisonment has never been applied to illegal use of radio microphones. A troublesome individual who repeatedly broadcast music illegally from a rooftop in Camden received a suspended sentence, an ASBO and a 3 month curfew - the fine was £1200. He got his equipment seized.

I think the illegal operation needs some perspective here. Running 500W from a rooftop, wiping out local radio reception, interfering with TV services people have paid for, is rather different from a 50mW pack in somebodies pocket - that struggles to get from the transmitter to the receiver in many cases.

The authorities will not act for you, even if you are licensed - it's a non-protected service. If they really wanted to make a few quid they could have prosecuted all the people who wrote in and complained they had been turned down for the surrender money because they didn't have a license.

I'm not saying, of course that people should operate without a license, but that the authorities themselves are not interested in policing it, so all this talk of fines and prison is a little futile.

The real problem with just switching on and operating is interference from much more powerful legitimate band users, and that is a proper problem.

I always laughed that Sennheiser and others never included a license application form in the box of the radio equipment they sold. Trantec did for a while, but none of my Sennheisers did! I wonder how many people just used the scan function and blasted away? Most I suspect.

Sennheiser never included a licence because the equipment was delivered direct from the central warehouse in Germany.

Trantec were a UK based company and it was much easier for them.

Sennheiser UK used to include all the licence information and contact details on the price lists and, I think, also had it on the website.

Oh - and it *is* policed. I have heard of inspectors turning up at a theatre and asking to see the radiomic. licences. The visiting band, who did not have one but were using legal frequencies, were instructed to get a licence and prove it by sending a copy within 14 days. A manufacturer's rep. was at the theatre at the time and witness all this.

Also - as a lot of TV channels have now been sold off for the European-wide wireless broadband, you are likely to find these being policed more in the future.

Because so many users wre illegally operating without a licence, the UK almost lost most of the frequencies for radiomics as the Government thought they were not being used and therefore not required. It took a lot of hard work by BEIRG (http://www.soundonsound.com/forum) to convince them otherwise.

At least the illegal users did not get any compensation like the legal users did.

I'm sorry, but your posts do seem to be encouraging illegal use of radiomics.

No John, that's just your view. I pay for my licenses, and my hire kit is always supplied with permits. JFMG, and presumably now Arqiva do check venues where they know kit will be used - and I've had the job of photocopying all the paperwork and sending it to them when they do these spot checks. However - my point is that they do not have the resources to be the frequency police in an investigative sense. Checking multiple usage in bigger venues where equipment lis commonly used is one thing - finding somebody with a camera and a pack or two is pretty hit and miss, as I'm sure you'll agree. I do not condone using kit without a license, but I do understand it.

For what it's worth, at one venue I know well, there is a license in force just in case a visitor brings in an unlicensed set - however, the number of people still using frequencies in 69, plus the other non-UK brands brought into the country makes policing very difficult. If somebody has a radio system working on a non-UK band, do I tell them they cannot use it, or do I ignore it. Easy - I ignore it!

As for Sennheiser having the details on the website? The guy who goes into the local music shop and buys a system has no idea. If a UK band version is imported into the UK, then was it so hard for them to put something in the box? If they wanted to be responsible manufacturers they would have done - but if nobody really puts any emphasis on licensing, blaming the consumer is a bit pointless.