Your HV20 is 60i, so it's only normal that the 30P tape won't play.

Actually I think the issue is that his HV20 is 1080i, so it's only normal that the 720p tape won't play.

Your HV20 is 60i, so it's only normal that the 30P tape won't play.

Per the specs, the HV20 can play back 1080/60i, 1080/24F, 1080/30F and 1080/24P. So it's not going to work on both counts, no 720 and no 30P. I have a HV30 and a Sony HDV Recorder/Playback deck. The only thing that I can play back is the 60i. Canon has a way of doing the progressive that is incompatible with Sony equipment and most likely JVC. If you had shot in 1080/60i or 1080/24P then you might be able to use the HV20 as a playback deck. Try something besides Canon for play back.

HV20 High Definition Camcorder :: Specifications (http://www.usa.canon.com/app/html/HDV/HV20/specifications.shtml)

Hi, I am a Film graduate and currently working in Event videography field for 2 years now. Mostly tutorials, weddings, and events

gear list:

canon C100
some Canon L primes (24, 50, 85, 100) and samyang 14mm T2.1
Tascam Dr100 mk ii
Zylight Z90
Big ring light
manfrotto 561 monopod
slider (PB kessler)
Gitzo photo tripod + manfrotto 502 AH head

PS. I do not have steadicams or jibs. But I do have experiences with jibs.

Im looking for all kinds of video works including video editing (4 years experience with Adobe Suite, I mean Premiere & after effects)

Vancouver Canada ONLY please email me @ butterbunboy@gmail.com for inquiry & demo reel (due to client contract, I can not publish my reel on Internet, sorry)

thank you

I hate to differ with everyone but I use my HV20 all the time to play HDV tape shot in 1080 30P (Original camcorder Canon XL series). The fact that you are using a JVC machine to create the tape shouldn't have any detrimental effects. You don't have the playback set to DV, do you?

There are two flavors of HDV. There's HDV(1) which is 720 only, by JVC, and HDV(2) which is 1080 only, by Sony & Canon. They are not compatible in terms of playback. In other words a JVC deck will not play back tapes recorded on Sony HDV camcorders, nor will a Canon camcorder play back 720p HDV1 video recorded on a JVC camcorder.

Yes, the original poster needs to be able to play back HDV1 files. The old JVC HD1 camera I had was HDV1, like the JVC HD 100 family. DVinfo.net had a rather large HD1 section back in the day. There may still be some of those old cameras on Ebay.

Not to wander off topic, but the HD1 was very ergonomic for hand held work. The hand grip would swivel. Oh so comfortable on the wrist.

The LAW.TV is looking for a freelance videographer with a minimum of 5 years of experience in TV production or news. We shoot interviews with local attorneys in a controlled studio environment. Shoots will take place in a 4 hour window per law firm. Depending on the shoot there could be 1 or 2 firms per day. We ship our gear ahead of time to the shoot location. You will be required to set up the camera equipment, lights, mic and backdrop. We also provide a laptop with the questions to be asked. We also provide a "livestream" box to monitor and help you with the shoot. Please include a link to your website and demo reel.

Please contact:
Mark Bournes / Production Manager
TheLaw.TV.
mbournes@thelaw.tv
561-352-0255
THELAW.TV | Find Attorneys | Get Answers | Legal News (http://www.thelaw.tv)

I am looking for a shooter with experience, For two testimonial shoots in KS and OK, (5d or sony FX100) you must have all gear lighting, audio etc. Not opposed to a two man crew. email me with gear list, and experience mark@onthe-nark.com thanks

Videographer: Houston, TX

The LAW.TV is looking for a freelance videographer with a minimum of 5 years of experience in TV production or news. We shoot interviews with local attorneys in a controlled studio environment. Shoots will take place in a 4 hour window per law firm. Depending on the shoot there could be 1 or 2 firms per day. We ship our gear ahead of time to the shoot location. You will be required to set up the camera equipment, lights, mic and backdrop. We also provide a laptop with the questions to be asked. We also provide a "livestream" box to monitor and help you with the shoot. Please include a link to your website and demo reel.

Please contact:
Mark Bournes / Production Manager
TheLaw.TV.
mbournes@thelaw.tv
THELAW.TV | Find Attorneys | Get Answers | Legal News (http://www.thelaw.tv)

Position filled.

I am looking for a production assistant in the Montreal area that loves cars, that wants to be a part of helping me shoot marketing material for an aftermarket automotive company. Currently I am a one man show, so it can be difficult to cover all aspects at all times.

The unfortunate thing is, this position is really only for someone who is new in the video production field and is looking to get hands on experience/real world training with some equipment. If you are a college student that wants to help on weekends, or just want to get some hands on training, I can definitely dump tons of knowledge your way. While it is not my position, at this time it will not be paid, however if you are reliable and your are ready to learn, once the summer show season hits we can discuss compensation.

Things I can help you learn: basic to advanced editing techniques in Premiere, After Effects and some of its millions of uses including its use with Mocha/Matte Tracking/Masking/Motion Tracking/shot correction, Boujou into 3DSMax, 3D compositing with 3D product models integrated into live shots, color correction, precise Jib operation with remote controlled heads, DSLR shooting, product photography and strobe techniques, as well as audio recording.

If you are looking to learn then I'll gladly help you out!

I am in need of a very simple solid Broll for a Communion in Miami Beach on May 4th. I will only need someone from 9:30 - 11AM. Thanks!

We are on the hunt for a good documentary/news-shooter for a one day shoot in Manilla, probably one of the days between 16th and 19th of April.
We may be able to fly someone in from “nearby”. Maybe Bangkok, Singapore or Hong Kong.

The shoot is for a current affairs show on Swedish public service. HD 1080p25. Preferably a large sensor camera.

Send an e-mail to: info@kamrat.tv

Slow year. Medical bills. Yay.

If you need a camera operator/producer, mostly doc and commercial, sports and narrative experience, skilled with most ENG, DSLR, and large sensor platforms, and single-person-crew operations, I'd appreciate your consideration. Professional, punctual, knowledgeable, and hardworking. Updated passport and immunizations, not afraid to get dirty or uncomfortable, will travel anywhere for most anything (no porn or weddings).

http://mcbob.tv

Thanks

Hi guys,

I'm needing a camera operator for various jobs throughout the year. I'm based in Dumfries in Scotland so ideally you would be within an hours drive and have transport. All equipment is supplied.

Mostly weddings and during weekends. Good daily rate plus expenses.
Must be ultra reliable and well presented. Must have nice manner with clients.

Most shoots are two cam one operator.

Please send any info and examples of work to swiftproductions@live.co.uk or PM me. Phone 07980 477434

Thanks,

Lee.

Hi there.

As part of my day job, I work for an Australian not-for-profit, and we run an annual conference on NFP technology, social media and marketing.

This year we are holding the conference on the Gold Coast, and are going to be live streaming one room.

I'll be setting up the computer gear for the live stream, and supplying my NX5 as the camera. I'm looking for a camera operator to give me a hand, as I'd rather have the backup while I'm doing the live mix.

You'll just need to look after the camera, make sure we're covering the stage. If you really don't want to use the NX5 we can discuss that.

Conference is May 16-17, and shifts are 9am-5pm.

We would prefer someone on the Gold Coast so we can avoid travel costs.

Please email rj@connectingup.org, or you can call (08) 8212 8555 ext 215.

Thanks!
Ryan

I can vouch for Justin, my compnay has used his services before. He is very knowledgeable and you can certanly learn from him.

Bump. Any Gold Coast people on here?

Hi Ryan,

Just sent you an email.

Thanks for that, received and responded.

The position is now filled - I look forward to working with you John!

Thanks for the vouch Keith - And the show season is basically here so if anyone in Montreal knows of someone who wants to learn how to run a jib, is going to school for film/production/marketing and wants to learn some of the ins and outs of production, or any of the stuff I listed above, throw them my way! I don't bite I swear!

Looking for a reliable second shooter to help with the 2013 wedding season. Ideal candidate should be experienced in shooting weddings and own and be proficient with video DSLR's. Please include a list of the gear you own, a link to your work and why you think you would be a good fit. Our work can be seen below:
Orange County Wedding Videography Fiske | Film (http://www.fiskefilm.com/)
Thanks!

Hi greg, do you have an email address I can reach you at?

Thanks,
Greg

Hi all,

Not sure this is the best place for this, can't find a specific forum that this may go under.

Basicaly, I've been learning/using Adobe NLE on Windows for years. I am not a pro, but I have enough knowledge to put a project together and edit various video, including syncing audio tracks and such. I'd love to find a way into this business, but am not sure how I could become an editor for someone's project, and more so, assuming I was good enough, how much to charge. What is the going rate for an editor of footage anyway? In my case I'd be happy to do some work for free if I could gain some experience from it and someone was willing to pull the trigger with me. I plan on buying a 4K BM camera with the Davinici software and learn to use that eventually. I've done a little bit with AE but mostly from tutorials.

I also have some gear I'd love to use to shoot with, although I am aware that I'd be bound to a limited range within the area I live in, but would love to know how I can get on some shoots to get some more experience?

Thank you.

Hi Kevin, look around your area for video camera clubs, but don't race in and join up. See if you can check their references, talk to current members,
ask around to find out whether it'll suit what you want to do.

There maybe trainee openings at your community TV outlet, especially if you'll work for free. If you do get in, never ever be late, always offer to help ..
and learn to make a good cup of tea. Even if you have to travel a bit, try working out a work schedule. Then again, there might be a local video wedding outfit you could team up with, even just carrying the gear to start with. Or a company that does real estate videos, or legal depositions.

Where ever you get started, you'll be on your way to building a valuable reputation in the industry and it takes time, perserverance and plain hard work.
Good luck.

Cheers.

Guys, not a good idea to post addresses, use Private Messaging.

Cheers.

Hi,

We are looking for someone in Cancun Mexico Jib Operator with 12 to 42' jib we are going from Canada to shoot Wedding video there. If any one know any jib rental place there please reply or MSG me that would be great help. I try to search in Google but no luck. Please Help me if any one know

Thanks
Sunni

I'd certainly have a chat to all the local production companies you may crack some work with one of them and wedding videographers are always on the lookout for someone who can assist and edit. I'd certainly consider giving you a try, mind you the swim here and back is a killer.

and learn to make a good cup of tea.

That's Australian for coffee :)

Thanks all. Good info. I am torn to be honest..I need 4 of me to do all that I enjoy. I absolutely love my DSLR rig. I love being able to shoot video, try to frame the shot right. I am still learning with regards to lighting, the right ISO/speed/etc settings. It's so much fun to do. I also happen to love the audio side of things. I am drooling at the H6N and plan to get it when it comes out. I have one good (I say good, it was $220..thats a bit of a price for a mic to me) XLR boom, I use my Audio Technica XLR as a 2nd mic and use a third smaller/cheaper boom attach to my T2i input for a alignment track. So I love that part of it as well. And then there is editing.. which is also a lot of fun. I am still trying to figure out how to accurately match footage shot at different times of the day, thus different lighting, as well as grading for the final output, on top of learning how to cut and assemble video (and audio including sync).

Thus, my problem.. wanting to do it all. I've read that typically you try to stick to one thing and do it well. But as a hobbyist right now, I have a hard time with that. I know I have a lot more to learn in every area, but I want to learn every area. At least with regards to using the camera, audio and editing.

But ultimately I probably enjoy the editing part the most. If I had an opportunity to get paid to shoot video, manage audio, or edit, I'd want to edit.

Paul, thank you for the potential opportunity. I think what would probably benefit me the most is the offer to get some "test" footage from someone that knows how to edit/grade, see what I can do and give me constructive criticism. I often wonder how big budget films work out because the editor as far as I know is probably not on the set while recording is going on, so they may not see the same vision the director is going for. Do editors typically follow the script the direcotr (and whoever else) filmed by and do their best to understand the same vision as those that shot/directed it?

Thanks again all.

Hello,

I have a friend who's a musician and I was going to film him on June 15th, in some Blues Festival in Silver Spring, Maryland. His performace will last less than an hour.
We had agree of 500 bucks, with editing, which shouldn't be tht complicated.
Now, I'm going to be traveling for family reasons and wont' be able to do it.
Is there anybody on this forum, local, who could do that for the same amount of money?
Thanks
Larry

You probably mean this festival:

Silver Spring Blues Festival at Downtown Silver Spring (http://www.silverspringblues.com/)

What did you commit to camera wise? What kind of access will the shooter(s) have to the stage for miking?

I have a Canon XH A1 . I'm not sure what's the access though, never been there, but you're right, it's the festival you pointed out

Kevin,

If you're confident in your abilities - and it sounds like you are - then do not be afraid to be pro-active and contact local businesses, bands or sporting clubs offering them a free video or two. Be upfront with them and say you're looking to get into the business and can offer them xyz for free. Set your terms though - for example, if you really want to work on your interview set-ups, tell them you'll only shoot a project that includes interviews - that way you are gaining something from it too.

If you search the festival name in YouTube, you'll get a good idea of what the set up would be.

Looks like outdoor festival in a mall, with bad acoustics and just people wandering in front of shot.

Probably a mission impossible it terms of customer satisfaction ? Also, the scheduling of time seems loose, with flyer indicating times subject to change.

Hi all,

Not sure this is the best place for this, can't find a specific forum that this may go under.

Basicaly, I've been learning/using Adobe NLE on Windows for years. I am not a pro, but I have enough knowledge to put a project together and edit various video, including syncing audio tracks and such. I'd love to find a way into this business, but am not sure how I could become an editor for someone's project, and more so, assuming I was good enough, how much to charge. What is the going rate for an editor of footage anyway? In my case I'd be happy to do some work for free if I could gain some experience from it and someone was willing to pull the trigger with me. I plan on buying a 4K BM camera with the Davinici software and learn to use that eventually. I've done a little bit with AE but mostly from tutorials.

I also have some gear I'd love to use to shoot with, although I am aware that I'd be bound to a limited range within the area I live in, but would love to know how I can get on some shoots to get some more experience?

Thank you.

Kevin: Where in California ?

If you are interested in narrative film making, there are all kinds of organizations that feature people like you and I who make film for the love of it. Check internet for local film making groups. The local 48 Hour film festivals are a good way to get involved in depth real quick.


Biggest problem you will have is learning to say no. A lot of these groups have people with big ideas about shooting this or that, and they won't hesitate to take advantage of what you can provide them without charge In fact, with respect to most shooting in local independent productions, not much money gets paid out to crew. I have yet to see anyone but wedding shooters and commercial shooters making a living in the business. There are just so many people running around with gear these days that are willing to shoot a day or two on a project just for the experience that budgets for productions don't give much to camera pointers. You just got to love it.

On the other hand, if you are not trying to make it a paying career, you have the freedom to do what you want. Its certainly much easier to fund your camera and gear "habit" from a better paying career, and then shoot things you want to shoot with like minded people.

There are at least two venues, but absent permission to set up on stage, capturing decent audio is problematic. I know the "stealth" tapers do it but that could mean a two-man crew.

Wondering what sort of editing is expected on a single-camera shoot. Also would need the delivery format and turn-around time.

Sorry to keep asking questions but it could be a huge waste of time otherwise. For instance, is the festival "harsh" with videographers not on their crew?

The guy doesn't expect professional services for 500 bucks. he knows what can be expected for that amount of money. Initially that was a favor I was going to do him and I wish I could but I'm not available anymore.
If somebody is interested I can have you talk to him and ask him anything you need to know
Larry

Hey greg, I'm in Maryland for a shoot right now, when I get back on monday i'll be sending you an email. I looked through your profile and was able to find your info.
-chris

I live in the Sacramento area. I'd love to make a career of this, but not sure what sort of pay editors and/or camera operators can make. As a software engineer (who is presently out of work), I am curious if I'll make (or can make) close to what I do (did) as a software engineer. Given that I have a family, mortgage, etc, I am unfortunately not able to just do free or low paid jobs for the next many months. I guess I'd prefer editing over on location camera shooting because I have a decent setup at home, and it wouldn't involve much if any travel to do it.

I am confident in that I can learn what I may not know now, which is probably a lot. I of course can't charge much if anything initially until I have something to demo with and show what I can do. That's where I'd like to get started if possible.

Thanks.

I would guess that a video plus a 2nd person to get in close with a H4N and a couple mics might provide a decent setup in something like this? Is there a tap from the mixer that can be used for the audio?

In that case I'd look for a steady income as a software engineer and basically, not waste time following your video editing dream.
Wait till your circumstances improve.

Cheers.

Kevin,

Allow me to chime in as someone who went through the exact same dilemma a couple of years ago. I got laid off from a decent electronics technician job in the middle of 2010. Family, small kids, mortgage, car payment, you name it... living the American "dream". Turned into a nightmare in a heartbeat. I was fortunate enough to receive unemployment insurance for the maximum time allowed by the law, and build up slowly my videography business at the same time. In case you wonder, this is not only lawful, but encouraged by the DOL.

BUT! Again, I was fortunate enough that my wife was able to put in additional hours at her job as an RN and made up for the difference (financially). If you don't have this option, I would advise you against going the video route. It is a very, very slow-start business, very frustrating, with tons of promises and few deliveries. Do not, and I will emphasize DO NOT go the Craigslist way where you offer your services for free in hopes of paid work later - there is no such thing! Just sharks trying to take advantage of you, and get work done for free.

I know this is not what you want to hear, but it's an honest, disinterested advice from someone who walked this walk. Today I make a decent living doing mostly legal work, but also corporate and some event (no weddings) - but it took me three years to get here.

Whatever you decide, I wish you all the best.

Ervin,

Thank you for the honest reply. Pretty much what you said is what I figured would happen. However, how did you get paying business with nothing to show of your work when you didn't have anything to show initially? I would think doing a few free gigs gets you in the door to learn some things, build up a reel, and if you error, it's free, so no hard feelings hopefully.

I tell you, the video business for things like weddings seems like a bad choice.. photographers make more and do less, if you factor in the editing time after shooting video all day. The other problem is, there is just way too much competition around. With so many options, word of mouth seems to be the best bet in this business for most things.

My dream of course is to make music videos and commercials. That said, I know it's cut throat and the chances are slim without some sort of "in" or, as you did in your case, years of build up.

My wife is a nurse too, but unfortunately is also out on disability, and thanks to working a contract gig last year, I get no unemployment. I do have most of the gear now, although my camera is crap, I am looking to replace it with the BM Pocket Cinema Camera in August. I have a full rig, audio recorder with a couple boom mics (do need some lavs), slider, (no jib, not sure I want to spend money on that unless I get paid making a music video and have use for it). I plan on buying a couple Rokinon cine lens, maybe the SLR one as well for wide angles, but otherwise, I think I am "ok" on gear for now. I do plan to upgrade to the H6N when it comes out as well. I'd love the 4K cinema camera, but that is a bit out of reach anytime soon.

I'd love to shoot a movie, but I can't even fathom how to do that. The tech side, sure.. doubt I am near as good as many on this forum, but I can set up the camera, some lighting (still learning), sound, etc and shoot the film. It's the actual script that I can't come up with. Not even sure how you connect with people with scripts either. It would be fun. I think when time allows and money is coming in again, I'd like to try some of the 48 hour film shoots and community film projects if I can get in with some.

I'm at an interesting crossroads in my life - I live in Hollywood North right now (Vancouver, BC Canada) and a great deal of the work I have traditionally made a living doing is now being undercut by recent grads of film schools, regardless of ability.

I'm tired of playing Don Quixote and "tilting at windmills" trying to change and/or inform the masses and I am essentially looking at getting out of the video production game for good...

BUT!

I just had an exceptionally good chat with a friend of mine who knows me and my passions and she suggested that what has always made me HAPPIEST (with some flexibility around that definition...) is my social justice storytelling and sharing important stories with people most at risk who frankly despite the "democratization of video" still don't have voices that are being heard.

So I put it out there to you folks:

I am looking for international opportunities preferable off the Americas that pay enough to have some cash left at the end of a pay period where I would be doing great work, preferably with a REAL news bent (I don't want to do PR work for international conglomerates) aligned with my beliefs in accountability in news acquisition and balanced and fair representation of parties involved.

I'd consider NGO opportunities ONLY if the transparency was high enough in my opinion.

My gold standard for something like this might resemble working with Al-Jazeera in Eurasia as a video journalist.

Downside: I'm an Anglophone. I'm comfortable working in other languages, as evidenced by docs I've shot and edited where primary language was not English (Brazilian Portuguese, German, Tamil) and have worked in the newsroom of the Canadian Public Broadcaster in French but my mastery of other language is virtually non-existent.

I've worked in Brazil and Jamaica on a street kids documentary, in Germany on an economic refugee story and Tamil Nadu, India on a one-year-after-tsunami rebuilding story as well as a lot of social justice and labour stories domestically.

I come from a broadcast background, not a film background.

If anyone has any ideas/leads, PLEASE do not hesitate to contact me via this forum or via email at : roaddogmedia (at) gmail (dot) com

Again, looking for PAID opportunities but don't need to get rich. Enough money to live plus take an annual vacation abroad to "get away from the stress" would be adequate. More is obviously better.

Thanks for reading!

Of course, I recognize that MY definition of "fair and balanced" may differ from yours.

Please don't allow this to turn into a mud-slinging contest/political soapbox.

I think it is quite apparent what sort of opportunity I'm seeking, based on my core values. I respect differences of opinion - please extend the same courtesy to me.

Thanks in advance.

Im Still looking for please replay

Kevin,
Do not, and I will emphasize DO NOT go the Craigslist way where you offer your services for free in hopes of paid work later - there is no such thing! Just sharks trying to take advantage of you, and get work done for free.



Just to clarify my earlier comment on doing free work - I agree with Ervin that Craigslist ads are a waste of time. If, however, you want to do some work for free to get experience, choose the businesses you want to work with and contact them directly to make an offer. That way you can bring ideas to them and work on what you want to work on - so you are getting something out of it too.

Of course, you don't want to be doing free work for long, but you do need to have something to show people when you're just starting out.

Wow, Shaun, what you're doing is totally awesome! What you are trying to accomplish is the true meaning of life...to get out there and experience people and cultures, in their environment. That is how to learn and live!

In a situation like this, I think having a facebook account really helps if you don't already have one. Post your situation and desire there, and I'm sure your friends could hook you up with potential possibilities.

My hat goes off to you. With your attitude, I'm sure you won't have to search too hard, the work will come to you! Good luck and keep us posted with your experiences!