Martin Campbell
December 6th, 2012, 07:31 AM
not a fault of the XF300 - but am sure you guys can help me solve what's happening here.
I'm editing with FCP and I mix the footage between my 600D and XF300. I generally drop in the footage of the DSLR first (so the timeline adjusts to use that footage) and then drop in the XF300 footage shortly afterwards. When edited - I export as ProRes and as a quick-output, I drag that file into Toast Titanium and burn off a disc.
The DSLR footage always looks fine, but the XF300 footage when panned/movement shots - the footage comes out with thick interlaced lines. All the footage has 'Field dominance' as 'Upper (Odd)' - but the XF300 is filmed at 720p 50i. whereas the D600 is full res.
when burning a disc in toast - the settings are
Motion estimation (slider) : Best
Reencoding : Auto
Field dominance : Auto
Any idea where I'm going wrong? I always have to explain to clients that there is an issue and that it is a rough 'proof' if you like - but the encoding of Toast is actually quite good and it spoils it!
Thanks
I'm editing with FCP and I mix the footage between my 600D and XF300. I generally drop in the footage of the DSLR first (so the timeline adjusts to use that footage) and then drop in the XF300 footage shortly afterwards. When edited - I export as ProRes and as a quick-output, I drag that file into Toast Titanium and burn off a disc.
The DSLR footage always looks fine, but the XF300 footage when panned/movement shots - the footage comes out with thick interlaced lines. All the footage has 'Field dominance' as 'Upper (Odd)' - but the XF300 is filmed at 720p 50i. whereas the D600 is full res.
when burning a disc in toast - the settings are
Motion estimation (slider) : Best
Reencoding : Auto
Field dominance : Auto
Any idea where I'm going wrong? I always have to explain to clients that there is an issue and that it is a rough 'proof' if you like - but the encoding of Toast is actually quite good and it spoils it!
Thanks