I started a thread elsewhere on the site since there's not a dedicated Sony DSLR forum, but I thought this might be of interest to people here. I'll cut to the chase, the video stinks on the A99. I just switched to Sony and invested in to pricey Alpha lenses, and the A99 video is complete mush.

http://www.dvinfo.net/forum/photo-hd-video-d-slr-others/511795-sony-a99-roll-call-3.html#post1766483

I was interested in the 99, until I found out it was for Alpha glass and not NEX...

Next!

Seriously, no chance I'd take a chance on what amounts to totally new tech for glass I don't already own. While I'm sure Alpha glass owners were happy, it's hard to see who else would care about this camera in the slightest. Neither its price or performance beats other next gen DSLRs from Canon or Nikon.

We'll see if Sony brings out something in a proper DSLR form factor for NEX glass. In any case, DSLRs for video are - for me at least - only when you can't get a real video camera into the space, either because of size restrictions or security reasons.

Yes I was ready to dump all of my Canon lens and go with Sony because I like the full frame, flip out lcd, evf, built in stabilization, just waiting for low light performance and moire/aliasing, the last 2 wasn't good and so sorry Sony, your loss.

I expected to be at least as good as my Nex5n or EM5, but it isn't. I like almost everything about the A99, amazing stills, great controls, very responsive, some teething issues that can easily be sorted with firmware, but the video is so bad its a dealbreaker. The zeiss 24-70 is the finest zoom I've ever used, the IQ is so good. I moved to Sony just for this lens and now I'm not sure what I'm going to do.

Is it possible it's defective?

John, I'm on my second A99 as I returned the first one because of the poor quality. The second one is every bit as bad. Unless something drastic happens in the next week or so, my move to Sony will be very short lived.

Wow. That's too bad. Maybe Sony was a bit too ambitious this year...

Hi Chris - sorry to hear about the A99. I had high hopes for that camera if I ever decided to move up to full frame.

Based on your shootout video over on YouTube, it looks like you already have the OM-D EM-5, but have you thought about the GH3? It would save you $1500 compared to the A99. Sharpness is definitely not a problem with the GH3:

Mme Sokhna Fall on Vimeo

5D Mark III vs GH3 on Vimeo

The Panasonic 12-35 2.8 costs $700 less than the Zeiss 24-70 2.8 too :)

Cheers and best of the holidays,

Bill
Hybrid Camera Revolution (http://hybridcamerarevolution.blogspot.com)

I've thought about it, but the posterization I didn't like in the gh2 is still prevalent in the gh3. Everything is a compromise, I just have to figure out which direction I want to go. I shoot stills when producing videos for clients and the amazing noise levels in 5d3 files up to 6400 might be too tough to pass up. People really like the FF look, but no 60p which I really like. 5d3 files seem to have more latitude for post sharpening, the a99 just doesnt resolvev any detail so sharpening adds artifacts pretty quickly. Damned if you do, damned if you don't.

EDIT: I forgot I have a Nex5n body, which does 60p and the video is better than the A99 - go figure. If I go Canon, I'll likely get a metabones adapter so I can use my lenses and get 60p plus a crop factor which is nice to get the extra reach on a long zoom.

...since there's not a dedicated Sony DSLR forum...

Despite this bad news about the A99, we should probably run a dedicated Sony Alpha board anyway...?

Interesting. I downloaded footage untouched off the a99 camera and it looks soft, just like footage shot with my NEX 5n, and seemingly similar to the footage shot by Philip Bloom here in New Zealand using the Canon 5Dmk3 which he described as ‘disappointing’ regarding sharpness. ‘The detail just wasn’t there, it felt really quite...almost muddy’, he said.

He goes on ‘and then something happened’. He applied sharpening in post and ‘suddenly it just went bing – and it was like it’s sharp’.

Well, I did that with the A99 footage I downloaded and some NEX 5n footage I have and I was indeed surprised and delighted with the result after sharpening in post.

Just a thought...

we should probably run a dedicated Sony Alpha board anyway...?

Yes please! There are several people with the A57, A77, and A99 on here.

Interesting. I downloaded footage untouched off the a99 camera and it looks soft, just like footage shot with my NEX 5n, and seemingly similar to the footage shot by Philip Bloom here in New Zealand using the Canon 5Dmk3 which he described as ‘disappointing’ regarding sharpness. ‘The detail just wasn’t there, it felt really quite...almost muddy’, he said.

He goes on ‘and then something happened’. He applied sharpening in post and ‘suddenly it just went bing – and it was like it’s sharp’.

Well, I did that with the A99 footage I downloaded and some NEX 5n footage I have and I was indeed surprised and delighted with the result after sharpening in post.

Just a thought...

The details are never there to begin with. I tried grading the a99 footage and any increase in sharpness introduced even more moire and artifacts and began looking very digital. Can you post some samples to youtube/vimeo of your graded footage?

Can you post some samples to youtube/vimeo of your graded footage?

The short answer..no, unfortunately, as I am not now at a location where I can do that and I plan on being here over the holiday season. Uploading (and downloading for that matter) files here is well nigh impossible. I noted that as I increased the sharpening I did get to a point where the footage looked like rubbish. However, the ‘right’ amount was certainly helpful. Let me hasten to add that while I don’t have side by side comparisons my impression is that the a99 sharpened footage is not as sharp as produced by my EX1, or for that matter by my HX200v, but it was better than un-sharpened, for sure. I do have side by side comparing the EX1 and sharpened NEX 5n and while the NEX 5n sharpened to its best is not as sharp as the un-sharpened EX1 or the HX200v footage it is much better, to my eye, than the un-sharpened NEX 5n footage and in my judgement moves from being unacceptable to acceptable, and for me that’s a good thing. Indeed the detail may not be there, it just looks as if it is. I would say the same about the one instance of a99 footage I sharpened, the sum total of my experience - un-sharpened versus sharpened - hardly perfect but moved from unacceptable to acceptable, for me.

Moiré is subject dependent as I understand it. Please treat my input regarding the a99 and sharpening for what it is: anecdotal and essentially data-free, yet hopefully helpful. Sooner or later we might see valid well conducted tests with various NLE software.

First, yes, a Sony Alpha section would be good, as they have a following with the SLT cameras. Image acquisition can come from a great many devices, it's getting hard to keep up - "DV" is starting to look a bit "dated" per se, though it's all digital video acquisition...

As far as the A99 being "soft", I'm going to guess that the stills are very sharp, and may well be creating an expectation that the video fails to meet. I know the stills from my A65 almost pop off the screen, it's sort of hard to explain, but it creates a perception of sharpness, and when you try to achieve the same level of detail with a 1920x1080 image.... it's GOOD, but not the same. I'm getting a usable image, but I haven't really had the chance to do intense comparisons vs. dedicated video cameras - I'd expect the "still" cameras to be a little soft, and would be more "focused" on the DoF capabilities and image quality. Maybe I have a different expectation as to what an SLR/SLT will produce.

Also, I know the A99 is a first generation release with a "new" sensor - can't say for certain, but perhaps a firmware tweak or two might help? Sony sometimes takes a little time to optimize the "latest" tech. I don't know offhand the firmware history of the A900/A850, but I'd expect they will not introduce "new" top end models as quickly as they do the lower end ones, so there will likely be some updates.

Also Chris, it might help to add "NEX"/E Mount sections, as the little NEX5N has been a big hit. Not everyone is using the higher end E mount cams <wink>.

Sony has 1080 60p capable cameras in the P&S line, the NEX series, and the Alphas, so logically there might be room for a couple new forum sections.

The little RX100 is a very "hot" product right now, it's sort of a "new critter", a P&S on steroids... and has manual controls while shooting video (don't ask how they squeeze everything in on such a tiny cam, I'm still trying to figure out how to configure everything!).

Interesting. I downloaded footage untouched off the a99 camera and it looks soft, just like footage shot with my NEX 5n, and seemingly similar to the footage shot by Philip Bloom here in New Zealand using the Canon 5Dmk3 which he described as ‘disappointing’ regarding sharpness. ‘The detail just wasn’t there, it felt really quite...almost muddy’, he said.

He goes on ‘and then something happened’. He applied sharpening in post and ‘suddenly it just went bing – and it was like it’s sharp’.

Well, I did that with the A99 footage I downloaded and some NEX 5n footage I have and I was indeed surprised and delighted with the result after sharpening in post.

Just a thought...

I posted stills and a video in the other thread, with sooc and sharpened footage. The A99 just lacks detail. Its not like the 5d3 - soft but sharpening pulls out lots of detail - its mushy. So sharpening makes it look a little better, but any areas of fine detail have the watercolor effect and artifacts show up pretty quickly as the codec doesn't have a lot of latitude. I notice it most with anything outside, grass, trees, buildings and so on, they all lack detail and I can't have a strictly shallow DOF camera.

This is a nice video shot in Utah with a d800 and a A99, its pretty clear which camera was used for each shot.

The Grand Circle "Ruby" - America's Southwest (Timelapse, Nikon D800, Sony A99) - YouTube

Then there's the moire and aliasing.

I'm still tempted to try out an external recorder with the A99 before I have to return it, but at this point I think it'd be a waste of money.

Hmm, definitely see the "tack sharp" vs. the blurry... Doesn't the Nikon also use a Sony sensor? That would indicate it's in the processing/processor?

I'll go back and review some A65/A57 footage I have, but they looked pretty good right out of the cam, acceptably "sharp", not "blurry" when I reviewed footage. Both of those are of course APS-C, not FF, 24M and 16M, but one would expect that a 24M FF sensor should produce similar quality to the 24M sensor of the A65?

I can attest to the fact that Sony compression seems to vary A LOT between cameras, some are very good, others produce a "watercolor" effect (at least in stills from the P&S lines, I'm very aware of it) when you zoom in on the image. Other Sony cams are quite sharp under identical shooting. It can be a tad frustrating, and I have noticed that the 18Mpixel sensors in "this years model" don't produce as good a picture as "last years" 16 MPixel models - the "watercolor" effect is more noticeable in almost all shots. From what I've experienced, NONE of the Alphas exhibit the "effect" even in the worst low light shots, and I've been putting the little RX100 through similar difficult tests, and it remains clean, as do several of "last years" TX series.

Sony does sometimes take a little time to "tweak" the best performance out of a given set of hardware - although they seem to have "nailed it" with the 16.2Mpixel APS-C sensor.

IF the HDMI out is pre-compression, you might get better results with an external recorder, a lot will depend on exactly where in the internal processing "chain" the blurriness is introduced, and where the HDMI output is in that chain.

Look like the Nikon were still timelapse and Sony were video so yeah of course it is going to look much sharper.

The guy that shot the Utah video posted some frame grabs between the d800 and the A99 - his results mirror my findings from shooting it next to my EM5 and Nex5n - its mush compared to others, it just shows no detail. The soft video coming from the A99 has been brought up by others across the interweb, so its definitely not just me.

FWIW - I plugged my camera into my LED TV just to get an idea of what the HDMI is outputting, and even though the TV registered the incoming signal as 1080p, it looked just like the stuff I recorded to the card. That's one of the many reasons I'm hesitant to plunk down cash to rent an external recorder when everyone that has one reports a marginal improvement in IQ. I just want the higher bitrate for broadcast stuff, but I really don't want to deal with files that large when they're still mushy.

Everything else about the A99 makes it an incredible camera, shallow DOF stuff looks almost 3-d with stills and video, the tilt/swivel LCD is awesome, AF is fantastic, still DR/IQ is phenomenal, steadyshot stabilizes everything including manual glass, love my Zeiss zoom, love the controls and so on - all reasons I choose the A99 over the 5d3 and D800. But the crappy video kills any chance of me keeping it. I'm pretty sure something will be improved down the road, but when and how much is anybody's guess, and that's not a bet I'm willing to take.

I think after I shoot an event this weekend and a few more test vids its going back to Sony and my time in the Sony camp will have lasted all of 6 weeks.

You mention that shallow DoF stuff looks almost 3D, inclding the video - just curious if you find the parts that are in focus acceptably sharp? It may be that the detail in a NON shallow DoF image is getting lost in the compression when it tries to crunch a complete frame that is all supposed to be "in focus".

Now I'll have to go back and do some tests - I know that I see the "3D effect", and frankly that was what I expect from an SLR/SLT camera - I'll use a regular video cam if I need deep DoF. Hadn't really considered whether the SLT will handle "scenic" shots well... just presumed that they will handle "video" with shallow DoF with good results.

It occurs to me that the algorithms Sony uses for crunching the data may be optimized for shots where there is a blurred background, and become overwhelmed, where Nikon may have taken a different approach, more geared to the "landscape" shot that has the entire frame "in focus"? IIRC the Nikon uses a Sony sensor, so the discrepancy is a bit of a surprise.

Dave, I think a big part of the 3d look is just the fantastic DR of the Sony FF sensor and that phenomenal Zeiss zoom, the tonal gradations are just so smooth - that's what keeps me from going all in on M43. I just can't stand posterization of highlights. And its just so easy to get great subject separation from the background, even at larger apertures in the 5-6 range.

There's definitely something wrong with the way the A99 renders deep DOF scenes. I don't think Sony got it completely sorted in the push to be the only one with 60p on a FF camera. Amid the endless flame war on DPreview after I posted samples were a bunch of "you're an idiot Sony hater because the A99 can show great detail" rebuttal videos that showed the same crappy watercolor effect that the blind faithful just refused to acknowledge. There's just no texture or anything, I shot a stucco building from across the street and the walls were perfectly smooth, the grass showed no detail, plants were just blobs, pavement looked really smooth, rocks are just shapes and so on - not to mention the crazy moire and aliasing, worse than the D800 and far worse than the 5d3.

After going back and watching all the A99 promo videos, all I see are shallow DOF shots and anything wide has no detail. I feel like a bonehead for missing it, but at least I discovered it before my return window closes. That's why you shoot tests eh?

Like I said, I really like the camera overall. I just shot stills of an event, captured 600 images, and shooting with the A99 was such a joy. Overhead room shots and low angle shots were a breeze to frame with the tilt LCD. I could easily tweak aperture/shutter speed/exposure compensation with the two dials and the front control knob. The quick menu and joystick makes it a snap to adjust focus points, AF modes and so on.

But the video is bunk and that's a dealbreaker. I think I'm heading back to Canon and a 5d3 after I shoot a couple more comparisons in the next few days unless nikon extends the crazy D600 discount to the D800. I really don't want to have the cash tied up in a dedicated video camera just to get wide shots as my needs are slowly moving toward a more even stills/video split.

My last test with the A99. This time it locked horns with the little Nex5n and came out looking not so good. Its on its way back to Sony, it had potential to be THE camera, but it falls short for my needs.

Nex5n vs A99 - YouTube

Shoots great stills though.

This camera had EVERYTHING I could have wanted. I got rid of my Canon gear and jumped on board with Sony. Two body's, a 24-70 and a 70-200. Oh, and I LOVE the XLR inputs. I never imagined the image quality could be so soft. I'm about to switch back. :(

Here is a quick raw clip if anyone would like to take a peek. It's about 275 meg:
https://dl.dropbox.com/s/yhhosqs20ejt6yh/00001.MTS?dl=1

Yeah A99 video sucks alright, Sony missed the boat on Video for DSLR again.

Again?

It certainly looks like they have some issues they need to iron out with the FF sensor, but the other Alphas seem to be fairly well received (using the same sensors as the NEX's)... not perfect, but pretty good while supporting a lot of legacy design elements.

I agree with you Dave, I'm getting great results out of my Nex 5n. Its such a great little camera.

Whatever you do, don't bring up the a99's poor video on DPReview. They will come at you with a venom like I've never seen - the homers on that site are out of control. I think I was the first one to point out the a99's softness and lack of detail originally - I had to sell the a99 + my $5k lens collection and I switched to a 5d3.

Very happy now with the AF / low light / stills / lens choices / video quality.

Shawn

You know I'm still frustrated by how poor the auto focus is in even moderate light and how dumb it is when not in face detection mode. Does anyone know if Sony checks this site or others for feedback? I would love to be able to use face detection for glidecam shots but alas Sony exports the face detection box to my ninja 2 and burns it into the recording. Any idea if they'll ever fix this?

Does anyone know if Sony checks this site or others for feedback?I can assure you that the Sony professional broadcast group -- the division handling XDCAM and other higher-end gear -- monitors DVi regularly. As far as the little Alphas go, I can't say for certain if there's someone here watching out for that.

I'm sure they did read it. Will they care? Not likely. I railed against some of the intentionally dumbed down features of the Sony VG20 & 30 (as did many other shooters) for months. Those complaints were totally ignored.

More specifically the A99 seems a very niche product, one aimed at placating Alpha glass owners and not much else. From Phil Bloom (who seems to own almost every camera, including at least 4 NEX cams) on down, non-Alpha glass owners seemed to ignore this camera.

Not that poor reviews helped any.

In any event, Sony isn't exactly famous for caring about what people thing about any particular product - and given the short life span of modern day cameras, that sadly does make a certain amount of business sense.