Marty Welk
January 26th, 2012, 05:06 PM
I had asked about this before, and I am still missing my "easy" 2 cam blending option I had in Premiere 6.
I will try and write more cleanly this time.
I had a very specific method of combining 2 Long running synced cameras together. It was simple fast, and manuel , and has little to do with 2 camera switching they provide in NLEs.
Just rubberband the opacity for the top video, when the rubber band was at the top, the top video is shown.
http://home.comcast.net/~TVV0/RubberTimeline.jpg
http://home.comcast.net/~TVV0/RubberTimeline2.jpg
(opacity or alpha , or mix video rubberbanding of one video layer)
As you can see this was originally the most simple thing , with the most control, and the least ammount of MESS to weed through to re-adjust. Just grab the line and Pull.
The 2 cameras are recording a Theme ballet, there are only a few A-V sync points existing.
1) Without Breaking each of the videos , Must not break either videos timeline , because if it is off by a few frames Anywhere, or the sync between the 2 gets off, the whole thing gets ruined. It is also very very hard to determine sync.
2) Is not about "transistions" although I am trying to transistion between 2 videos, I Only need to change the Opacity of the top video. The last thing I need is 300 transitions on the timeline, not only is that a mess, but programs start getting unstable about then.
3) it is not ever Cuts, it is trying to put in slow and fast dissolves to go between cameras, the accuracy within a few frames sometimes, sometimes just loosly placed.
4) It is not Constant, it needs to be manually and easily changed and re-changed , every "switch" has a human feel about it not a number of seconds. It should not have bunch of complex broken and hard to change things.
5) it does not break the continuity of the long videos . One time i accidentally left 8 frames out of a video (8 frames) and they spotted it. So i am totally paranoid about having to find, re-do and redistribute hundreds of videos because of an unnessiary time split
I have finnaly updated premiere to the 5.0CS, to accomplish this specific edit type, and the Jerks now set it so i have to manually create each Keyframe. Before a keyframe could be added by just Grab the line and pull. 5.0 was not terrible, but adobee then crashed. The program has a lot of cute and complex, but it is still a buggy beech.
Tried Vegas, and it wont pull this off , although it could do a 2 cam switch (with Timed dissolve) the mess it leaves was imposslble, and it takes 3-4point adjustments to make minor changes, and one Slip and it gets ruined, The problem with the slips is they are impossible to spot.
Would Edios pull off such a thing? I have seen 20 videos on how amasing edios can work with clips, and clips of clips, and more clips, but nothing on working with whole unbroken video
I will try and write more cleanly this time.
I had a very specific method of combining 2 Long running synced cameras together. It was simple fast, and manuel , and has little to do with 2 camera switching they provide in NLEs.
Just rubberband the opacity for the top video, when the rubber band was at the top, the top video is shown.
http://home.comcast.net/~TVV0/RubberTimeline.jpg
http://home.comcast.net/~TVV0/RubberTimeline2.jpg
(opacity or alpha , or mix video rubberbanding of one video layer)
As you can see this was originally the most simple thing , with the most control, and the least ammount of MESS to weed through to re-adjust. Just grab the line and Pull.
The 2 cameras are recording a Theme ballet, there are only a few A-V sync points existing.
1) Without Breaking each of the videos , Must not break either videos timeline , because if it is off by a few frames Anywhere, or the sync between the 2 gets off, the whole thing gets ruined. It is also very very hard to determine sync.
2) Is not about "transistions" although I am trying to transistion between 2 videos, I Only need to change the Opacity of the top video. The last thing I need is 300 transitions on the timeline, not only is that a mess, but programs start getting unstable about then.
3) it is not ever Cuts, it is trying to put in slow and fast dissolves to go between cameras, the accuracy within a few frames sometimes, sometimes just loosly placed.
4) It is not Constant, it needs to be manually and easily changed and re-changed , every "switch" has a human feel about it not a number of seconds. It should not have bunch of complex broken and hard to change things.
5) it does not break the continuity of the long videos . One time i accidentally left 8 frames out of a video (8 frames) and they spotted it. So i am totally paranoid about having to find, re-do and redistribute hundreds of videos because of an unnessiary time split
I have finnaly updated premiere to the 5.0CS, to accomplish this specific edit type, and the Jerks now set it so i have to manually create each Keyframe. Before a keyframe could be added by just Grab the line and pull. 5.0 was not terrible, but adobee then crashed. The program has a lot of cute and complex, but it is still a buggy beech.
Tried Vegas, and it wont pull this off , although it could do a 2 cam switch (with Timed dissolve) the mess it leaves was imposslble, and it takes 3-4point adjustments to make minor changes, and one Slip and it gets ruined, The problem with the slips is they are impossible to spot.
Would Edios pull off such a thing? I have seen 20 videos on how amasing edios can work with clips, and clips of clips, and more clips, but nothing on working with whole unbroken video