Joseph Tran
December 21st, 2011, 03:03 AM
Hello All!
Good to be back and active on DVinfo again! Forgive my two year hiatus and Wall of Shame status the last project or two -- I've been spending the time touring with my show in a bunch of new venues, from cruise ships to colleges!
Now that I have a [tiny] bit of downtime, I've been eager to get back to shooting some short films. James, the guy at the end, and Andy, the walking billboard, are returning familiar faces. Everyone else is new to the team. I collaborated with two new writers to my group this time (who will hopefully become regular players), and we decided to have some satirical fun and make a few jabs at some of the recent political and TV debacles. American media and politics have become so bastardized, so similar, so intertwined with each other, and that ridiculousness was the inspiration for, "American Fairytales Do Come True".
We start in a writer's room, late night, with two head writers and a handful of interns -- pretty typical Hollywood fare. With low ratings and recent TV mishaps, the writers have to flush out an idea for a show that will boost ratings (and fulfill their ultimate goal). Their idea? "Staged reality".
DVC/UWOL 2011 - American Fairytales Do Come True on Vimeo
For those who didn't pick up on some of the jokes and/or follow American media, here are a couple vids that may help:
Now is the time for action! - YouTube (http://www.youtube.com/watch?v=qhm-22Q0PuM)
Embarrassing Catastrophic Moment for Rick Perry- Forgets What He Wants To Say At Presidential Debate - YouTube (http://www.youtube.com/watch?v=kTNjhcyx7dM)
And just because it's one of my favorite scenes and he was our governor: it's not a tumor - YouTube (http://www.youtube.com/watch?v=OaTO8_KNcuo)
Behind the scenes, we transformed the lobby area of a small music school into the writer's room. The exterior shot was in front of an actual church, shot with barely enough light, but we made it for the most part. I didn't have my beloved XL2 with me this time, but I did have a few new toys to play with:
For sound, we recorded three channels using a Tascam DR-40 and a ME66/K6 boom. Getting consistent sound was a bit difficult in this room -- it came out a bit echo-ey, and I've been spoiled with the XL2's xlr capability and ease of use. The 'walk-and-talk' -- a throwback to Aaron Sorkin's love for steadicam shots -- also made it difficult to place lighting in such an enclosed space. We clipped a couple of shoplights and a couple of softboxes on shelves and the ceiling - you might catch a softbox during the walk-and-talk.
I've been wanting to try out a DSLR for video for a while now, so I got my hands on a T3i for most of the shots. I decided to use the HF S200 for the steadicam shots because using a camcorder was easier to hold a wide, moving focus in such an enclosed space. I'm sure some of you can relate when I say that matching up the colors between the two cameras was also quite a challenge!
This story also had some complicated dialogue (again, a throwback to Sorkin), and much more compared to my previous projects. Again, I wanted to try something new, and story was no exception.
In the end, I figured, "Hey, it's a DV Challenge, so let's try out some new toys, new ideas, and figure out some new challenges. We had had a lot of fun doing it, we learned a lot from it, and I look forward to learning even more from all of your feedback!
Good to be back and active on DVinfo again! Forgive my two year hiatus and Wall of Shame status the last project or two -- I've been spending the time touring with my show in a bunch of new venues, from cruise ships to colleges!
Now that I have a [tiny] bit of downtime, I've been eager to get back to shooting some short films. James, the guy at the end, and Andy, the walking billboard, are returning familiar faces. Everyone else is new to the team. I collaborated with two new writers to my group this time (who will hopefully become regular players), and we decided to have some satirical fun and make a few jabs at some of the recent political and TV debacles. American media and politics have become so bastardized, so similar, so intertwined with each other, and that ridiculousness was the inspiration for, "American Fairytales Do Come True".
We start in a writer's room, late night, with two head writers and a handful of interns -- pretty typical Hollywood fare. With low ratings and recent TV mishaps, the writers have to flush out an idea for a show that will boost ratings (and fulfill their ultimate goal). Their idea? "Staged reality".
DVC/UWOL 2011 - American Fairytales Do Come True on Vimeo
For those who didn't pick up on some of the jokes and/or follow American media, here are a couple vids that may help:
Now is the time for action! - YouTube (http://www.youtube.com/watch?v=qhm-22Q0PuM)
Embarrassing Catastrophic Moment for Rick Perry- Forgets What He Wants To Say At Presidential Debate - YouTube (http://www.youtube.com/watch?v=kTNjhcyx7dM)
And just because it's one of my favorite scenes and he was our governor: it's not a tumor - YouTube (http://www.youtube.com/watch?v=OaTO8_KNcuo)
Behind the scenes, we transformed the lobby area of a small music school into the writer's room. The exterior shot was in front of an actual church, shot with barely enough light, but we made it for the most part. I didn't have my beloved XL2 with me this time, but I did have a few new toys to play with:
For sound, we recorded three channels using a Tascam DR-40 and a ME66/K6 boom. Getting consistent sound was a bit difficult in this room -- it came out a bit echo-ey, and I've been spoiled with the XL2's xlr capability and ease of use. The 'walk-and-talk' -- a throwback to Aaron Sorkin's love for steadicam shots -- also made it difficult to place lighting in such an enclosed space. We clipped a couple of shoplights and a couple of softboxes on shelves and the ceiling - you might catch a softbox during the walk-and-talk.
I've been wanting to try out a DSLR for video for a while now, so I got my hands on a T3i for most of the shots. I decided to use the HF S200 for the steadicam shots because using a camcorder was easier to hold a wide, moving focus in such an enclosed space. I'm sure some of you can relate when I say that matching up the colors between the two cameras was also quite a challenge!
This story also had some complicated dialogue (again, a throwback to Sorkin), and much more compared to my previous projects. Again, I wanted to try something new, and story was no exception.
In the end, I figured, "Hey, it's a DV Challenge, so let's try out some new toys, new ideas, and figure out some new challenges. We had had a lot of fun doing it, we learned a lot from it, and I look forward to learning even more from all of your feedback!