Matt Faw
December 5th, 2011, 05:51 PM
Dear all, I am new to this forum, to Stereo shooting and post, and to the TD10.
I have, however, been dreaming about getting my first 3D camcorder, for some time now, and have been watching out for subjects to shoot, once I had it. When I finally got the camera, early in November, I rushed out to test all my hypotheses. The following YouTube vid is the highlights from my first weekend with the camera.
My First Weekend with the Sony TD10 (http://www.youtube.com/watch?v=T9k4uqPrR5U)
The camera was extremely easy to learn, and the viewfinder shows depth beautifully, so it will make a great pre-viz tool, even for those who prefer to shoot with more complex rigs. The lack of a viewfinder is problematic on bright exteriors, although setting the LCD brightness up helps somewhat. I'm very interested in shooting sports, and following birds in flight, but both are tough, without a viewfinder.
The optical image stabilizer is excellent (all my shots on the video are handheld), low-light looks beautiful, and the image quality is top-notch, especially for such an inexpensive camera.
Of course, the difficulty arose, when I tried to edit my footage. I've mentioned some of my experience in the "Editing with TD10 footage" thread, so I won't go too far into details here. But the biggest issue was that the MVC to AVI Converter literally mushroomed the data size of the files 100X! At that rate, a full camera load (64GB) of the camera's native .m2ts files would expand to 6TB of AVI footage (and take forever to transcode)! Not the most elegant workflow...
As I mentioned in the other thread, I am currently cutting my YouTube selects on Vegas, but it's pretty questionable editing, as the playback is so stuttery (I literally have to export the full sequence, just to see how it plays back). I do appreciate that I've been able to cut the .m2ts files natively, but Bruce Shultz said that Cineform Neo will soon support that codec, so hopefully I can get back on FCP, which is my usual platform. I have shot a 3D interview, using the GoPro rig as my B-camera, and I was pleased to see that Vegas was able to multi-camera the GoPro's Cineform codec, with the TD10's .m2ts, without having to transcode either. Hopefully, soon I'll be able to take those advantages from Vegas, and bring them back to FCP.
I have, however, been dreaming about getting my first 3D camcorder, for some time now, and have been watching out for subjects to shoot, once I had it. When I finally got the camera, early in November, I rushed out to test all my hypotheses. The following YouTube vid is the highlights from my first weekend with the camera.
My First Weekend with the Sony TD10 (http://www.youtube.com/watch?v=T9k4uqPrR5U)
The camera was extremely easy to learn, and the viewfinder shows depth beautifully, so it will make a great pre-viz tool, even for those who prefer to shoot with more complex rigs. The lack of a viewfinder is problematic on bright exteriors, although setting the LCD brightness up helps somewhat. I'm very interested in shooting sports, and following birds in flight, but both are tough, without a viewfinder.
The optical image stabilizer is excellent (all my shots on the video are handheld), low-light looks beautiful, and the image quality is top-notch, especially for such an inexpensive camera.
Of course, the difficulty arose, when I tried to edit my footage. I've mentioned some of my experience in the "Editing with TD10 footage" thread, so I won't go too far into details here. But the biggest issue was that the MVC to AVI Converter literally mushroomed the data size of the files 100X! At that rate, a full camera load (64GB) of the camera's native .m2ts files would expand to 6TB of AVI footage (and take forever to transcode)! Not the most elegant workflow...
As I mentioned in the other thread, I am currently cutting my YouTube selects on Vegas, but it's pretty questionable editing, as the playback is so stuttery (I literally have to export the full sequence, just to see how it plays back). I do appreciate that I've been able to cut the .m2ts files natively, but Bruce Shultz said that Cineform Neo will soon support that codec, so hopefully I can get back on FCP, which is my usual platform. I have shot a 3D interview, using the GoPro rig as my B-camera, and I was pleased to see that Vegas was able to multi-camera the GoPro's Cineform codec, with the TD10's .m2ts, without having to transcode either. Hopefully, soon I'll be able to take those advantages from Vegas, and bring them back to FCP.