Steve Gibby
August 17th, 2005, 01:02 PM
The HD100 doesn't record to tape or HDD in 720p60, but will only output uncompressed 720p60 via analog component output. High-framerate progressive is desireable for fast motion subjects (sports, reality, etc.), which is a significant portion of my television production. When I recieve my HD100, I think I'll experiment with shooting my fast-motion productions in 576/50p. For programs created in post, I'm interested in the possibilities for Firewiring the 576/p50 footage in to Final Cut Pro and upresing and re-coding it as 720p60. Or at least shooting 576p50 and upresing to 720p60 the fast moving and to be edited as slo-mo portions of the program The edited program would be delivered to networks that broadcast 720p60, or recoded to 1080i for networks that broadcast in 1080i. I've never shot or used 576p50 footage, so I'm looking for input on this. It seems there shouldn't be a huge visual difference between 576p50 and 720p60 footage. I would be using a good lens, the new Fujinon 13x on the HD100 to acquire the footage.
I'm curious whether the Nattress plugin would handle this workflow re-coding. Or internally with FCP?
I realize that when the HVX200 ships that 720p60, overcranked, would be an easier workflow, but I have some fast-motion content to shoot before the HVX ships.
Barry, Graeme, Chris, or others, how about some input on this...
I'm curious whether the Nattress plugin would handle this workflow re-coding. Or internally with FCP?
I realize that when the HVX200 ships that 720p60, overcranked, would be an easier workflow, but I have some fast-motion content to shoot before the HVX ships.
Barry, Graeme, Chris, or others, how about some input on this...