Russell Heaton
March 21st, 2011, 10:29 AM
G'day all,
I'm just putting the finishing touches to my first wedding vid. I have to say that without the tips and hints that I've picked up reading the posts on this forum the whole thing could easily have been a disaster. I have not posted in this part of the forum before because, simply, I've had nothing constructive to add, but rest assured, I've been reading the posts avidly.
For this wedding I had to overcome things like carting all my gear 5000 kilometres to the city where the wedding was taking place, not having access to the Cathedral to shoot B roll stuff (No photography allowed at any time except during the service at this particular Cathedral), having a Priest whom had never conducted a wedding at that Cathedral and was instructing the wedding party as to where he wanted them to stand - while the service was proceeding, losing my second camera operator and having to find a replacement in a strange city a few days out from the event, dealing with having to cross the city from Cathedral to reception venue in peak hour, Friday afternoon traffic and much more.
All in all the gear performed well (except for the nanoFlash), the wireless mic on the groom did a great job and picked up everything important, the Zoom H1 recorder I placed on the lecturn for the readings worked a treat, and despite the lighting at the reception venue being abysmal I managed to get enough good footage with just one camera to stitch together a pretty good product.
Some issues were: The Priest wandering around - impossible to pick up some of what he was saying; the Bride, having first agreed to have a camera in with her and the bridesmaids as they were getting ready, had a hissy fit and decided not to; the photographer was a real pia and was clearly of the opinion that his shots were more important than anything I needed to get (he ruined many fine takes by getting in shot); nanoflash unit fritzed (it was being used to "upgrade" a HDV camera to 1920 x 1080 HD - thank goodness the HDV camera also had a tape in it, so I was recording simultaneously); as mentioned, the lighting at the venue was bad (bridal table in front of a huge picture window with the Sun setting behind the bridal party - even the guests were having trouble seeing them, so what chance did a camera have?) and lastly, not being able to preview the recorded media except on the cameras until I flew back home because I had no access to a monitor or even a TV with HDMI input at the city where the wedding was held.
In addition there were the usual worries like trying to get all of the seriously expensive equipment into our carry-on luggage on the plane because there was no way it was going down below, not to mention leaving a $4000.00 tripod in the airport shuttle bus - thank God the driver realised before he'd gone too far (and thank God that he was also honest).
All of that and I'm not being paid! This was my Neice's wedding and in return for me shooting the wedding for free she has agreed that I can use it to show prospective clients - but I'm not allowed to post it to the Web. At least I have a wedding in my portfolio now.
Again, thanks to all that contribute to this forum. Your advice was very useful and came in very handy for what was, logistically, a very difficult shoot. Finally, a question. How do you deal with a photographer whose self-importance makes your job as a videographer rather difficult? I was certainly trying to be mindfull of his requirements on the day. Maybe I was being too nice?
Cheers
Russ
I'm just putting the finishing touches to my first wedding vid. I have to say that without the tips and hints that I've picked up reading the posts on this forum the whole thing could easily have been a disaster. I have not posted in this part of the forum before because, simply, I've had nothing constructive to add, but rest assured, I've been reading the posts avidly.
For this wedding I had to overcome things like carting all my gear 5000 kilometres to the city where the wedding was taking place, not having access to the Cathedral to shoot B roll stuff (No photography allowed at any time except during the service at this particular Cathedral), having a Priest whom had never conducted a wedding at that Cathedral and was instructing the wedding party as to where he wanted them to stand - while the service was proceeding, losing my second camera operator and having to find a replacement in a strange city a few days out from the event, dealing with having to cross the city from Cathedral to reception venue in peak hour, Friday afternoon traffic and much more.
All in all the gear performed well (except for the nanoFlash), the wireless mic on the groom did a great job and picked up everything important, the Zoom H1 recorder I placed on the lecturn for the readings worked a treat, and despite the lighting at the reception venue being abysmal I managed to get enough good footage with just one camera to stitch together a pretty good product.
Some issues were: The Priest wandering around - impossible to pick up some of what he was saying; the Bride, having first agreed to have a camera in with her and the bridesmaids as they were getting ready, had a hissy fit and decided not to; the photographer was a real pia and was clearly of the opinion that his shots were more important than anything I needed to get (he ruined many fine takes by getting in shot); nanoflash unit fritzed (it was being used to "upgrade" a HDV camera to 1920 x 1080 HD - thank goodness the HDV camera also had a tape in it, so I was recording simultaneously); as mentioned, the lighting at the venue was bad (bridal table in front of a huge picture window with the Sun setting behind the bridal party - even the guests were having trouble seeing them, so what chance did a camera have?) and lastly, not being able to preview the recorded media except on the cameras until I flew back home because I had no access to a monitor or even a TV with HDMI input at the city where the wedding was held.
In addition there were the usual worries like trying to get all of the seriously expensive equipment into our carry-on luggage on the plane because there was no way it was going down below, not to mention leaving a $4000.00 tripod in the airport shuttle bus - thank God the driver realised before he'd gone too far (and thank God that he was also honest).
All of that and I'm not being paid! This was my Neice's wedding and in return for me shooting the wedding for free she has agreed that I can use it to show prospective clients - but I'm not allowed to post it to the Web. At least I have a wedding in my portfolio now.
Again, thanks to all that contribute to this forum. Your advice was very useful and came in very handy for what was, logistically, a very difficult shoot. Finally, a question. How do you deal with a photographer whose self-importance makes your job as a videographer rather difficult? I was certainly trying to be mindfull of his requirements on the day. Maybe I was being too nice?
Cheers
Russ