Peter Jefferson
August 14th, 2005, 12:52 AM
Now ive got two of these units, ones the Original release, the other being the 100a.. now if i had both units being the same model, this issue woudlnt arise, however it has.. so heres the big Q...
Now the 100a has different scene file settings to the Original, with afew extra cinegamma settings, as well as detail coring option...
one thing i notice, is that despite my efforts (ive been with these cams for almost 3yrs now) i still cant get an accurate match in cam.. i still have to slightly tweak one of them in post so i can match the cameras...
I dont want to do this as its a waste of time, and to most poeple, the differences arent noticable, but to me differences are enough to give me a headache in post
anyways, one thing ive noticed between the 2, is that the 100a has...
-Slightly more noise that the 100 when gain is at 12db
- Slightly less sensitivity (maybe half a stop depending on the situation)
-Slightly sharper image (I dunno if this is the detail coring, however i set my coring on the A to +4) the rest of the detail settings are are -1 to stop the infamous blue bleeding (in Pal its not as bad as NTSC)
-White balance is slightly greener on the A, but its also a lil cooler depending on the precise lighting situation. Normally i notice it is slightly cooler above anything else.. the green is not a problem, i can get rid of that by readjsuting.
-Gamma set to CineV is richer in contrast, and smoother on blowouts... pity the 100 doesnt have this..
-even with colour phasing set to -4, purples and orange colours still come out with a predominately blue or red tint on the 100a, whereas the 100 doesnt have this.. is far more accurate
so now my predicament is to have a setting which allows me to have the 2 cameras virtually identical, but for the life of me, i cant get it happening right.. now ive shot at least 25jobs with this issue, and white balancing manually is alwyas slightly off.. ive had to literally put it in auto mode and have both cams pointing to the same object.. once theyre look ok, i then lock the WB by assigning the WB lock to a user button.
So does anyone know of a good way to get a good match??
This jsut doesnt work if i have 2 cams in 2 different areas and we have to fly with the situation.. auto just cant keep up and i dont like the idea of automatic WB phasing
I dont really want to dumb down the 100a either...
any assistance appreciated
Now the 100a has different scene file settings to the Original, with afew extra cinegamma settings, as well as detail coring option...
one thing i notice, is that despite my efforts (ive been with these cams for almost 3yrs now) i still cant get an accurate match in cam.. i still have to slightly tweak one of them in post so i can match the cameras...
I dont want to do this as its a waste of time, and to most poeple, the differences arent noticable, but to me differences are enough to give me a headache in post
anyways, one thing ive noticed between the 2, is that the 100a has...
-Slightly more noise that the 100 when gain is at 12db
- Slightly less sensitivity (maybe half a stop depending on the situation)
-Slightly sharper image (I dunno if this is the detail coring, however i set my coring on the A to +4) the rest of the detail settings are are -1 to stop the infamous blue bleeding (in Pal its not as bad as NTSC)
-White balance is slightly greener on the A, but its also a lil cooler depending on the precise lighting situation. Normally i notice it is slightly cooler above anything else.. the green is not a problem, i can get rid of that by readjsuting.
-Gamma set to CineV is richer in contrast, and smoother on blowouts... pity the 100 doesnt have this..
-even with colour phasing set to -4, purples and orange colours still come out with a predominately blue or red tint on the 100a, whereas the 100 doesnt have this.. is far more accurate
so now my predicament is to have a setting which allows me to have the 2 cameras virtually identical, but for the life of me, i cant get it happening right.. now ive shot at least 25jobs with this issue, and white balancing manually is alwyas slightly off.. ive had to literally put it in auto mode and have both cams pointing to the same object.. once theyre look ok, i then lock the WB by assigning the WB lock to a user button.
So does anyone know of a good way to get a good match??
This jsut doesnt work if i have 2 cams in 2 different areas and we have to fly with the situation.. auto just cant keep up and i dont like the idea of automatic WB phasing
I dont really want to dumb down the 100a either...
any assistance appreciated