Cees van Kempen
January 17th, 2011, 11:30 AM
I don't know if this is the right place for my question, but I give it a shot.
I acquire in nano I-Frame only @ 180 mbps or higher. Usually in 1080p25. For my project I do however also have quite some footage at 720p50/60, converted to 25p (thus for slomo effect). So a significant part of my project is 720p. If intended for broadcasting, should my workflow further be based on a 1080p timeline (and uprez the the 720) or on a 720p timeline (and downrez the 1080)? I work in FCP by the way. Any recommendations?
I acquire in nano I-Frame only @ 180 mbps or higher. Usually in 1080p25. For my project I do however also have quite some footage at 720p50/60, converted to 25p (thus for slomo effect). So a significant part of my project is 720p. If intended for broadcasting, should my workflow further be based on a 1080p timeline (and uprez the the 720) or on a 720p timeline (and downrez the 1080)? I work in FCP by the way. Any recommendations?