Rob Harlan
October 20th, 2010, 01:37 PM
I attach a Rode shotgun mic to the top of my XH-A1s for recording wedding receptions, using the accessory shoe.
The mic performs just fine from static tripod positions. However if I need to pick up the tripod and move to another location, it is virtually impossible to stop 'clattering' intrusions on the soundtrack as the tripod is placed back down on the floor, no matter how gentle I am.
In fact, even subtle adjustments to the camera functions made by hand while recording can be picked up by the shoe-mounted mic. One interesting intrusive sound is the bout of 'creaking' picked up if the mic wobbles at all within its mounting while panning etc - the Rode is suspended between elastic tethers presumably with the idea that it will minimise picking up the whirring mechanics of the camera if it is 'suspended'.
Does this issue affect anybody else using a shoe-mounted shotgun? I like the sound quality of the Rode, but it causes these problems on the soundtrack if I have to pick up and relocate the tripod (or even make certain on-camera adjustments). The built in camera microphone does not pick up such 'thumps' and 'rattles' when I make adjustments, but I find the shotgun superior in picking up voices from certain directions.
I'm considering abandoning the shoe-mount, and squeezing the Rode into the on-camera mic holder to see if that reduces these problems - it will just about slide in there, though some of the rear of the foam surround will be a bit crushed and the plastic 'body' of the mic will be sticking up at an odd angle.
The mic performs just fine from static tripod positions. However if I need to pick up the tripod and move to another location, it is virtually impossible to stop 'clattering' intrusions on the soundtrack as the tripod is placed back down on the floor, no matter how gentle I am.
In fact, even subtle adjustments to the camera functions made by hand while recording can be picked up by the shoe-mounted mic. One interesting intrusive sound is the bout of 'creaking' picked up if the mic wobbles at all within its mounting while panning etc - the Rode is suspended between elastic tethers presumably with the idea that it will minimise picking up the whirring mechanics of the camera if it is 'suspended'.
Does this issue affect anybody else using a shoe-mounted shotgun? I like the sound quality of the Rode, but it causes these problems on the soundtrack if I have to pick up and relocate the tripod (or even make certain on-camera adjustments). The built in camera microphone does not pick up such 'thumps' and 'rattles' when I make adjustments, but I find the shotgun superior in picking up voices from certain directions.
I'm considering abandoning the shoe-mount, and squeezing the Rode into the on-camera mic holder to see if that reduces these problems - it will just about slide in there, though some of the rear of the foam surround will be a bit crushed and the plastic 'body' of the mic will be sticking up at an odd angle.