Josh Fung
October 6th, 2010, 04:41 AM
Having had 60D for a week now here's my experience. Feel free to ask questions.
- Having ran 60D continuous for 3 hours straight - NO OVERHEATING YET.. room temperature.. pretty pleased about that, especially having sold my 7D due to the overheating issues for wedding / event video that I do.
- Good size & Weight
- HDMI output switches to SD on record, and changes aspect ratio. When plugged onto my Lilliput LCD monitor, it gives a 1-2 second pause as it switches resolution - WHICH IS REALLY REALLY ANNOYING! would appreciate any tips on this. Composite out works ok, but its really at a much lower quality of image compared to HDMI on SD. I can't really tell critical focus at all with composite out because its so fuzzy.
- Video mode has no white balance colour shift option - for my 5D mark 2 this is accessible straight from the menu. I tend to shift +3 green on white balance for a more of a filmic look it.
- Dont cheap out on SD cards. Having considered Adata brand, transcend brand etc.. decided to fork out double or triple the price for a class 10 32gb sd card from Sandisk. Having the assurance of sandisk because footage is too important to lose or corrupt for non-repeatable events! having said that, my first class 10 sd card was transcend which I have to say I have not had any trouble with at all with under buffering. So thats now my backup card, with the 32gb sd card being the main.
- Steadicam on a merlin. After comparing the canon 14mm f2.8 L, Tokina 11-16 f2.8 and Canon EFS 10-22 f3.5-f4.5 instore heres my take. Basically comparing all 3 lenses at 14/15mm.
- This relates to a previous post I had on which Charles Papert kindly answered my questions.
http://www.dvinfo.net/forum/canon-eos-7d-hd/485384-canon-14mm-l-tokina-11-16mm-steadicam-60d-7d-hyperfocal-distance-query.html
- Canon 14mm f2.8 L - no doubt the best lens for steadicam if budget is not an issue. Tremendously sharp, low distortion, True L class lens. But weighing the price / Return on Investment / value, this seems to be ultra luxury item, which leaves two real contenders which is the below two lenses
- Tokina 11-16mm f2.8 - having owned this from my 7D days, awesome sharpness, low light performance, build quality. But what really ticked me off was the distortion at 14/15mm its really stretched badly at the sides. At the pretty much the same price on the 2nd hand market as the 10-22mm it was a close call, but I chose the 10-22mm EFS from Canon for the following reasons
- Canon 10-22mm f3.5-f4.5. - I pretty much bought this lens primarily for steadicam. at 14mm this has the same hyperfocal distance as Canon 14mm f2.8 L. Since on steadicam, everything need to be stopped down anyway to about f11 at 14mm for a 1m hyperfocal for a crop sensor camera, the extra half stop of light of Tokina wasn't that much of an advantage. After testing and comparing the distortion at 14/15mm between this and Tokina, i have to say Canon is the marginal winner.
- Compared to 5D2+16-35mm combo: My 60D + 10-22mm is alot lighter than the 5D2 combo, having shorter hyperfocal distance than the 5D2 at 24mm, this allows for slight better low light performance on a steadicam.
- Light weight!!! my 60D + 10-22mm combo is only 1.16kg. Compared to 1.4-1.5kg of the 5D2 + 16-35mm combo. This means I lose one mid weight on the nose, and on mid weight on the spar of the merlin. That is alot of counter weight reduced, which improves long merlin operation sessions.
All in all, I'm absolutely stoked with the 60D, highly recommended.
Quick [likes] which I am sure many of you guys already would have read up,
- Manual audio
- 720/50/60p
- 1080/24/25p
- the flipout screen @ higher resolution than 5D
- two scroll wheels, which gives it more of a 5D feel than the 550D which its buttons which I dislike.
- Crop factor! - one of the main reasons I got this as a B roll camera, reach further without buying expensive lenses.
- Dial in K white balance - one of the things I did not like about 550D was this.
- iso in 1/3 stop increments, just like the 5D / 7D. which 550D does not have i think (could be wrong)
- PRICE!! - Very well priced... considering other attributes above, it was a no brainer.
Dislikes
- lack of HD hdmi output during record
- SD cards - this is debateable, but having own 96 gigs of CF cards already, having to fork out extra for new memory media isn't something I prefer to do. - lack of high speed SD card readers, like FW800 CF card readers that lexar / sandisk already offers.
- White balance color shift adjustment in video mode.
- Lack of dedicated white balance button like on 7D / 5D.
- Video mode option far away from manual / av / tv option on the scroll wheel.
- Video mode has no custom registered setting like on 5D you have 3 available, so I can't do 720p and 1080p quick setting.
Comments / questions welcome!
- Having ran 60D continuous for 3 hours straight - NO OVERHEATING YET.. room temperature.. pretty pleased about that, especially having sold my 7D due to the overheating issues for wedding / event video that I do.
- Good size & Weight
- HDMI output switches to SD on record, and changes aspect ratio. When plugged onto my Lilliput LCD monitor, it gives a 1-2 second pause as it switches resolution - WHICH IS REALLY REALLY ANNOYING! would appreciate any tips on this. Composite out works ok, but its really at a much lower quality of image compared to HDMI on SD. I can't really tell critical focus at all with composite out because its so fuzzy.
- Video mode has no white balance colour shift option - for my 5D mark 2 this is accessible straight from the menu. I tend to shift +3 green on white balance for a more of a filmic look it.
- Dont cheap out on SD cards. Having considered Adata brand, transcend brand etc.. decided to fork out double or triple the price for a class 10 32gb sd card from Sandisk. Having the assurance of sandisk because footage is too important to lose or corrupt for non-repeatable events! having said that, my first class 10 sd card was transcend which I have to say I have not had any trouble with at all with under buffering. So thats now my backup card, with the 32gb sd card being the main.
- Steadicam on a merlin. After comparing the canon 14mm f2.8 L, Tokina 11-16 f2.8 and Canon EFS 10-22 f3.5-f4.5 instore heres my take. Basically comparing all 3 lenses at 14/15mm.
- This relates to a previous post I had on which Charles Papert kindly answered my questions.
http://www.dvinfo.net/forum/canon-eos-7d-hd/485384-canon-14mm-l-tokina-11-16mm-steadicam-60d-7d-hyperfocal-distance-query.html
- Canon 14mm f2.8 L - no doubt the best lens for steadicam if budget is not an issue. Tremendously sharp, low distortion, True L class lens. But weighing the price / Return on Investment / value, this seems to be ultra luxury item, which leaves two real contenders which is the below two lenses
- Tokina 11-16mm f2.8 - having owned this from my 7D days, awesome sharpness, low light performance, build quality. But what really ticked me off was the distortion at 14/15mm its really stretched badly at the sides. At the pretty much the same price on the 2nd hand market as the 10-22mm it was a close call, but I chose the 10-22mm EFS from Canon for the following reasons
- Canon 10-22mm f3.5-f4.5. - I pretty much bought this lens primarily for steadicam. at 14mm this has the same hyperfocal distance as Canon 14mm f2.8 L. Since on steadicam, everything need to be stopped down anyway to about f11 at 14mm for a 1m hyperfocal for a crop sensor camera, the extra half stop of light of Tokina wasn't that much of an advantage. After testing and comparing the distortion at 14/15mm between this and Tokina, i have to say Canon is the marginal winner.
- Compared to 5D2+16-35mm combo: My 60D + 10-22mm is alot lighter than the 5D2 combo, having shorter hyperfocal distance than the 5D2 at 24mm, this allows for slight better low light performance on a steadicam.
- Light weight!!! my 60D + 10-22mm combo is only 1.16kg. Compared to 1.4-1.5kg of the 5D2 + 16-35mm combo. This means I lose one mid weight on the nose, and on mid weight on the spar of the merlin. That is alot of counter weight reduced, which improves long merlin operation sessions.
All in all, I'm absolutely stoked with the 60D, highly recommended.
Quick [likes] which I am sure many of you guys already would have read up,
- Manual audio
- 720/50/60p
- 1080/24/25p
- the flipout screen @ higher resolution than 5D
- two scroll wheels, which gives it more of a 5D feel than the 550D which its buttons which I dislike.
- Crop factor! - one of the main reasons I got this as a B roll camera, reach further without buying expensive lenses.
- Dial in K white balance - one of the things I did not like about 550D was this.
- iso in 1/3 stop increments, just like the 5D / 7D. which 550D does not have i think (could be wrong)
- PRICE!! - Very well priced... considering other attributes above, it was a no brainer.
Dislikes
- lack of HD hdmi output during record
- SD cards - this is debateable, but having own 96 gigs of CF cards already, having to fork out extra for new memory media isn't something I prefer to do. - lack of high speed SD card readers, like FW800 CF card readers that lexar / sandisk already offers.
- White balance color shift adjustment in video mode.
- Lack of dedicated white balance button like on 7D / 5D.
- Video mode option far away from manual / av / tv option on the scroll wheel.
- Video mode has no custom registered setting like on 5D you have 3 available, so I can't do 720p and 1080p quick setting.
Comments / questions welcome!