Philip Howells
August 28th, 2010, 11:19 PM
For some time I've been trying to overcome the confusion caused by the MRC-1 numbering files from 0001. As you know the Sony MRC-1 units allow us to insert the camera number as a fixture. Thus with the date and time (not TC) of the clip its name looks a bit like:
01_0001_2010_08_27_144521.
If, like us you typically use four CF cards per camera per wedding, you can have four files each starting 01-0001 etc. They are distinguished only by the time (and the date if it runs past midnight). Of course you can expand the column to read the entire line but that's a real drag.
So, this time I numbered the MRC-1s 01, 05 and 09 then, before importing the clips into Avid, edited camera 1's second card's files to 02, the third card's to 03 etc. Camera 2's cards were already coded 05 so all that had to be done was to rename its second card's files to 06 etc.
Because we don't, unless desperate, use cards out of sequence, the result is that I have three groups of files in true chronological order.
It does, of course, add some prep time but I believe the result will be a rack much easier to navigate.
01_0001_2010_08_27_144521.
If, like us you typically use four CF cards per camera per wedding, you can have four files each starting 01-0001 etc. They are distinguished only by the time (and the date if it runs past midnight). Of course you can expand the column to read the entire line but that's a real drag.
So, this time I numbered the MRC-1s 01, 05 and 09 then, before importing the clips into Avid, edited camera 1's second card's files to 02, the third card's to 03 etc. Camera 2's cards were already coded 05 so all that had to be done was to rename its second card's files to 06 etc.
Because we don't, unless desperate, use cards out of sequence, the result is that I have three groups of files in true chronological order.
It does, of course, add some prep time but I believe the result will be a rack much easier to navigate.