Ok, I'm testing equipment for a shoot which starts in 1 week. I tested all the equipment a few weeks ago, and everything was perfect.

I have AT899 microphones and NX5U cameras. I'm using phantom power.

I'm using LiveWire XLR cables to connect the microphones. They're 20 feet long. I have 3 that I got about 5 years ago and one new one. The new one seems thicker and more rubbery, the older 3 are thinner and feel more like vinyl. The connectors all look the same.

Now, when I hook everything up, I get a very loud 60Hz buzz. The one new (thicker) XLR cable is perfectly, and I mean *perfectly* quiet, not even the suggestion of a noise. The 3 older ones buzz very loudly. But everything was perfect when I tested it about 3 weeks ago, not a peep.

I tried switching microphones, I tried switching cameras, it all seems to come down to the cables.

I don't get it, how can I have 3 bad cables? Is LiveWire a bad brand? Or is something else going on?

If I switch the two cables (same microphone, same camera), the buzz goes with the cable, the other system is perfectly quiet with the one "good" cable.

I just tested 2 shorter cables I have, one is another LiveWire and the other is a cheapo one that came with something, and those two are also perfectly quiet.

I thought XLR was supposed to get rid of the 60Hz buzz. And I don't get how I could have *3* bad cables.

Are there different types that are wired differently or something? And I don't see how I could have missed this in my previous testing...

One last thing... If I plug in ONLY the cable (with no microphone on the end), the 3 "bad" cables buzz so loudly that I can hear the headphones across the room, but the 3 "good" cables don't even have a hint of 60Hz while wearing the headphones with the volume all the way up. It doesn't make a difference if phantom power is on or off.

Help!

So first, how and what are you connecting? Microphone>cable>cam input? or is there more to it?

If you are having problems with just the mic>cable>cam, and the problem follows the cable used, then yes you seem to have several bad cables or a remote possibility of a bad connection inside your camera connector. Does wiggling the connections on both ends of the "bad" cable affect any change? If there are more items in the chain, then certain combinations could reveal a problem that may or may not be a bad cable.

Do you have a cable checker, or a simple volt-ohm meter? I would start with checking each pin of the cable for continuity, and to make sure there are no shorts between pins or shell. Compare your findings to a known good cable. Wire can break down over time resulting in shorts or non-continuity. Kinking the cable sharply or crushing (ever run over one with your car?) can cause problems in the wire sometimes. If you find a problem you can disassemble the ends and inspect the connections within. XLR is pretty simple, and I find a quick soldering job will usually cure any problem identified.

Good for you for checking things ahead of time. Always easier to deal with a problem when the camera isn't rolling...

Is the camera running on battery or the ac adapter? Is the venue you are checking the cables in the same as the previous check? Perhaps the three cables aren't shielded as well as the others and during the prior test, there wasn't any electrical noise present?

Just one layman's thoughts....

This is why we have cable testers. At the very least, use a meter to test the bad cables. In particular, it sounds like the cable shield has become disconnected from the XLR pin 1 ground. This is a rather common failure mode and the solution is to simply repair the broken connection. Its not rocket surgery. If you were here in PDX, I would offer to fix them for you. Shouldn't take 10 minutes to fix all of them.

Venue is the same (my living room), and the cameras are running off AC (I've never even charged the batteries that came with them).

Wiggling things doesn't seem to make any difference.

The cables have never been abused, they've been in storage almost all of the 5 years that I've had them. I don't kink or run over them.

Yes, it is just microphone>cable>camera. Actually, as I said, the problem occurs with just cable>camera, you can't get much simpler than that. I tried both inputs on both cameras, same thing happens, 3 bad cables and 1 good cable. Phantom power on or off, same thing. I can hear the buzz change if I move the cable, so it's picking up interference from the room.

The cables seem to be ok, except there doesn't seem to be any shell-to-shell continuity (the big metal outside part of the plug), although the good one doesn't have that either. It's hard to make contact with the female side, but the probe on my meter is much smaller than an XLR pin.

I did leave them plugged into the microphones while in storage, do you suppose that stretched out the contacts? Perhaps electrolytic corrosion? That couldn't be the problem though, since even just a cable has the problem, with the female end unplugged.

I opened one of the plugs, and the soldering is sloppy but still looks like it makes a good connection.

I guess I'll just buy new cables and hope for the best. Any suggestions for a brand that's better than Live Wire?

Ok, I think I found the problem. It looks like the shield is in fact connected to pin 2 instead of pin 1. In the "good" cable it's connected to pin 1.

So, I'll never buy LiveWire again. Can you guys tell me a brand that doesn't suck?

Thanks for the help.

I'm still trying to figure out how I missed this during testing... I think I was using one of the shorter cables for one of the cameras, and didn't check the audio when I was using one of the mis-wired cables. I'm glad I decided to do a final "dress-rehearsal" test in the exact configuration I plan to use.

Curse LiveWire! Curse them!

This is why we have cable testers. At the very least, use a meter to test the bad cables. In particular, it sounds like the cable shield has become disconnected from the XLR pin 1 ground. This is a rather common failure mode and the solution is to simply repair the broken connection. Its not rocket surgery. If you were here in PDX, I would offer to fix them for you. Shouldn't take 10 minutes to fix all of them.

Do you think your tester would have detected this mis-wiring? It would take more than a continuity test.

If the cable was mis-wired at BOTH ends a tester would not have picked it up, but if only one end was mis-wired it probably would. In a straight XLR M->F cable, pin 1 goes to pin 1 (shield), 2 to 2 (signal hot), 3 to 3 (signal cold) is correct.

Yes, it was mis-wired at both ends. That's why it sort-of worked, and made it hard to figure out.

Which is why i suggested taking a look inside...never know what your gonna see in there. And yes it would have passed a simple continuity test, but you were having problems none the less. There's always an answer for audio issues-sometimes they are very difficult to find.

So why buy new cables? just resolder to the correct pins and be done with it...the best brand here are the ones i make from scratch ;-) but when pinched for time I've bought from speakerrepair.com, the GLS stuff. bought the first batch as disposable for a high risk job but am still using them. cheap and not to bad. YMMV.

Yes, it was mis-wired at both ends.

That reminds me of an experience at NAB, back in the mid-80s.

As a Grass Valley engineer, I had developed a prototype distribution amplifier for parallel D1 signals. It used a 25-pin connector that included ten twisted pairs. We had loaned a couple to Sony for the show. Unfortunately, there were problems in getting the signal from end to end. All the tests, including cable checks came up clean.

Finally, we figured it out. The cable was wired with perfect connectivity. However, the twisted pairs were all mixed up. Bit 0+ might be twisted with Bit 7- and so on. Talk about a brain scratcher! Once the pairs were matched (Bit 0+ with Bit 0-), it worked like a charm. :)

The lesson learned: never trust a cable - even when the ohm-meter says it's golden.

Awesome cables:

Audio-Technica 3-pin XLR Male to 3-pin XLR Female AT8314-25 -

That reminds me of an experience at NAB, back in the mid-80s.

As a Grass Valley engineer, I had developed a prototype distribution amplifier for parallel D1 signals. It used a 25-pin connector that included ten twisted pairs. We had loaned a couple to Sony for the show. Unfortunately, there were problems in getting the signal from end to end. All the tests, including cable checks came up clean.

Finally, we figured it out. The cable was wired with perfect connectivity. However, the twisted pairs were all mixed up. Bit 0+ might be twisted with Bit 7- and so on. Talk about a brain scratcher! Once the pairs were matched (Bit 0+ with Bit 0-), it worked like a charm. :)

The lesson learned: never trust a cable - even when the ohm-meter says it's golden.

This can happen with ethernet, since the twisted pairs act as their own shielding, and there are cable testers that can check for it. I think they start around $4,000. They can even tell you things like how long the cable is, how much of it is untwisted at the connection at each end, exactly where it's kinked (even if it's not broken), and a bunch of technical stuff.

So, I'll never buy LiveWire again. Can you guys tell me a brand that doesn't suck?
There is no brand that can guarantee that a mis-wire like that won't escape from the factory. This is a fluke. LiveWire is generally regarded as being a very sensible brand where you get excellent value for the price.

I make all my own cables because its fun and I'm cheap, but if I had to buy them off the peg, A brand like Live Wire (or Redco or Whirlwind, etc.) would certainly be preferable to the high-price rip-offs like "Monster" or the low-ball stuff like Hosa, et.al. A failure like this would NOT put me off buying LiveWire again. I can practically guarantee that LiveWire will take it back and either repair or replace it. Nobody wants to see that kind of thing happen.

..So, I'll never buy LiveWire again. Can you guys tell me a brand that doesn't suck?

Thanks for the help.

As Richard said, things can slip through QC with any manufacturer.

I've been happy with Remote Audio cables; they use Canare cable and Neutrik connectors.

I bought one new cable for the shoot (since I only need two), and I'm going to pay my friend $20 to re-solder the 3 messed up ones, to have as spares and for future projects. He's better at it than I am, I tend to make a mess out of it, even after lots of practice.

Shielding is king with casbles... Have a cable that is poorly shielded and you can have major buzz issues from a number of sources. Interference can come from a number of sources. They range from the most common being electrical noise or multiple grounds in a system (common in music applications because the rigs are so large) to things like cellular telephones.

I find there are a number of "quality" cables out there that have shielding issues- the worst for me being Mogami cable. Fantastic sound, easy to coil and work with, but the shielding sucks. Canare Star Quad will resist just about anything, the german cable Sommercable is even better when you see how it's made.

The other thing to be aware of is if the shield is attached to the shell of the XLR. There is a school of thought that likes this- especially in production sound, but I prefer to keep all of my grounds away from the shells. Can open up too many problems in harsh enfironments for interference and in locations where multiple grounds are a bad thing.

These days I make my own cables, but a place like Markertek will have good workmanship and good quality wire.

--Ben

I'm telling you the Audio Technica cables are great! They are thicker than most cables, which results in them lasting longer. The connectors are hearty, and they are shielded. To spend any more would be falling for hype. I've never had an AT cable fail after 20 years.

(My two cents) I make most of my cables with Canare star-quad. w/ Neutrik XLRs. Relatively cheap in bulk.
I've had some for twenty years or more, though some of the the Neutrik boots need replacing. I also have couple of the AT premium cables, they are very nice, however not as quite easy to coil-up as the Canares'.