Marty Baggen
May 9th, 2010, 08:14 AM
I have been scolded for being snarky. How could anyone be a CS4 survivor and not?
I have been a very harsh critic of Adobe (for explanation... see above). The irony of being a "faithful customer" since Premiere 3.0 is certainly not lost on me. I am also an unapologetic fan of Cineform, both of their product and their business approach. I would wager I am not the only one on this forum that would have completely parted ways with Adobe were it not for their innovation.
It reached a point where I actually joined the Edius 5 contingent. It's a fantastic software, and it has now taken it's place on a portable system that is companion to the EX1 on out of town projects that benefit from rough client edits at the end of each day.
When CS5 was announced, and snippets began to trickle out about the sky high hardware requirements, I took an attitude of... "okay... some great performance, but it's going to cost a bundle". And none of it mattered if stability and some of the awkward work flows weren't addressed.
At this point I should say that CS4 on a 64-bit machine made huge strides in stability which was a welcomed respite from seemingly constant crashes on ample hardware of virtually all previous incarnations of Premiere.
Which brings us to the CS5/Neo 5 combination. Working with a trial-beta combo on a very, very humble workstation, I feel like I have been provided a brand new tool box with all the components. A two year old Core Two Duo with only 4gb of RAM and a cheap ATI video card aren't enough of an obstacle to see nearly flawless (albeit single track) video playback of my HDLink converted 1080p EX footage. I say "nearly", because on a occasion, it appears that the video track has to "ramp up" for a second or two before complete fluidity kicks in.
This is a long post, but it has been a long winding trip. First of all, congrats and thanks to all of the Cineform crew. We see a few of their names on a regular basis here... I'm sure there are others behind the scenes that deserve a ton of thanks as well. Thanks and kudos to Adobe. They have transformed Premiere into a responsive tool, and they clearly listened to editors by tweaking some of the work flow.
I think the only area where Adobe may have slipped was in the pre-release information flow. Instead of touting the 20 tracks of realtime video with expensive and limited selection hardware, they should have been getting the word out how responsive CS5 was with a fairly spartan setup. I very nearly had my order placed for new motherboard, i7 processor, 24gb of RAM, and a top of the line CUDA video card. After demo, I now know that a GTX285 and RAM increase to maybe 12gb is all I need. A painless upgrade (no relicensing/registering OS and softwares), and easy on the pocketbook.
Stephen, Adam... and there's many more of you, whom dealt with the frustrations of the last 18 months and the black hole of CS4 and shared our frustration and skepticism here. I think our struggles may be over at last. I said that if this new release of CS5 together with the revamped Neo line (thank you for the free upgrade Cineform) worked as billed, I would be back here singing it's praises. It is well deserved.
I have been a very harsh critic of Adobe (for explanation... see above). The irony of being a "faithful customer" since Premiere 3.0 is certainly not lost on me. I am also an unapologetic fan of Cineform, both of their product and their business approach. I would wager I am not the only one on this forum that would have completely parted ways with Adobe were it not for their innovation.
It reached a point where I actually joined the Edius 5 contingent. It's a fantastic software, and it has now taken it's place on a portable system that is companion to the EX1 on out of town projects that benefit from rough client edits at the end of each day.
When CS5 was announced, and snippets began to trickle out about the sky high hardware requirements, I took an attitude of... "okay... some great performance, but it's going to cost a bundle". And none of it mattered if stability and some of the awkward work flows weren't addressed.
At this point I should say that CS4 on a 64-bit machine made huge strides in stability which was a welcomed respite from seemingly constant crashes on ample hardware of virtually all previous incarnations of Premiere.
Which brings us to the CS5/Neo 5 combination. Working with a trial-beta combo on a very, very humble workstation, I feel like I have been provided a brand new tool box with all the components. A two year old Core Two Duo with only 4gb of RAM and a cheap ATI video card aren't enough of an obstacle to see nearly flawless (albeit single track) video playback of my HDLink converted 1080p EX footage. I say "nearly", because on a occasion, it appears that the video track has to "ramp up" for a second or two before complete fluidity kicks in.
This is a long post, but it has been a long winding trip. First of all, congrats and thanks to all of the Cineform crew. We see a few of their names on a regular basis here... I'm sure there are others behind the scenes that deserve a ton of thanks as well. Thanks and kudos to Adobe. They have transformed Premiere into a responsive tool, and they clearly listened to editors by tweaking some of the work flow.
I think the only area where Adobe may have slipped was in the pre-release information flow. Instead of touting the 20 tracks of realtime video with expensive and limited selection hardware, they should have been getting the word out how responsive CS5 was with a fairly spartan setup. I very nearly had my order placed for new motherboard, i7 processor, 24gb of RAM, and a top of the line CUDA video card. After demo, I now know that a GTX285 and RAM increase to maybe 12gb is all I need. A painless upgrade (no relicensing/registering OS and softwares), and easy on the pocketbook.
Stephen, Adam... and there's many more of you, whom dealt with the frustrations of the last 18 months and the black hole of CS4 and shared our frustration and skepticism here. I think our struggles may be over at last. I said that if this new release of CS5 together with the revamped Neo line (thank you for the free upgrade Cineform) worked as billed, I would be back here singing it's praises. It is well deserved.