Andrew Allsbury
May 4th, 2010, 07:09 PM
Ladies & Gentlemen,
I recently drank the DSLR coolaid. I purchased a t2i for still images and instantly fell in love with its video capabilities, over the past few weeks I have used the t2i on several small projects and really have hit only one major snag (not major enough to become un-excited, but major) and that is hair moire! I shoot a lot of docu. style interviews for webisodes...promos...etc and recently have been running into rainbow colored hair (on head) moire constantly! Up until this point I have attacked the problem in post by using channel blur, gaussian blur, black diffusion, down rez to 720, etc. BUT having been in video for about 10 years and having worked through complete nightmares (like 35mm adapters) several times I would imagine that there are things that can be done during production to lessen these problems (angles, exposure, lighting, focus, etc). What has been everyone else's experiences and what are your suggestions??
Thank you!
I recently drank the DSLR coolaid. I purchased a t2i for still images and instantly fell in love with its video capabilities, over the past few weeks I have used the t2i on several small projects and really have hit only one major snag (not major enough to become un-excited, but major) and that is hair moire! I shoot a lot of docu. style interviews for webisodes...promos...etc and recently have been running into rainbow colored hair (on head) moire constantly! Up until this point I have attacked the problem in post by using channel blur, gaussian blur, black diffusion, down rez to 720, etc. BUT having been in video for about 10 years and having worked through complete nightmares (like 35mm adapters) several times I would imagine that there are things that can be done during production to lessen these problems (angles, exposure, lighting, focus, etc). What has been everyone else's experiences and what are your suggestions??
Thank you!