Leo Baker
March 23rd, 2010, 01:26 PM
Hello,
I have a music video shot on the Canon 5dmk2, using these settings
1. 30p before the 29.97 firmware
24p 23.976 after the new firmware
How can I convert the 30p recorded material into 23.976p? I want all my 30p footage to be 23.976 to match the rest of the project filmed when the new firmware was released for the camera.
I tried using HDLINK in Prospect HD using the frame rate change of 30 - 24p, when I played back the footage the converted 30p to 24p it was slow motion and the audio then does not sync to the music track I have in Adobe Premiere pro cs4.
The new footage is to slow to match up, is there a better way or settings that i need to enable?
2. The 30p and 24p Quicktime files from the card were converted in HDLINK, then coloured in Firstlight.
I am on my own machine and I only have the original files which will need converting into Cineform again, as the work was done at 1280x720 at medium quality when the colouring was done on a seeprate computer.
How can I work with the same colour database which were applied to these clips on the first computer on my computer setup? How does Firslight keep track of the meatdata/colour corrections in Firstlight to clips, is this only avaiable on the system that did the initial corrections?
Thanks,
Leo
I have a music video shot on the Canon 5dmk2, using these settings
1. 30p before the 29.97 firmware
24p 23.976 after the new firmware
How can I convert the 30p recorded material into 23.976p? I want all my 30p footage to be 23.976 to match the rest of the project filmed when the new firmware was released for the camera.
I tried using HDLINK in Prospect HD using the frame rate change of 30 - 24p, when I played back the footage the converted 30p to 24p it was slow motion and the audio then does not sync to the music track I have in Adobe Premiere pro cs4.
The new footage is to slow to match up, is there a better way or settings that i need to enable?
2. The 30p and 24p Quicktime files from the card were converted in HDLINK, then coloured in Firstlight.
I am on my own machine and I only have the original files which will need converting into Cineform again, as the work was done at 1280x720 at medium quality when the colouring was done on a seeprate computer.
How can I work with the same colour database which were applied to these clips on the first computer on my computer setup? How does Firslight keep track of the meatdata/colour corrections in Firstlight to clips, is this only avaiable on the system that did the initial corrections?
Thanks,
Leo