Leigh L Pang
July 8th, 2005, 02:16 PM
Hello folks, first time poster here. Just discovered this board a couple days ago and been taking it in. Learned a lot and had many questions answers from the wealth of old posts but I've got some new ones that are more specific to my situation I could use some more experienced insight on.
The project I'm going to be shooting a martial arts instructional video with a Canon GL1 and will be editing on Final Cut Pro 3. This won't be the first time I've done this with this particular camera, but I'd really like to improve on the last time which was the first time I'd edited any film. The subject is my father, so I'm both trapped in the job and wanting to do the best I can.
The Questions:
1) Frame Mode or Normal?
I guess I could just shoot normal mode and not think twice, I have the idea that frame mode's motion qualities might work out aesthetically better. Possibly more graceful-looking? There won't be any fast motion as it's not hard style so strobing shouldn't be an issue. I'm familiar with the poor man's deinterlacing technique in post, but if 30p were the better way to go, I'd rather save myself the rendering time and just shoot in frame mode.
2) Is it true that dialing down the GL1's sharpness control only softens the image and doesn't actually turn own the camera's electronic edge enhancement?
I've read conflicting things about this on the boards.
3) Poor man's looping vs low end wireless lavalier: which is the lesser evil?
Part and parcel of my father's style of instruction is to talk while doing the form. Limited resources as well as the realities of how he has to move make capturing live sound troublesome at best, so I'd been planning to loop his speech in afterward. Having balked many times at the cost of wireless lavaliers, I got a Tascam US122 and a Studio Projects B1 mic to handle that end. Recently though, I noticed the low price end of wireless lavs is now under $150 for an Azden model. You can see it here: http://www.pricegrabber.com/search_getprod.php/masterid=2268543
Would such a unit be worthwhile? The sound quality doesn't have to be excellent, just doable, and if I could record live sound, that'd save the trouble of looping.
4) Are any sub-$500 cameras able to stand up as second camera to the GL1?
The nature of what I'm shooting would make it really nice to a have a second camera, but my budget is small to none. I couldn't afford anything much, but if a 1 CCD camera's footage won't harmonize with the GL1's, then I won't bother even thinking about it.
5) Should I instead be dreaming and scrimping for a GL2 and asking if the GL1 will stand up as second camera for the GL2?
It's dreaming, but I might as well ask.
Thanks in advance for any insights.
The project I'm going to be shooting a martial arts instructional video with a Canon GL1 and will be editing on Final Cut Pro 3. This won't be the first time I've done this with this particular camera, but I'd really like to improve on the last time which was the first time I'd edited any film. The subject is my father, so I'm both trapped in the job and wanting to do the best I can.
The Questions:
1) Frame Mode or Normal?
I guess I could just shoot normal mode and not think twice, I have the idea that frame mode's motion qualities might work out aesthetically better. Possibly more graceful-looking? There won't be any fast motion as it's not hard style so strobing shouldn't be an issue. I'm familiar with the poor man's deinterlacing technique in post, but if 30p were the better way to go, I'd rather save myself the rendering time and just shoot in frame mode.
2) Is it true that dialing down the GL1's sharpness control only softens the image and doesn't actually turn own the camera's electronic edge enhancement?
I've read conflicting things about this on the boards.
3) Poor man's looping vs low end wireless lavalier: which is the lesser evil?
Part and parcel of my father's style of instruction is to talk while doing the form. Limited resources as well as the realities of how he has to move make capturing live sound troublesome at best, so I'd been planning to loop his speech in afterward. Having balked many times at the cost of wireless lavaliers, I got a Tascam US122 and a Studio Projects B1 mic to handle that end. Recently though, I noticed the low price end of wireless lavs is now under $150 for an Azden model. You can see it here: http://www.pricegrabber.com/search_getprod.php/masterid=2268543
Would such a unit be worthwhile? The sound quality doesn't have to be excellent, just doable, and if I could record live sound, that'd save the trouble of looping.
4) Are any sub-$500 cameras able to stand up as second camera to the GL1?
The nature of what I'm shooting would make it really nice to a have a second camera, but my budget is small to none. I couldn't afford anything much, but if a 1 CCD camera's footage won't harmonize with the GL1's, then I won't bother even thinking about it.
5) Should I instead be dreaming and scrimping for a GL2 and asking if the GL1 will stand up as second camera for the GL2?
It's dreaming, but I might as well ask.
Thanks in advance for any insights.