Nathanael Iversen
February 11th, 2010, 03:19 PM
I've never posted in this forum before, which is a huge compliment to the many wise folk who dish out advice here.
I shoot HD with a 7D, and was able to ascertain from reading past posts that I wasn't going to get the results I wanted without buying decent gear. So, I've invested in a Sachtler FS6 system (based in large measure on the strong reviews here) and am quite pleased. The unit reeks of quality and precision, and delivers what I expected.
I made the same kind of decision regarding shoulder mounting kits and went with Zacuto.
I have no regrets about joining the "I paid more for support equipment than my digitizing codec (camera body)" club. It has been this way in pro audio for years. Spend big money for physical items and less on anything digital. Mics and preamps are where to sink coin on that side of the fence. Here it seems to be spend for lenses, support and audio/lighting stuff. Great digitizing devices (camera bodies) are now relatively cheap and really shouldn't be a driving cost factor in assembling a rig.
I shoot HD with a 7D, and was able to ascertain from reading past posts that I wasn't going to get the results I wanted without buying decent gear. So, I've invested in a Sachtler FS6 system (based in large measure on the strong reviews here) and am quite pleased. The unit reeks of quality and precision, and delivers what I expected.
I made the same kind of decision regarding shoulder mounting kits and went with Zacuto.
I have no regrets about joining the "I paid more for support equipment than my digitizing codec (camera body)" club. It has been this way in pro audio for years. Spend big money for physical items and less on anything digital. Mics and preamps are where to sink coin on that side of the fence. Here it seems to be spend for lenses, support and audio/lighting stuff. Great digitizing devices (camera bodies) are now relatively cheap and really shouldn't be a driving cost factor in assembling a rig.