Ashley Briggs
February 6th, 2010, 01:23 PM
Hi,
I need a monitoring solution to these issues (background of my shooting style underneath);
Grading in post.
Focusing on set - or for focus puller.
Precision camera set up (knee etc) prior to shoots for very different 'looks' + camera\lens evaluations etc.
Focusing / directors monitor / general whilst in harsher locations.
All round production monitoring when in the studio or non-harsh locations (ie for other crew such as art directors and for general camera-dept compositional and checking).
Exposure monitoring with at least wavelength controls. Vector would be excellent.
Lighting aid on set.
These are all important.
I have about £3K set aside for this. My current thoughts are;
JVC DT-V17L3D LCD 17" Monitor HD.... together with a SmallHD DP1.
2 monitors for separate jobs, then maybe coming together on certain 'big' shoots.
Considerations;
They have to be 'tough' and industry spec.
Probably last 5-8 years (technology, and to a degree build quality).
[I mostly shoot on Ex1 and / or Lumix GH1 + 35mm lenses. I shoot on other formats including F900r's at times. I take a lot of pride in my work, and its mostly short films and artists films - so very 'visual'. Rather embarassingly though I have never monitored that much - especially in post. Although I do use hired in field monitors and have a mostly used On Location (tethered to a laptop + time delay = very annoying). Its probably always HD now. I currently use a 1yr old iMac 24" and a macbookpro 15". FCP Studio.
My questions;
Is this overkill?
Do I need anything else to go with a DT-V17L3D to give me great images whilst using FCP on either of my apples? (Connectivity).
Is a DT-V17L3D good enough for grading?
How tough, weather proof etc is the DP1?
Anything worth mentioning other than the JVC? CRT even - although HD?
This JVC has a contrast ration of 600:1. There is a new model out with Vector monitoring and a CR of 900:1. Is that worth £1000 extra that they ask for?
Thanks for any replies. I am a bit lost on this subject and any help would be really great.
Thanks, Ash.
I need a monitoring solution to these issues (background of my shooting style underneath);
Grading in post.
Focusing on set - or for focus puller.
Precision camera set up (knee etc) prior to shoots for very different 'looks' + camera\lens evaluations etc.
Focusing / directors monitor / general whilst in harsher locations.
All round production monitoring when in the studio or non-harsh locations (ie for other crew such as art directors and for general camera-dept compositional and checking).
Exposure monitoring with at least wavelength controls. Vector would be excellent.
Lighting aid on set.
These are all important.
I have about £3K set aside for this. My current thoughts are;
JVC DT-V17L3D LCD 17" Monitor HD.... together with a SmallHD DP1.
2 monitors for separate jobs, then maybe coming together on certain 'big' shoots.
Considerations;
They have to be 'tough' and industry spec.
Probably last 5-8 years (technology, and to a degree build quality).
[I mostly shoot on Ex1 and / or Lumix GH1 + 35mm lenses. I shoot on other formats including F900r's at times. I take a lot of pride in my work, and its mostly short films and artists films - so very 'visual'. Rather embarassingly though I have never monitored that much - especially in post. Although I do use hired in field monitors and have a mostly used On Location (tethered to a laptop + time delay = very annoying). Its probably always HD now. I currently use a 1yr old iMac 24" and a macbookpro 15". FCP Studio.
My questions;
Is this overkill?
Do I need anything else to go with a DT-V17L3D to give me great images whilst using FCP on either of my apples? (Connectivity).
Is a DT-V17L3D good enough for grading?
How tough, weather proof etc is the DP1?
Anything worth mentioning other than the JVC? CRT even - although HD?
This JVC has a contrast ration of 600:1. There is a new model out with Vector monitoring and a CR of 900:1. Is that worth £1000 extra that they ask for?
Thanks for any replies. I am a bit lost on this subject and any help would be really great.
Thanks, Ash.