Al Osmond
October 26th, 2002, 02:41 PM
My mind goes blank when I try to get my head round microphone impedances. Could some sound engineer please help with this one?
Using an XL1s with MA200, I have tried connecting a camera-mounted Sennheiser MKE300 into one channel and a fishpole-mounted Sennheiser K6/ME67 into another, hoping to use the balance control to match the levels.
Alas, while the K6 gives excellent audio, the MKE300 always produces a significantly lower level.
Belatedly (?) studying the specifications I find that the K6 is nominally 200 Ohm (Minimum terminating impedance 1K Ohm), while the MKE300 is 2K Ohm, (suitable for 2K7 Ohm systems).
Is this the source of the problem? I am aiming to buy a second K6, maybe with a short module, for use on the camera. The MKE300 doesn't inspire any confidence in its robustness; it feels like a plastic toy. In fact, when the battery expires I will have to throw it away as the plastic cap refuses to unscrew and will probably snap off as soon as force is applied. If anyone wants it I will throw it in their direction. :)
Al
Using an XL1s with MA200, I have tried connecting a camera-mounted Sennheiser MKE300 into one channel and a fishpole-mounted Sennheiser K6/ME67 into another, hoping to use the balance control to match the levels.
Alas, while the K6 gives excellent audio, the MKE300 always produces a significantly lower level.
Belatedly (?) studying the specifications I find that the K6 is nominally 200 Ohm (Minimum terminating impedance 1K Ohm), while the MKE300 is 2K Ohm, (suitable for 2K7 Ohm systems).
Is this the source of the problem? I am aiming to buy a second K6, maybe with a short module, for use on the camera. The MKE300 doesn't inspire any confidence in its robustness; it feels like a plastic toy. In fact, when the battery expires I will have to throw it away as the plastic cap refuses to unscrew and will probably snap off as soon as force is applied. If anyone wants it I will throw it in their direction. :)
Al